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Musée Sainte-Croix
The Musée Sainte-Croix is the largest museum in Poitiers, France. Planned by the architect poitevin Jean Monge and built in 1974, it stands at the site of the former Abbaye Sainte-Croix, which was moved to Saint-Benoît, Vienne. It is a constructed of concrete and glass, in the 1970s style. The museum hosts a permanent exhibition on periods from prehistory to the contemporary art, through the medieval period and the Fine arts. Major works include sculptures of Camille Claudel and Auguste Rodin, a reliquary vase from Saint-Savin-sur-Gartempe, paintings by Piet Mondrian and Odilon Redon and the stone sculpture of L'Âme de la France by Charles Marie Louis Joseph Sarrabezolles. History The first museum of the city of Poitiers was created in 1820. It then moved to the ground floor of the new town hall built at the end of the Second Empire. In 1947, a major donation by the Société des Antiquaires de l'Ouest considerably enriched the city's collections, regional archeology and n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Marie Louis Joseph Sarrabezolles
Charles Marie Louis Joseph Sarrabezolles (27 December 1888 – 11 February 1971), also known as ''Carlo Sarrabezolles'' (or Charles or Charles-Marie), was a French sculptor. Life Sarrabezolles was born in Toulouse, studied at that city's École des Beaux-Arts (1904–1907), then from 1907 to 1914 at the École des Beaux-Arts in Paris, where he settled for good. In 1914 he was runner-up (''premier second'') in Prix de Rome competition. From 1914 to 1918, during World War I, he was held prisoner in Germany. In 1920 he married Nicole Cervi, with whom he had three children. In 1923 they moved into a studio at 16 rue des Volontaires where he remained until his death. A square there, in the 15th arrondissement of Paris, bears his name. His best-known work is probably '' The Soul of France'', which he executed in three different materials: the first in plaster in 1921, the second in stone in 1922, and the last in bronze in 1930. In 1926 the sculptor developed a method of direct carvin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Poitiers
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Vienne
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Local Museums In France
Local may refer to: Geography and transportation * Local (train), a train serving local traffic demand * Local, Missouri, a community in the United States * Local government, a form of public administration, usually the lowest tier of administration * Local news, coverage of events in a local context which would not normally be of interest to those of other localities * Local union, a locally based trade union organization which forms part of a larger union Arts, entertainment, and media * ''Local'' (comics), a limited series comic book by Brian Wood and Ryan Kelly * ''Local'' (novel), a 2001 novel by Jaideep Varma * Local TV LLC, an American television broadcasting company * Locast, a non-profit streaming service offering local, over-the-air television * ''The Local'' (film), a 2008 action-drama film * '' The Local'', English-language news websites in several European countries Computing * .local, a network address component * Local variable, a variable that is given loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In France
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ophelia
Ophelia () is a character in William Shakespeare's drama ''Hamlet'' (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet, who, due to Hamlet's actions, ends up in a state of madness that ultimately leads to her drowning. Along with Queen Gertrude, Ophelia is one of only two female characters in the original play. Name Like most characters in ''Hamlet'', Ophelia's name is not Danish. It first appeared in Jacopo Sannazaro's 1504 poem '' Arcadia'' (as ''Ofelia''), probably derived from Ancient Greek ὠφέλεια (''ōphéleia'', "benefit"). Plot In Ophelia's first speaking appearance in the play, she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants. Ophelia's father, Polonius, who enters while Laertes is leaving, also forbids Ophelia from pursuing Hamlet, as Poloni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Fromentin
Eugène Fromentin (24 October 182027 August 1876) was a French painter and writer, now better remembered for his writings. Life He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849, he was awarded a medal of the second class. In 1852, he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. His books include ' ("The Masters of Past Time", 1876), an influential appreciation of Early Netherlan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Broc
Jean Broc (1771–1850) was a French neoclassical painter. His most famous work, '' The Death of Hyacinthos'', was completed in 1801. Hyacinthus was a young male beauty and lover of the god Apollo. One day, while playing with a discus, Hyachinthus was struck with the object and consequently died. The painting depicts Apollo's mourning for his dead lover. Some myths link a jealous Zephyr to the incident, blaming his jealousy of Hyacinthus for a gust of wind resulting in the youth's death. Broc studied under Jacques-Louis David Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in ... and is well known for the cultivation of the intellectual group known as ''Les Primitifs'' (a.k.a. Barbus or "The Bearded Ones"). External links * 18th-century French painters French male pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of Hyacinthos
''The Death of Hyacinthos'', sometimes referred to as ''The Death of Hyacinth'', is an oil painting completed by Jean Broc in 1801. This is Broc's most famous work and is considered to be drawn from the ''Metamorphoses'' by Ovid. It is a depiction of the dead Hyacinthos cradled by his lover, the Greek god Apollo. In front of them is the discus which caused Hyacinth's death, which was thrown by Apollo himself. The discus had been blown off course by the west wind Zephyrus, who was also in love with young Hyacinthos and was jealous of Apollo. From Hayacinthos' blood sprang the Hyacinth flower which bears his name. It presently belongs in the collection of Poitiers and is often displayed at the Musée Sainte-Croix. Description The painting displays Apollo, recognizable by his red cape and lyre, cradling Hyacinth as he stumbles. Beside Apollo's feet is the discus which caused Hyacinth's death. The Zephyrus, or west wind, blows Apollo's cape. Around the figure's feet are scatte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Gauffier
Louis Gauffier (1762–1801) was a French painter. Born in Poitiers, he studied in Paris with the history painter Hughes Taraval before entering the Prix de Rome competition which he won in 1779 for ''Christ and the Woman of Canaan''. Apart from a brief return to Paris in 1789 he remained in Italy for the remainder of his life. In March 1790, he married his pupil Pauline Chatillon, who was herself a well-known painter. They had two children, one of whom became the Italian miniaturist painter Faustina Malfatti (1792-1837). Gauffier initially settled in Rome, but popular unrest following the execution of Louis XVI led him to flee with his wife to Florence. He could not receive patronage from France because he was branded a royalist, and this curtailed his career as a history painter. Instead, he painted landscapes, which he sold to English tourists. When French troops occupied Florence in 1799, he began to paint officers' portraits. Gauffier died in Livorno (Tuscany) in 1801. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institut National Du Patrimoine
French national institute of cultural heritage, called Institut national du patrimoine (Inp), is the only academy in France in charge of the training of both curators and conservators. It belongs to French Ministry of Culture and is organized in 2 departments. Institut national du patrimoine is located in 2 historical sites : galerie Colbert, in the heart of Institut national d'histoire de l'art (INHA) for the department of curators and administrative headquarters, and Aubervilliers, for the department of conservators, re-using a former matchstick factory dating from the 19th century and totally renovated for the purposes of the initial and continuing training programmes. History Institut national du patrimoine (Inp) is one of the most recent French leading schools (" grandes écoles") the name of which was given in 2001. The aim of this institution was to gather two previous public institutions : Institut français de restauration des oeuvres d'art (IFROA) established in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
