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Majos
''Majo'' (masc.) or ''maja'' (fem.), also ''manolo'' and ''manola'', after the most popular names, were people from the lower classes of Spanish society, especially in Madrid, who distinguished themselves by their elaborate outfits and sense of style in dress and manners, as well as by their cheeky behavior. They flourished from the late 18th to early 19th century, and to some extent later. ''Majos'' and ''majas'' were one of the favorite subjects of some 19th-century Spanish painters. The ''majos'' and ''majas'' outfits were exaggerations of traditional Spanish dress. The style stood in strong contrast to the French styles affected by many of the Spanish elite under the influence of the Enlightenment. ''Majos'' were known to pick fights with those they saw as ''afrancesados'' ("Frenchified" – fops). In Spanish, the word possesses derived forms such as ''chulapo'' and ''chulapa'', a version of ''chulo'' and ''chula'' in reference to their saucy attitude, as well as ''chisper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Paseo De Andalucía
EL, El or el may refer to: Religion * El (deity), a Semitic word for "God" People * EL (rapper) (born 1983), stage name of Elorm Adablah, a Ghanaian rapper and sound engineer * El DeBarge, music artist * El Franco Lee (1949–2016), American politician * Ephrat Livni (born 1972), American street artist Arts, entertainment, and media Fictional entities * El, a character from the manga series ''Shugo Chara!'' by Peach-Pit * El, short for Eleven, a fictional character in the TV series '' Stranger Things'' * El, family name of Kal-El (Superman) and his father Jor-El in '' Superman'' *E.L. Faldt, character in the road comedy film '' Road Trip'' Literature * ''Él'', 1926 autobiographical novel by Mercedes Pinto * ''Él'' (visual novel), a 2000 Japanese adult visual novel Music * Él Records, an independent record label from the UK founded by Mike Alway * ''Él'' (Lucero album), a 1982 album by Lucero * "Él", Spanish song by Rubén Blades from ''Caminando'' (album) * "Él" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soap
Soap is a salt of a fatty acid used in a variety of cleansing and lubricating products. In a domestic setting, soaps are surfactants usually used for washing, bathing, and other types of housekeeping. In industrial settings, soaps are used as thickeners, components of some lubricants, and precursors to catalysts. When used for cleaning, soap solubilizes particles and grime, which can then be separated from the article being cleaned. In hand washing, as a surfactant, when lathered with a little water, soap kills microorganisms by disorganizing their membrane lipid bilayer and denaturing their proteins. It also emulsifies oils, enabling them to be carried away by running water. Soap is created by mixing fats and oils with a base. A similar process is used for making detergent which is also created by combining chemical compounds in a mixer. Humans have used soap for millennia. Evidence exists for the production of soap-like materials in ancient Babylon around 2800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Madrid
The documented history of Madrid dates to the 9th century, even though the area has been inhabited since the Stone Age. The primitive nucleus of Madrid, a walled military outpost in the left bank of the Manzanares, dates back to the second half of the 9th century, during the rule of the Emirate of Córdoba. Conquered by Christians in 1083 or 1085, Madrid consolidated in the Late Middle Ages as a middle to upper-middle rank town of the Crown of Castile. The development of Madrid as administrative centre began when the court of the Hispanic Monarchy was settled in the town in 1561. Fortress and town The site of modern-day Madrid has been controlled since prehistoric times, and archaeological research found a small Visigothic village nearby. The primitive urban nucleus of Madrid (''Mayrit'') was founded in the late 9th century (from 852 to 886) as a citadel erected on behalf of Muhammad I, the Cordobese emir, on the relatively steep left bank of the Manzanares. Originally it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicano
Chicano or Chicana is a chosen identity for many Mexican Americans in the United States. The label ''Chicano'' is sometimes used interchangeably with ''Mexican American'', although the terms have different meanings. While Mexican-American identity was related to encouraging assimilation into White American society and separating the community from the African-American political struggle, Chicano identity emerged among anti-assimilationist youth. Some belonged to the Pachuco subculture, and claimed the term (which had previously been a classist and racist slur). The term ''Chicano'' was widely reclaimed by ethnic Mexicans in the 1960s and 1970s to express political empowerment, ethnic solidarity, and pride in being of Indigenous descent (with many using the Nahuatl language), diverging from the more assimilationist ''Mexican American'' term. Chicano Movement leaders collaborated with Black Power movement. Chicano youth in ''barrios'' rejected cultural assimilation into whit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cholo
''Cholo'' () is a loosely defined Spanish term that has had various meanings. Its origin is a somewhat derogatory term for people of mixed-blood heritage in the Spanish Empire in Latin America and its successor states as part of '' castas'', the informal ranking of society by heritage. ''Cholo'' no longer necessarily refers only to ethnic heritage, and is not always meant negatively. ''Cholo'' can signify anything from its original sense as a person with one Amerindian parent and one '' Mestizo'' parent, "gangster" in Mexico, an insult in some South American countries (similar to chulo in Spain), or a "person who dresses in the manner of a certain subculture" in the United States as part of the cholo subculture. Historical usage In his work ''Vocabulario en Lengua Castellana y Mexicana'' (1571), Fray Alonso de Molina reports that the word "cholo" or "xolo" derives from Nahuatl and means "paje, moço, criado o esclavo" ("page, waiter, servant o slave"). The term's use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apaches (subculture)
