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Matriarchal Religion
A matriarchal religion is a religion that focuses on a goddess or goddesses. The term is most often used to refer to theories of prehistoric matriarchal religions that were proposed by scholars such as Johann Jakob Bachofen, Jane Ellen Harrison, and Marija Gimbutas, and later popularized by second-wave feminism. In the 20th century, a movement to revive these practices resulted in the Goddess movement. History The concept of a prehistoric matriarchy was introduced in 1861 when Johann Jakob Bachofen published ''Mother Right: An Investigation of the Religious and Juridical Character of Matriarchy in the Ancient World''. He postulated that the historical patriarchates were a comparatively recent development, having replaced an earlier state of primeval matriarchy, and postulated a "chthonic-maternal" prehistoric religion. Bachofen presents a model where matriarchal society and chthonic mystery cults are the second of four stages of the historical development of religion. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minoan Religion
Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence of such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent. The old view was that, in stark contrast to contemporary cultures in Egypt, Mesopotamia and Syria, Minoan religious practice was not centred around massive formal public temples. However, it now tends to be thought that the Minoan "palaces" and perhaps also the smaller "villas", were themselves th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Age
The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second principal period of the three-age system proposed in 1836 by Christian Jürgensen Thomsen for classifying and studying ancient societies and history. An ancient civilization is deemed to be part of the Bronze Age because it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from production areas elsewhere. Bronze is harder and more durable than the other metals available at the time, allowing Bronze Age civilizations to gain a technological advantage. While terrestrial iron is naturally abundant, the higher temperature required for smelting, , in addition to the greater difficulty of working with the metal, placed it out of reach of common use until the end of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminist Archaeology
Feminist archaeology employs a feminist perspective in interpreting past societies. It often focuses on gender, but also considers gender in tandem with other factors, such as sexuality, race, or class. Feminist archaeology has critiqued the uncritical application of modern, Western norms and values to past societies. It is additionally concerned with increasing the representation of women in the discipline of archaeology, and reducing androcentric bias within the field. Feminist archaeology has expanded in recent years to include intersectional analyses, such as Black Feminist archaeology, Indigenous archaeology, and post-colonial archaeology. It also began to pay more attention to household studies, the study of masculinity, and the study of sexuality. Emergence of feminist archaeology Feminist archaeology initially emerged in the late 1970s and early 80s, along with other objections to the epistemology espoused by the processual school of archaeological thought, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serpent (symbolism)
The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin ''serpens'', a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to mankind and represent dual expression of good and evil. In some cultures, snakes were fertility symbols. For example, the Hopi people of North America performed an annual snake dance to celebrate the union of Snake Youth (a Sky spirit) and Snake Girl (an Underworld spirit) and to renew the fertility of Nature. During the dance, live snakes were handled, and at the end of the dance the snakes were released into the fields to guarantee good crops. "The snake dance is a prayer to the spirits of the clouds, the thunder and the lightning, that the rain may fall on the growing crops." To the Hopi, snakes symbolized the umbilical cord, joining all humans to Mother Earth. The Great Goddess often had snakes as her familiars—sometimes twining around her sacred staf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus Figurines
A Venus figurine is any Upper Palaeolithic statuette portraying a woman, usually carved in the round.Fagan, Brian M., Beck, Charlotte, "Venus Figurines", ''The Oxford Companion to Archaeology'', 1996, Oxford University Press, pp. 740–741 Most have been unearthed in Europe, but others have been found as far away as Siberia, and distributed across much of Eurasia. Most date from the Gravettian period (26,000–21,000 years ago). However, findings are not limited to this period; for example, the Venus of Hohle Fels dates back at least 35,000 years to the Aurignacian era, and the Venus of Monruz dates back about 11,000 years to the Magdalenian. Such figurines were carved from soft stone (such as steatite, calcite or limestone), bone or ivory, or formed of clay and fired. The latter are among the oldest ceramics known to historians. In total, over 200 such figurines are known; virtually all of modest size, between about in height.Fagan, 740 These figurines are recognised as so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merlin Stone
