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Modern Style
The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It is the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain. Britain not only provided the base and intellectual background for the Art Nouveau movement, which was adapted by other countries to give birth to local variants; they also played an over-sized role in its dissemination and cultivation through the ''Liberty'' department store and '' The Studio'' magazine. The most important person in the field of design in general and architecture in particular, was Charles Rennie Mackintosh. He created one of the key motifs of the movement, now known as the 'Mackintosh rose' or 'Glasgow rose'. The Glasgow School was also of tremendous importance, particularly due to a group closely associated with Mackintosh, known as 'The Four'. The Liberty store nurturing of style gave birth to two met ...
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Frances MacDonald - Glasgow Institute Of The Fine Arts
Frances is a French and English given name of Latin origin. In Latin the meaning of the name Frances is 'from France' or 'free one.' The male version of the name in English is Francis. The original Franciscus, meaning "Frenchman", comes from the Franks who were named for the francisca, the axe they used in battle. https://nameberry.com/babyname/frances Notable people and characters with the name include: People * Frances, Countess of Périgord (died 1481) * Frances (musician) (born 1993), British singer and songwriter * Frances Estill Beauchamp (1860-1923), American temperance activist, social reformer, lecturer * Frances Burke, Countess of Clanricarde (1567–1633), English noblewoman and Irish countess * Frances E. Burns (1866-1937), American social leader and business executive * Frances Carr, Countess of Somerset (1590–1632), central figure in a famous scandal and murder * Frances Lewis Brackett Damon (1857–1939), American poet, writer * Frances Davidson, Viscountess David ...
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Charles Harrison Townsend
Charles Harrison Townsend (13 May 1851 — 26 December 1928) was an English architect. He was born in Birkenhead, educated at Birkenhead School and articled to the Liverpool architect Walter Scott in 1870. He moved to London with his family in 1880 and entered partnership with the London architect Thomas Lewis Banks in 1884. Townsend became a member of the Art Workers' Guild in 1888 and in the same year was elected a Fellow of the more conservative Royal Institute of British Architects. He remained an active member of both organisations throughout his career and was elected Master of the Art Workers' Guild in 1903. He is important Modern Style (British Art Nouveau style) architect whose favourite motif was the tree. Works Townsend’s career was devoted mainly to domestic and small-scale ecclesiastical commissions, but his reputation rests principally on three strikingly original public buildings in London: Bishopsgate Institute (1892–94); the Whitechapel Art Gallery (1895& ...
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Guild And School Of Handicraft
The Guild and School of Handicraft was established in 1888 in London, later moving to Chipping Campden in Gloucestershire, England, as a community of artists and craftspeople by the arts and crafts architect Charles Robert Ashbee (1863-1942). According to Historic England it "became one of the foremost Arts and Crafts workshops of its period .. formed the focus of the communal life which, as a pioneering social experiment, formed the most bold and important expression of Arts and Crafts principles". Objective The guild was a craft co-operative modelled on the medieval guilds and intended to give working men satisfaction in their craftsmanship. Many of the members were socialists. Skilled craftsmen, working on the principles of John Ruskin and William Morris, were to produce hand-crafted goods and manage a school for apprentices. The idea was greeted with enthusiasm by almost everyone except Morris, who was by now involved with promoting socialism and thought Ashbee's scheme trivia ...
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Arthur Lasenby Liberty
Sir Arthur Lasenby Liberty (13 August 1843 – 11 May 1917) was a London-based merchant, and the founder of Liberty & Co. Early life Arthur Liberty was born on 13 August 1843 in Chesham, Buckinghamshire, England, the son of a draper. He began work at sixteen with an uncle who sold lace, and later another uncle who sold wine. By 1859 he was apprenticed to a draper, but he instead took a job at Farmer and Rogers, which specialised in women's fashions. He quickly rose to the post of manager of the warehouse. Liberty & Co. After Farmer and Rogers refused to make him a partner in their business, Liberty, in 1875, opened his own shop, Liberty & Co., in Regent Street, London. There he sold ornaments, fabrics and miscellaneous objets d'art from the Far East. Liberty & Co. initially provided an eclectic mix of popular styles, but went on to develop a fundamentally different style closely linked to the Aesthetic Movement of the 1890s, Art Nouveau (the "new art"). The company becam ...
