Martinshorn
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Martinshorn
The Martinshorn (also known as the Martin's trumpet and Schalmei) is a German free reed aerophone created in 1880 by ''Max Bernhardt Martin'', who was also the main manufacturer of the instruments. The Martinshorn contains several reeds, each of which having its own horn. The instrument was created in imitation of the saxhorn. The horn can be confused with the shawm, as they are both referred to by the name "Schalmei"; the origins of the similar naming is unknown. History After being created, the prototype of the instrument was presented to Wilhelm II, who allegedly did not understand the instrument as a musical instrument, instead using it as a vehicle horn when driving his automobile. The schalmei was popularised as an instrument in the 1920s by the German Communist Party, inspired by the :de:Wanderbewegung, movement played in bands consisting of 20-30 members. This was particularly effective in the Saarland, where bands were often formed by groups of unemployed coal miners. ...
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Free Reed Aerophone
A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed in a frame. Air pressure is typically generated by breath or with a bellows. In the Hornbostel–Sachs system, it is number: 412.13 (a member of interruptive free aerophones). Free reed instruments are contrasted with non-free or enclosed reed instruments, where the timbre is fully or partially dependent on the shape of the instrument body, Hornbostel–Sachs number: 42 (flute, reed, and brass). Operation The following illustrations depict the type of reed typical of harmonicas, pitch pipes, accordions, and reed organs as it goes through a cycle of vibration. One side of the reed frame is omitted from the images for clarity; in reality, the frame completely encloses the reed. Airflow over one side of the reed (labeled “AR”) creates a region of low pressure on that side (see the Bernoulli's principle article for details), causing the reed to flex towards the low-pressure si ...
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Aerophone
An aerophone () is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes (which are respectively chordophones and membranophones), and without the vibration of the instrument itself adding considerably to the sound (or idiophones). According to Sachs, These may be lips, a mechanical reed, or a sharp edge. Also, an aerophone may be excited by percussive acts, such as the slapping of the keys of a flute or of any other woodwing. A free aerophone lacks the enclosed column of air yet, "cause a series of condensations and rarefications by various means." Overview Aerophones are one of the four main classes of instruments in the original Hornbostel–Sachs system of musical instrument classification, which further classifies aerophones by whether or not the vibrating air is contained within the instrument. The first class (41) includes instruments which, when played, do ''not'' contain the vibrating air. The ...
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Nazi Party
The Nazi Party, officially the National Socialist German Workers' Party (german: Nationalsozialistische Deutsche Arbeiterpartei or NSDAP), was a far-right politics, far-right political party in Germany active between 1920 and 1945 that created and supported the ideology of Nazism. Its precursor, the German Workers' Party (; DAP), existed from 1919 to 1920. The Nazi Party emerged from the Extremism, extremist German nationalism, German nationalist, racism, racist and populism, populist paramilitary culture, which fought against the communism, communist uprisings in post–World War I Germany. The party was created to draw workers away from communism and into nationalism. Initially, Nazi political strategy focused on anti–big business, anti-bourgeoisie, bourgeois, and anti-capitalism, anti-capitalist rhetoric. This was later downplayed to gain the support of business leaders, and in the 1930s, the party's main focus shifted to Antisemitism, antisemitic and Criticism of ...
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Intonation (music)
In music, intonation is the pitch accuracy of a musician or musical instrument. Intonation may be flat, sharp, or both, successively or simultaneously. In vocal music, intonation also signifies the singing of an opening phrase. Interval, melody, and harmony The lower or upper pitch of an interval may be sharp or flat, or both pitches of an interval. If the lower pitch is sharp or the upper pitch is flat, the interval may be said to be flat given that as a whole it is too narrow; while if the lower pitch is flat or the upper pitch is sharp, the interval may be said to be sharp given that as a whole it is too wide. Intervals are conventionally measured from the bottom, as such in an interval that is too wide the upper pitch is thus sharp. Intonation exists within the context of musical temperament, of which there are several types. However, the interval itself may be in tune, in relation to itself (i.e. both notes of the interval are in tune in relation to each other), but f ...
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Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues ...
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Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ...
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ...
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Range (music)
In music, the range, or chromatic range, of a musical instrument is the distance from the lowest to the highest pitch it can play. For a singing voice, the equivalent is vocal range. The range of a musical part is the distance between its lowest and highest note. Compass Among British English speakers, and perhaps others, compass means the same thing as chromatic range—the interval between the lowest and highest note attainable by a voice or musical instrument. Other ranges The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range"Music theory online : musical instrument ranges & names", Brian Blood, Dolmetsch.com, 2009, webpage: Dolmetsch-M29 refers to the pitches produced by an instrument, while the written range refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience. A piccolo, for example, typically has a sounding range one oct ...
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Diatonic Scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are Maximal evenness, maximally separated from each other (i.e. separated by at least two whole steps). The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are des ...
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Reed (mouthpiece)
A reed (or lamella) is a thin strip of material that vibrates to produce a sound on a musical instrument. Most woodwind instrument reeds are made from ''Arundo donax'' ("Giant cane") or synthetic material. Tuned reeds (as in harmonicas and accordions) are made of metal or synthetics. Musical instruments are classified according to the type and number of reeds. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Single reeds Single reeds are used on the mouthpieces of clarinets and saxophones. The back of the reed is flat and is placed against the mouthpiece. Th ...
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Airflow
Airflow, or air flow, is the movement of air. The primary cause of airflow is the existence of air. Air behaves in a fluid manner, meaning particles naturally flow from areas of higher pressure to those where the pressure is lower. Atmospheric air pressure is directly related to altitude, temperature, and composition. In engineering, airflow is a measurement of the amount of air per unit of time that flows through a particular device. It can be described as a volumetric flow rate (volume of air per unit time) or a mass flow rate (mass of air per unit time). What relates both forms of description is the air density, which is a function of pressure and temperature through the ideal gas law. The flow of air can be induced through mechanical means (such as by operating an electric or manual fan) or can take place passively, as a function of pressure differentials present in the environment. Types of airflow Like any fluid, air may exhibit both laminar and turbulent flow patterns. ...
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Brass Instrument Valve
Brass instrument valves are valves used to change the length of tubing of a brass instrument allowing the player to reach the notes of various harmonic series. Each valve pressed diverts the air stream through additional tubing, individually or in conjunction with other valves. This lengthens the vibrating air column thus lowering the fundamental tone and associated harmonic series produced by the instrument. Valves in brass instruments require regular maintenance and lubrication to ensure fast and reliable movement. Piston valve The first musical instruments with piston valves were developed just after the start of the 19th century. Stölzel valve The first of these types was the Stölzel valve, bearing the name of its inventor Heinrich Stölzel, who first applied these valves to the French horn in 1814. Until that point, there had been no successful valve design, and horn players had to stop off the bell of the instrument, greatly compromising tone quality to achieve a partia ...
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