Merlin Stone (born Marilyn Jacobson, September 27, 1931 – February 23, 2011) was an American author, artist and academic. She was an important thinker of the feminist theology and Goddess movements and is known for her book ''When God Was a Woman''. Biography Merlin Stone was born in Flatbush, Brooklyn, New York. She attended P.S. 217 and Erasmus Hall High School, where she graduated in 1949 with a Metallic Art Medal Award. After enrolling at the University of Buffalo later that year and marrying in 1950, she continued her studies while raising her children, ultimately earning a B.S. and teaching certificate in art (with a minor in journalism) from the institution in 1958. She became interested in archaeology and ancient religions from her study of ancient art. From 1958 to 1967, she worked as a teacher and sculptor, exhibiting widely and executing numerous commissions. During this period, she was divorced from her first husband in 1963 and taught at Buffalo State Colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pays Interdit/Forbidden Land (Wolfgang Paalen)
Pays interdit (Forbidden Land) is a surrealist painting by Wolfgang Paalen, originally called ''L´upyre'', which in the final version of 1937 shows a drop-shaped stylized idol of femininity with tentacle-like arms, that stands in precarious proximity to an abyss opening unexpected in dark-crystalline forms to the observer. Three spherical space-bodies hover in front of them, two of which are shaped like falling, burning meteorites. The painting is the first oil painting by Paalen, that is artfully based on his surrealist technique of Fumage. It explores the theme of mortal fears and primordial femininity with a hermetical iconography. The painting is presently in a private collection. Background Paalen started to work on this picture during the first two weeks of October 1936 after a severe psychogenic crisis. In August 1936, he had to learn that a prolonged affair of Pablo Picasso with his wife Alice (Alice Rahon) had led to a pregnancy and abortion. Paalen later commented o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Paalen
Wolfgang Robert Paalen (July 22, 1905 in Vienna, Austria – September 24, 1959 in Taxco, Mexico) was an Austrian-Mexican painter, sculptor, and art philosopher. A member of the Abstraction-Création group from 1934 to 1935, he joined the influential Surrealist movement in 1935 and was one of its prominent exponents until 1942. Whilst in exile in Mexico, he founded his own counter-surrealist art-magazine '' DYN'', in which he summarized his critical attitude towards radical subjectivism and Freudo-Marxism in Surrealism with his philosophy of contingency. He rejoined the group between 1951 and 1954, during his sojourn in Paris. Family and childhood Wolfgang Paalen was born in one of the famous ''Wienzeilenhäuser'' designed by Otto Wagner in Vienna (Köstlergasse 1 / Linke Wienzeile No. 40), Austria. He was the first of four sons of the Austrian-Jewish merchant and inventor , and his German wife, the actress Clothilde Emilie Gunkel. Gustav Robert, who had Polish-Ashkenazi a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Days In New Crete
''Seven Days in New Crete'', also known as ''Watch the North Wind Rise'', is a seminal future-utopian speculative fiction novel by Robert Graves, first published in 1949. It shares many themes and ideas with Graves' ''The White Goddess'', published a year earlier. Summary The novel takes place in a future society (first established on the island of Crete, but later spreading through much of the world) in which most post-medieval technology has been rejected, and a Triple Goddess religion is followed. The book is narrated by a mid-20th century poet, Edward Venn-Thomas, who is transported forward in time by the New Cretans. Society is organised into five " estates" or social groups: captains, recorders (scribes), commons (by far the most numerous), servants, and magicians or poets (the least numerous), which are analogised to the five fingers of a hand. Different villages practice different marriage customs (strict monogamy, non-strict monogamy, or polyandry), worship differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The White Goddess
''The White Goddess: a Historical Grammar of Poetic Myth'' is a book-length essay on the nature of poetic myth-making by author and poet Robert Graves. First published in 1948, the book is based on earlier articles published in ''Wales'' magazine; corrected, revised and enlarged editions appeared in 1948, 1952 and 1961. ''The White Goddess'' represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective. Graves proposes the existence of a European deity, the "White Goddess of Birth, Love and Death", much similar to the '' Mother Goddess'', inspired and represented by the phases of the Moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies. Graves argues that "true" or "pure" poetry is inextricably linked with the ancient cult-ritual of his proposed White Goddess and of her son. History Graves first wrote the book under the title of ''The Roebuck in the Thicket'' in a three-week period dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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