Maglalatik
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Maglalatik
The ''Maglalatik'' (also known as ''Manlalatik'' or ''Magbabao'') is a folk dance from the Philippines performed by male dancers. Coconut shell halves are secured onto the dancers' hands and on vests upon which are hung four or six more coconut shell halves. The dancers perform the dance by hitting one coconut shell with the other; sometimes the ones on the hands, the ones on the body, or the shells worn by another performer, all in time to a fast drumbeat. Maglalatik can be seen as a mock battle between the dancing boys. The dance is intended to impress the viewer with the great skill of the dancer. In some "Filipino Martial Arts" (FMA) circles, it is noted that the ''Maglalatik'' "consists of a trapping and boxing method hidden in a dance." The name of the dance means "latik-maker", from latik, a coconut product that is used in Filipino cooking. The dance is also a war dance depicting a fight between Moros and Christians over the latik. References See also *Music of the Ph ...
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Tinikling
Tinikling is a traditional Philippine folk dance which originated during the Spanish colonial era. The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance. It is traditionally danced to rondalla music, a sort of serenade played by an ensemble of stringed instruments which originated in Spain during the Middle Ages. The locomotor movements used in tinikling are hopping, jumping, and turning. Origin The name ''tinikling'' is a reference to birds locally known as '' tikling'', which can be any of a number of rail species, but more specifically refers to the slaty-breasted rail ('' Gallirallus striatus''), the buff-banded rail ('' Gallirallus philippensis''), and the barred rail (''Gallirallus torquatus''). The term ''tinikling'' literally means "to perform it ''tikling''-like." The dance originated in Leyte, Island in Visaya ...
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Latik
''Latík'' () refers to two different coconut-based ingredients in Filipino cuisine. In the Visayan region it refers to a syrupy caramelized coconut cream (coconut caramel) used as a dessert sauce. In the northern Philippines, it refers to solid byproducts of coconut oil production (coconut curds), used as garnishing for a variety of desserts. Visayan ''Latik'' ''Latík'' in its original sense in the Visayan languages literally means 'syrup' (equivalent to ''arnibal'' in Hiligaynon). It can refer to any type of thick sweetened liquids including jam. In the most common usage, however, ''latik'' means a syrupy condiment derived from reducing coconut milk and sugar. It is used much in the same way as syrup, in dishes like ''kalamay'' and '' suman''. It is usually Anglicized as "coconut caramel." A commercial version of the Visayan ''latik'' is marketed internationally as coconut syrup, though it should not be confused with coconut sugar derived from coconut sap. Tagalog ''L ...
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Folklore Of The Popular Heritage Of The State Of The Philippines 18
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstration. ...
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War Dance
A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare. Martial arts in various cultures can be performed in dance-like settings for various reasons, such as for evoking ferocity in preparation for battle or showing off skill in a more stylized manner. It could also be for celebration of valor and conquest. Many such martial arts incorporate music, especially strong percussive rhythms. War dances Examples of war dances include: :* Aduk-Aduk – Brunei :* Ardah – Arabian Peninsula, Kuwait :* Ayyalah – Arabian Peninsula :* Baris – Bali, Indonesia :* Bende War Dance – Nigeria :* Buza – Russia :* Blood walk – Bloods of United States :*Cakalele – Maluku, Indonesia :*Capoeira, as well as some similar Afro-Caribbean arts :* Cibi – Fiji :*Crip Walk – Crips of United States :*Dirk dance and Scottish sword dances – Scotland :* European sword danc ...
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Music Of The Philippines
The music of the Philippines ( fil, Musika ng Pilipinas) includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of different Asian, Spanish, Latin American, American, and indigenous influences. Philippine folk music has a strong Spanish and Latin American influence, derived from when the country was under the Spanish crown for over 300 years. Indigenous music Notable folk song composers include the National Artist for Music Lucio San Pedro, who composed the famous " Sa Ugoy ng Duyan" that recalls the loving touch of a mother to her child. Another composer, the National Artist for Music Antonino Buenaventura, is notable for notating folk songs and dances. Buenaventura composed the music for "Pandanggo sa Ilaw". Gong music Philippine gong music today can be geographically divided into two types: the flat gongs commonly known as ''gangs ...
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Cariñosa
The ''cariñosa'' (, meaning loving or affectionate) is a Philippine dance of colonial-era origin from the Maria Clara suite of Philippine folk dances, where the fan or handkerchief plays an instrumental role as it places the couple in a romance scenario. History The ''cariñosa'' originated in Panay Island and was introduced by the Spaniards during their colonization of the Philippines. It is related to some of the Spanish dances like the bolero and the Mexican dance ''jarabe tapatio'' or the Mexican hat dance. Bicolano ''cariñosa'' According to the book of Francisca Reyes-Aquino, ''Philippine Folk Dances'', Volume 2, there is a different version of the ''cariñosa'' in the region of Bicol. Reyes-Aquino is a Filipino folk dancer and cultural researcher who discovered and documented Philippine Traditional dances such as the Cariñosa. In the Bicol Region ''cariñosa'', hide and seek movement in different ways. In the original version, the dancers used the fan and handkerchi ...
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Dances Of The Philippines
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes t ...
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Culture Of Laguna (province)
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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