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Musical Phrase
In music theory, a phrase ( gr, φράση) is a unit of Meter (music), musical meter that has a complete musical sense of its own, built from figure (music), figures, motif (music), motifs, and Cell (music), cells, and combining to form Melody, melodies, period (music), periods and larger Section (music), sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the phrase, linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haydn - Feldpartita Period
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Burkhart
Charles Burkhart is an American musicologist, theorist, composer, and pianist. He holds the title of Professor Emeritus in the Aaron Copland School of Music, Queens College, and the Graduate Center, City University of New York. He is known especially as a scholar in Schenkerian analysis and as a successful lecturer and master class presenter. Career Burkhart was a student of Felix Salzer. He holds a M.Mus. degree from Yale University. His M.A. thesis for Colorado College, written in 1952, concentrated on the musical culture of Old Order Amish and of Old Colony Mennonites. Among Burkhart's many students are Channan Willner, Stephen Lindeman, Stephen Slottow, Roy Nitzberg, William Renwick, and Gary S. Karpinski. Research Burkhart is known for work on the relations between Schenkerian readings, analysis of rhythm and meter, and implications for performance. Most of the compositions he discusses are for keyboard, especially Bach, Beethoven, and Chopin, but he has also written about op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolyn Abbate
Carolyn Abbate (born November 20, 1956) is an American musicologist, described by the ''Harvard Gazette'' as "one of the world’s most accomplished and admired music historians". She is currently Paul and Catherine Buttenwieser University Professor at Harvard University."Abbate named University Professor" ''Harvard Gazette'', November 20, 2013. Accessed 10 December 2014 From her earliest essays she has questioned familiar approaches to well-known works, reaching beyond their printed scores and composer intentions, to explore the particular, physical impact of the medium upon performer and audience alike. Her research focuses primarily on the tic repertory of the 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lick (music)
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them to build a vocabulary of their own. In a jazz band, a lick may be performed during an improvised solo, either during an accompanied solo chorus or during an unaccompanied solo break. Jazz licks are usually original short phrases which can be altered so they can be used over a song's changing harmonic progressions. Similar concepts A lick is different from the related concept of a riff, as riffs can include repeated chord progressions. Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Wester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Pattern
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale. It is used primarily for solos because, when practiced enough, it can be extremely useful when improvising. "Sequence" refers to the repetition of a part at a higher or lower pitch, and melodic sequence is differentiated from harmonic sequence. One example of melodic motive and sequence are the pitches of the first line, "Send her victorious," repeated, a step lower, in the second line, "Happy and glorious," from "God Save the Queen". "A melodic pattern is just what the name implies: a melody with some sort of fixed pattern to it." "The strong theme or motive is stated. It is repeated more or less exactly, but at a different pitch level."Haerle, Dan (1993). ''Jazz Improvisation for Keyyboard Players'', p.2-7. Alfred. . See also * Color (isorhythm) *Imitation (music) *Melody type *Lick (music) *Phrase ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophe
A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term '' stichic'' applies. In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to ''Samson Agonistes'', with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Etymology Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. Poetic structure In a more general sense, the strophe is a pair of stanzas of alternating form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Period (music)
In music, the term period refers to certain types of recurrence in small-scale formal structure. In twentieth-century music scholarship, the term is usually used as defined by the ''Oxford Companion to Music'': "a period consists of two phrases, antecedent and consequent, each of which begins with the same basic motif." Earlier usage varied somewhat, but usually referred to similar notions of symmetry, recurrence, and closure. The concept of a musical period originates in comparisons between music structure and rhetoric at least as early as the 16th century. Western art music In Western art music or Classical music, a period is a group of phrases consisting usually of at least one antecedent phrase and one consequent phrase totaling about 8 bars in length (though this varies depending on meter and tempo). Generally, the antecedent ends in a weaker and the consequent in a stronger cadence; often, the antecedent ends in a half cadence while the consequent ends in an authentic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrase Segments In Beethoven Opus 68 I
In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consist of a single word or a complete sentence. In theoretical linguistics, phrases are often analyzed as units of syntactic structure such as a constituent. Common and technical use There is a difference between the common use of the term ''phrase'' and its technical use in linguistics. In common usage, a phrase is usually a group of words with some special idiomatic meaning or other significance, such as "all rights reserved", "economical with the truth", "kick the bucket", and the like. It may be a euphemism, a saying or proverb, a fixed expression, a figure of speech, etc.. In linguistics, these are known as phrasemes. In theories of syntax, a phrase is any group of words, or sometimes a single word, which plays a particular role within t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozart - Piano Sonata In F, K
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestalt Theory
Gestalt may refer to: Psychology * Gestalt psychology, a school of psychology * Gestalt therapy, a form of psychotherapy * Bender Visual-Motor Gestalt Test, an assessment of development disorders * Gestalt Practice, a practice of self-exploration * ''Gestalt Therapy'', a 1951 book detailing Gestalt psychology * Gestalt qualities * Gestalt theoretical psychotherapy, an application of Gestalt psychology Arts and media * ''Gestalt'' (album), a 2012 album by The Spill Canvas * ''Gestalt'' (manga), a manga series * Gestalt intelligence, or group mind, a science fiction plot device * Gestalt Publishing, an Australian publishing house * ''Nier Gestalt'', an alternative title to the video game Nier ''Nier'' is an action role-playing video game developed by Cavia and published by Square Enix for the PlayStation 3 and Xbox 360 in April 2010. In Japan, the game was released as for the PlayStation 3 with a younger main character, while an ... See also * * {{disambiguatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. The leading European music scholar of his time, he was active and influential as both a music theorist and music historian. Many of his contributions are now termed as Riemannian theory, a variety of related ideas on many aspects of music theory. Biography Riemann was born at Grossmehlra, Schwarzburg-Sondershausen. His first musical training came from his father Robert Riemann, a land owner, bailiff and, to judge from locally surviving listings of his songs and choral works, an active music enthusiast. Hugo Riemann was educated by Heinrich Frankenberger, the Sondershausen Choir Master, in Music theory. He was taught the piano by August Barthel and Theodor Ratzenberger (who had once studied under Liszt). He studied law, and finally philosophy and history at Berlin and Tübingen. After participating in the Franco-Prussian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
