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Megane-e
In Japanese art, a ' (, 'optique picture') is a print designed using graphical perspective techniques and viewed through a convex lens to produce a three-dimensional effect. The term derives from the French '. The device used to view them was called an ' (, 'Dutch glasses') or ' (, 'peeping glasses'), and the pictures were also known as ' (, 'tricky picture'). Perspective boxes first appeared in Renaissance Europe and were popular until superseded by the stereoscope in the mid-19th century. The Dutch brought the first such device to Japan in the 1640s as a gift to the ''shōgun''. The devices became popular in Japan only after the Chinese popularized them in Japan about 1758, after which they began to influence Japanese artists. The artist Maruyama Ōkyo (1733–95) made serious study of imported perspective techniques and applied them to his painting. He gained an interest in making ukiyo-e prints through the artist Utagawa Toyoharu Utagawa Toyoharu (歌川 豊春, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyoharu
Utagawa Toyoharu (歌川 豊春, – 1814) was a Japanese artist in the ukiyo-e genre, known as the founder of the Utagawa school and for his '' uki-e'' pictures that incorporated Western-style geometrical perspective to create a sense of depth. Born in Toyooka in Tajima Province, Toyoharu first studied art in Kyoto, then in Edo (modern Tokyo), where from 1768 he began to produce designs for ukiyo-e woodblock prints. He soon became known for his ' "floating pictures" of landscapes and famous sites, as well as copies of Western and Chinese perspective prints. Though his were not the first perspective prints in ukiyo-e, they were the first to appear as full-colour ''nishiki-e'', and they demonstrate a much greater mastery of perspective techniques than the works of his predecessors. Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maruyama Ōkyo
, born Maruyama Masataka, was a Japanese artist active in the late 18th century. He moved to Kyoto, during which he studied artworks from Chinese, Japanese and Western sources. A personal style of Western naturalism mixed with Eastern decorative design emerged, and Ōkyo founded the Maruyama school of painting. Although many of his fellow artists criticized his work as too slavishly devoted to natural representation, it proved a success with laypeople. Early career Ōkyo was born into a farming family in Ano-o, in present-day Kameoka, Kyoto. As a teenager, he moved to Kyoto and joined the townspeople (''chōnin'') class. He apprenticed for a toy shop, where he painted the faces onto dolls. The shop began selling European stereoscopes, novelties that when looked into presented the illusion of a three-dimensional image. It was Ōkyo's first look at Western-style perspective,Sullivan 16. and in 1767 he tried his hand at one of the images. He created ''Harbour View'', a small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harunobu Guckspiegel
Harunobu (written: 春信 or 晴信) is a masculine Japanese given name. Notable people with the name include: * (1567–1612), Japanese ''daimyō'' * (born 1969), Japanese fencer * (1725–1770), Japanese Ukiyo-e artist * (born 1965), Japanese politician *Takeda Shingen (1521 –1573), Japanese ''daimyō'' who was referred to as throughout his life. See also *Harunobu (crater) Harunobu is a crater on Mercury. It has a diameter of 107 kilometers. Its name was adopted by the International Astronomical Union in 1976. Harunobu is named for the Japanese artist Suzuki Harunobu Suzuki Harunobu ( ja, 鈴木 春信; ) was ..., crater on Mercury {{given name Japanese masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Art
Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ''ukiyo-e'' paintings and woodblock prints, ceramics, origami, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country. Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world. Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries in connection with Buddhism. In the 9th century, as the Japanese began to turn away from China and develop indigenous forms of expression, the secular arts became increasingly important; until the late 15th century, both religious and sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lens (optics)
A lens is a transmissive optical device which focuses or disperses a light beam by means of refraction. A simple lens consists of a single piece of transparent material, while a compound lens consists of several simple lenses (''elements''), usually arranged along a common axis. Lenses are made from materials such as glass or plastic, and are ground and polished or molded to a desired shape. A lens can focus light to form an image, unlike a prism, which refracts light without focusing. Devices that similarly focus or disperse waves and radiation other than visible light are also called lenses, such as microwave lenses, electron lenses, acoustic lenses, or explosive lenses. Lenses are used in various imaging devices like telescopes, binoculars and cameras. They are also used as visual aids in glasses to correct defects of vision such as myopia and hypermetropia. History The word ''lens'' comes from '' lēns'', the Latin name of the lentil (a seed of a lentil plant), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vue D'optique
''Vue d'optique'' (French), ''vue perspective'' or perspective view refers to a genre of etching popular during the second half of the 18th century and into the 19th. ''Vues d'optique'' were specifically developed to provide the illusion of depth when viewed through a zograscope, also known as an "optical diagonal machine" or viewers with similar functions. Characteristics *Reversed type in some or all of the text, for viewing through a mirrored apparatus *Bright hand-coloring *Scenes chosen for their strong linear perspective Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate r ... (for example, diagonal lines converging at a horizon) *Subject matter appealing to armchair travelers: shipping, cities, palaces, gardens, architecture. History Optical viewers were generally popular with well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereoscope
A stereoscope is a device for viewing a stereoscopic pair of separate images, depicting left-eye and right-eye views of the same scene, as a single three-dimensional image. A typical stereoscope provides each eye with a lens that makes the image seen through it appear larger and more distant and usually also shifts its apparent horizontal position, so that for a person with normal binocular depth perception the edges of the two images seemingly fuse into one "stereo window". In current practice, the images are prepared so that the scene appears to be beyond this virtual window, through which objects are sometimes allowed to protrude, but this was not always the custom. A divider or other view-limiting feature is usually provided to prevent each eye from being distracted by also seeing the image intended for the other eye. Most people can, with practice and some effort, view stereoscopic image pairs in 3D without the aid of a stereoscope, but the physiological depth cues result ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōgun
, officially , was the title of the military dictators of Japan during most of the period spanning from 1185 to 1868. Nominally appointed by the Emperor, shoguns were usually the de facto rulers of the country, though during part of the Kamakura period, shoguns were themselves figureheads, with real power in hands of the Shikken of the Hōjō clan. The office of shogun was in practice hereditary, though over the course of the history of Japan several different clans held the position. The title was originally held by military commanders during Heian period in the eighth and ninth centuries. When Minamoto no Yoritomo gained political ascendency over Japan in 1185, the title was revived to regularize his position, making him the first shogun in the usually understood sense. The shogun's officials were collectively referred to as the ; they were the ones who carried out the actual duties of administration, while the Imperial court retained only nominal authority.Beasley, William G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uki-e
refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid-nineteenth century.Hockley, p. 79 Around 1739, Okumura Masanobu studied European engravings to learn the rules of perspective. His engravings found their way to Japan either through Dejima or China. Masanobu was the first to apply the term Uki-e to perspective images, and Utagawa Toyoharu fully developed the form in the late 1750s when he produced colored woodblock copies of engravings after Canaletto and Guardi. Toyoharu was also the first to adapt these techniques to Japanese subjects. The interior of Kabuki theaters was a common subject in Uki-e prints. Interior scenes tend to be favored as it is easier to accurately apply one point perspective to architecture than to landscape. See also *Ranga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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