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Mandorla
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with '' vesica'', a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. It is distinguished from a halo in that it encircles the entire body and not just the head. It is commonly used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. It is the shape generally used for mediaeval ecclesiastical seals, secular seals generally being round. Depictions ''Mandorla'' is Italian for the almond nut, to which shape it refers. It may be elliptical or depicted as a vesica, a lens shape as the intersection of two circles. Rhombic mandorlas are also sometimes depicted. In icons of the Eastern Orthodox Church, the mandorla is used to depict sacred moments that transcend time and space, such as the Resurrection and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aureola
An aureola or aureole (diminutive of Latin ''aurea'', "golden") is the radiance of luminous cloud which, in paintings of sacred personages, surrounds the whole figure. In Romance languages, the noun Aureola is usually more related to the disc of light surrounding the head of sacred figures and that in English is called Halo or Nimbus. In art In the earliest periods of Christian art it was confined to the figures of the persons of the Christian Godhead, but it was afterwards extended to the Virgin Mary and to several of the saints. The aureola, when enveloping the whole body, generally appears oval or elliptical in form, but occasionally depicted as circular, vesica piscis, or quatrefoil. When it appears merely as a luminous disk round the head, it is called specifically a ''halo'' or ''nimbus'', while the combination of nimbus and aureole is called a '' glory''. The strict distinction between nimbus and aureole is not commonly maintained, and the latter term is most freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vesica Piscis
The vesica piscis is a type of lens, a mathematical shape formed by the intersection of two disks with the same radius, intersecting in such a way that the center of each disk lies on the perimeter of the other. In Latin, "vesica piscis" literally means "bladder of a fish", reflecting the shape's resemblance to the conjoined dual air bladders ("swim bladder") found in most fish. In Italian, the shape's name is ''mandorla'' ("almond"). This figure appears in the first proposition of Euclid's ''Elements'', where it forms the first step in constructing an equilateral triangle using a compass and straightedge. The triangle has as its vertices the two disk centers and one of the two sharp corners of the vesica piscis. Mathematical description Mathematically, the vesica piscis is a special case of a lens, the shape formed by the intersection of two disks. The mathematical ratio of the height of the vesica piscis to the width across its center is the square root of 3, or 1.732050 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ In Majesty
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Almond
The almond (''Prunus amygdalus'', syn. ''Prunus dulcis'') is a species of tree native to Iran and surrounding countries, including the Levant. The almond is also the name of the edible and widely cultivated seed of this tree. Within the genus ''Prunus'', it is classified with the peach in the subgenus ''Amygdalus'', distinguished from the other subgenera by corrugations on the shell (endocarp) surrounding the seed. The fruit of the almond is a drupe, consisting of an outer hull and a hard shell with the seed, which is not a true nut. ''Shelling'' almonds refers to removing the shell to reveal the seed. Almonds are sold shelled or unshelled. Blanched almonds are shelled almonds that have been treated with hot water to soften the seedcoat, which is then removed to reveal the white embryo. Once almonds are cleaned and processed, they can be stored over time. Almonds are used in many food cuisines, often featuring prominently in desserts, such as marzipan. The almond tree p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Sculpture
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dormition Of The Theotokos
The Dormition of the Mother of God is a Great Feast of the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches (except the East Syriac churches). It celebrates the "falling asleep" (death) of Mary the ''Theotokos'' ("Mother of God", literally translated as ''God-bearer''), and her being taken up into heaven (bodily assumption). It is celebrated on 15 August (28 August N.S. in the Julian Calendar) as the Feast of the Dormition of the Mother of God. The Armenian Apostolic Church celebrates the Dormition not on a fixed date, but on the Sunday nearest 15 August. In Western Churches the corresponding feast is known as the Assumption of Mary, with the exception of the Scottish Episcopal Church, which has traditionally celebrated the Falling Asleep of the Blessed Virgin Mary on 15 August. Christian canonical scriptures do not record the death or Dormition of Mary. Hippolytus of Thebes, a 7th- or 8th-century author, writes in his partially preserved chronology of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Bruchsal 1 01v Cropped
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo-Dionysius The Areopagite
Pseudo-Dionysius the Areopagite (or Dionysius the Pseudo-Areopagite) was a Greek author, Christian theologian and Neoplatonic philosopher of the late 5th to early 6th century, who wrote a set of works known as the ''Corpus Areopagiticum'' or ''Corpus Dionysiacum''. The author pseudepigraphically identifies himself in the corpus as "Dionysios", portraying himself as Dionysius the Areopagite, the Athenian convert of Paul the Apostle mentioned in Acts 17:34. Historic confusions In the early sixth century, a series of writings of a mystical nature, employing Neoplatonic language to elucidate Christian theological and mystical ideas, was ascribed to the Areopagite. They have long been recognized as pseudepigrapha, and their author is now called "Pseudo-Dionysius the Areopagite". Corpus Works The Corpus is today composed of: * ''Divine Names'' ('); * '' Celestial Hierarchy'' ('')''; * ''Ecclesiastical Hierarchy'' ('); * ''Mystical Theology'' ('), "a brief but powerful wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molding (decorative)
Moulding (spelled molding in the United States), or coving (in United Kingdom, Australia), is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. A "plain" moulding has right-angled upper and lower edges. A "sprung" moulding has upper and lower edges that bevel towards its rear, allowing mounting between two non-parallel planes (such as a wall and a ceiling), with an open space behind. Mouldings may be decorated with paterae as long, uninterrupted elements may be boring for eyes. Types Decorative mouldings have been made of wood, stone and cement. Recently mouldings have been made of extruded PVC and Expanded Polystyrene (EPS) as a core with a cement-based protective coating. Synthetic mouldings are a cost-effective alternative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alpha And Omega
Alpha (Α or α) and omega (Ω or ω) are the first and last letters of the Greek alphabet, and a title of Christ and God in the Book of Revelation. This pair of letters is used as a Christian symbol, and is often combined with the Cross, Chi-rho, or other Christian symbols. Origin The first written record we have of the phrase "alpha and omega" is from some old manuscripts of the Christian New Testament. The phrase "I am the Alpha and the Omega" (Koiné Greek: "ἐγώ εἰμί τὸ Ἄλφα καὶ τὸ Ὦ"), is an appellation of Jesus and of the Father in the Book of Revelation (verses 1:8, 21:6, and 22:13). The first part of this phrase ("I am the Alpha and the Omega") is first found in Chapter 1 verse 8 ("1:8"), and is found in every manuscript of Revelation that has 1:8. Several later manuscripts repeat "I am the Alpha and the Omega" in 1:11 too, but do not receive support here from most of the oldest manuscripts, including the Alexandrine, Sinaitic, and Codex Eph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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