''Les Apaches'' () was a Parisian Belle Époque violent criminal underworld subculture of early 20th-century hooligans, night muggers, street gangs and other criminals.Philipp Blom, ''The Vertigo Years: Europe, 1900-1914'', 2008, ,p. 372/ref> After news of their notoriety spread over Europe, the term was used to describe violent street crime in other countries as well; for example, "Russian apaches." Name There are a number of stories about the origin of the term "Apaches," the common thread being that this was a comparison of their savagery with that attributed by Europeans to the Native American tribes of Apaches. A 1904 issue of the French Q&A magazine '' L'Intermédiaire des chercheurs et curieux'' credited a journalist named Victor Moris with the popularization of the term. In November 1900 a police inspector of the Belleville district of police was describing to him a particularly bloody scene and concluded with the words: "C'est un véritable truc d'Apaches!". A stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guappo
Guappo (plural: ''guappi'') is a historical Southern Italian criminal subculture and informal term of address in the Neapolitan language, roughly analogous to or meaning thug, swaggerer, pimp, braggart, or ruffian. While today the word is often used to indicate a member of the Camorra, a Mafia-type organisation in the region of Campania and its capital Naples in Italy, the ''guapperia'' (or ''guapparia''; i.e., the guappo subculture) predates the modern Camorra and was originally a different and separate criminal subculture that considered itself very much independent of the Camorra. Monica Florio''Il guappo''/ref> Historically, "guappo" referred to a loosely cohesive 19th and early 20th century subculture that thrived in the Naples area and, to a lesser extent, nearby regions of Southern Italy. The subculture stereotypically consisted of a type of boisterous, flashy, swaggering, free-spirited, and violent yet dandy-like criminal, pimp, outlaw, and ruffian that nonetheless fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón Bayeu
Ramón Bayeu y Subías (2 December 1744, Zaragoza – 1 March 1793, Aranjuez) was a Spanish Neoclassicist painter; known primarily for his work in tapestry design. Biography His father made surgical instruments and barbers' tools. He was the brother of Francisco Bayeu, with whom he worked, and Manuel Bayeu, also a painter. In 1758, when Francisco received a scholarship to study in Madrid, Ramón and his siblings followed; having been orphaned. Francisco was expelled in 1759, so Ramón returned to Zaragoza with him and became his first student. In 1763, when Francisco was given a position at the Royal Tapestry Factory by King Charles III, he went back to Madrid and enrolled at the Real Academia de Bellas Artes de San Fernando. In 1766, he received a scholarship to study in Italy. After 1773, he painted designs and "cartones" (cartoons) for the tapestry factory; creating 35 in all. several of which became well known through reproductions. He collaborated with his brother-in-law, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantilla
A mantilla is a traditional Spanish and Latin American liturgical lace or silk veil or shawl worn over the head and shoulders, often over a high comb called a '' peineta'', popular with women in Spain, as well as in Latin America. It is also worn by Traditional Catholic and Plymouth Brethren women in various parts of the globe, Mennonite women in Argentina, and without the peineta by Eastern Orthodox women in Russia, often white, with the ends crossed over neck and draped over the opposite shoulder. For these denominations, the mantilla is worn as a Christian headcovering by women during church services, as well as during special occasions. A smaller version of the mantilla is called a toquilla. History The lightweight ornamental mantilla came into use in the warmer regions of Spain towards the end of the 16th century, and ones made of lace became popular with women in the 17th and 18th centuries, being depicted in portraits by Diego Velázquez and Goya. With Spain being largely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulpiano Checa
Ulpiano Fernández-Checa y Sanz (April 3, 1860 – January 5, 1916), known as Ulpiano Checa, was a Spanish painter, sculptor, poster designer and illustrator. He used both impressionistic and academic techniques, and mainly painted historical subjects. Biography He was born in Colmenar de Oreja, Spain, and exhibited a talent for art when he was a young child. At thirteen, he met Don José Ballester, the husband of a neighbor in Colmenar, who owned the Cafe de la Concepción in Madrid. Ballester was impressed with his work and, after consultation with Luis Taberner (1844–1900), a recognized and popular artist in Madrid, Ballester decided to bring Checa and his family to the capital to begin his art studies. In 1873, he entered the Escuela de Bellas Artes de San Fernando in Madrid, followed by study at the , where he would paint ''Invasion of the Barbarians'' (since lost in a fire) which won the gold medal at the National Exhibition of Fine Arts in 1887.Caso, E.D., ''Les Orie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Tórtola Valencia
Carmen Tórtola Valencia (June 18, 1882 – February 13, 1955) was a Spanish early modern dancer, choreographer, costume designer, and painter, who generally performed barefoot. Tórtola Valencia is said to have been the inspiration for Rubén Darío's poem, ''La bailarina de los pies desnudos'' ("The Barefoot Dancer"). Biography Born in Seville to a Catalan father (Florenç Tórtola Ferrer, d. 1891) and Andalusian mother (Georgina Valencia Valenzuela, d. 1894), she was three years old when her family emigrated to London. In his book ''Tortola Valencia and Her Times'' (1982), Odelot Sobrac, one of her early biographers, said Tórtola Valencia developed a style that expressed emotion through movement and that she was inspired by Isadora Duncan. A member of Generación del 13, her costumes are part of the collection of Centre de Documentació i Museu de les Arts Escèniques. Her Spanish ''modernismo'' style enabled a career as a solo concert dance artist who performed cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Dancer
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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