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Celtic Revival
The Celtic Revival (also referred to as the Celtic Twilight) is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature, Welsh-language literature, and so-called 'Celtic art'—what historians call Insular art (the Early Medieval style of Ireland and Britain). Although the revival was complex and multifaceted, occurring across many fields and in various countries in Northwest Europe, its best known incarnation is probably the Irish Literary Revival. Irish writers including William Butler Yeats, Lady Gregory, "AE" Russell, Edward Martyn, Alice Milligan and Edward Plunkett (Lord Dunsany) stimulated a new appreciation of traditional Irish literature and Irish poetry in the late 19th and early 20th century. In aspects the revival came to represent a reaction to modernisation. This is particularly true in Ireland, where the relationship betwee ...
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Japonisme
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert & Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and com ...
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Songs Of Innocence And Of Experience
''Songs of Innocence and of Experience'' is a collection of illustrated poems by William Blake. It appeared in two phases: a few first copies were printed and illuminated by Blake himself in 1789; five years later, he bound these poems with a set of new poems in a volume titled ''Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul''. Blake was also a painter before the creation of ''Songs of Innocence and Experience'' and had painted such subjects as Oberon, Titania, and Puck dancing with fairies. "Innocence" and "Experience" are definitions of consciousness that rethink Milton's existential-mythic states of "Paradise" and "Fall". Often, interpretations of this collection centre around a mythical dualism, where "Innocence" represents the "unfallen world" and "Experience" represents the "fallen world". Blake categorizes our modes of perception that tend to coordinate with a chronology that would become standard in Romanticism: childhood is a ...
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William Blake
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his " prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself". Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard b ...
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Philip Webb
Philip Speakman Webb (12 January 1831 – 17 April 1915) was a British architect and designer sometimes called the Father of Arts and Crafts Architecture. His use of vernacular architecture demonstrated his commitment to "the art of common building." Biography Born in Oxford, Webb studied at Aynho in Northamptonshire and was then articled to firms of builder-architects in Wolverhampton and Reading, Berkshire. He then moved to London where he eventually became a junior assistant to the architect George Edmund Street. While there he met William Morris in 1856 and then started his own practice in 1858. He is particularly noted as the designer of the Red House at Bexleyheath, south-east London in 1859 for William Morris, and – towards the end of his career – the house Standen (near East Grinstead in West Sussex). These were among several works in his favoured niche: country houses. A Greater London Council blue plaque commemorates both Webb and Morris at the ...
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Red House, Bexleyheath
Red House is a significant Arts and Crafts building located in Bexleyheath, south-east London, England. Co-designed in 1859 by the architect Philip Webb and the designer William Morris, it was created to serve as a family home for Morris. Construction was completed in 1860. Following an education at the University of Oxford, Morris decided to construct a rural house for himself and his new wife, Jane Morris, within a commuting distance of central London. Purchasing a plot of land in what at the time was the village of Upton in Kent, he employed his friend Webb to help him design and construct the house, financing the project with money inherited from his wealthy family. Morris was deeply influenced by Medievalism and Medieval-inspired Neo-Gothic styles are reflected throughout the building's design. It was constructed using Morris' ethos of craftsmanship and artisan skills and is an early example of what came to be known as the Arts and Crafts movement. A number of Morris' frie ...
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John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s wi ...
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Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" modelled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes (artist), Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. The group sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. They rejected what they regarded as the mechanistic approach first adopted by Mannerism, Mannerist artists who succeeded Raphael and Michelangelo. The Broth ...
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