|
Luthéal
The luthéal is a kind of hybrid piano which extended the "register" possibilities of a piano by producing cimbalom-like sounds in some registers, exploiting harmonics of the strings when pulling other register-stops, and also some registers making other objects, which were lowered just above the strings, resound. The instrument became obsolete partly because most of its mechanics were too sensitive, needing constant adjustment. The only pieces in the general repertoire to feature the luthéal are ''L'enfant et les sortilèges'' (1920–25) and ''Tzigane'' (1924), by Maurice Ravel. History The attachment was created by the Belgian organ builder Georges Cloetens, who first patented it on 28 January 1919 and named it the "Jeu de harpe tirée". Cotte, Roger J. V. 2001. "Luthéal iano-Luthéal. ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. Maurice Ravel used it in ''Tzigane'' for violin an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tzigane
''Tzigane'' is a rhapsodic composition by the French composer Maurice Ravel. It was commissioned by and dedicated to Hungarian violinist Jelly d'Arányi, great-niece of the influential violin virtuoso Joseph Joachim. The original instrumentation was for violin and piano (with optional luthéal attachment). The first performance took place in London on April 26, 1924 with the dedicatee on violin and with Henri Gil-Marchex at the piano (with luthéal). The luthéal was, in Ravel's day, a new piano attachment (first patented in 1919) with several tone-colour registrations which could be engaged by pulling stops above the keyboard. One of these registrations had a cimbalom-like sound, which fitted well with the gypsy-esque idea of the composition. The original score of ''Tzigane'' included instructions for these register-changes during execution. The luthéal, however, did not achieve permanence. By the end of the 20th century the first print of the accompaniment with luthéal was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'enfant Et Les Sortilèges
''L'enfant et les sortilèges: Fantaisie lyrique en deux parties'' (''The Child and the Spells: A Lyric Fantasy in Two Parts'') is an opera in one act, with music by Maurice Ravel to a libretto by Colette. It is Ravel's second opera, his first being ''L'heure espagnole''. Written from 1917 to 1925, ''L'enfant et les sortilèges'' was first performed in Monte Carlo in 1925 conducted by Victor de Sabata. After being offered the opportunity to write a musical work, Colette wrote the text in eight days. Several composers had proposed to Colette that she write to music, but she was only excited by the prospect of Ravel. Composition history During World War I, the Opéra de Paris director Jacques Rouché asked Colette to provide the text for a fairy ballet. Colette originally wrote the story under the title ''Divertissements pour ma fille''. After Colette chose Ravel to set the text to music, a copy was sent to him in 1916 while he was still serving in the war; however, the mailed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Cloetens
Georges Cloetens, born Josse Léopold Cloetens on March 7, 1871 in Brussels and died on August 13, 1949 in Ixelles, was a Belgian organ builder and inventor, mainly known for the invention of the orphéal (1908) and the luthéal (1919). Biography Georges Cloetens was the son of Jacques-Jean-Baptiste Cloetens, metal gilder, and Jeanne Catherine De Jongh. They lived in rue des Quatre Bras, Brussels, in 1871. He attended the Royal Conservatory of Brussels, where he followed in particular the teaching of Arthur De Greef. Georges trained as an organ builder in Pierre Schyven's workshops in Ixelles. The latter, a former apprentice of Joseph Merklin, is an organ builder and inventor, to whom we owe several instruments, including the organ with three keyboards of the royal church of Laeken or that of the Philharmonic Hall of Liège. Cloetens remained attached to his master until 1897, when he installed his first workshops at 14, rue du Belvédère, in Ixelles, which he moved in 1901 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher. on Cambridge University Press website, accessed 21 September 2015. Volumes (sortable table) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphéal
The Orphéal was a keyboard instrument invented by the Belgian Georges Cloetens in 1910. It appears to have been a combination of piano, organ and harmonium, capable of reproducing approximations of the sounds of the cello, horn, etc.Closson, Ernest.Histoire du Piano", p.58. ''PianoMajeur.net''. The only occasion that people these days are likely to come across its name is on the back of Durand editions of Maurice Ravel's music, where an advertisement for Petit Poucet from Ma Mère l'Oye, arranged for Orphéal, still exists. Cloetens also invented the Luthéal, which Ravel used in two works, Tzigane and L'Enfant et les Sortilèges ''L'enfant et les sortilèges: Fantaisie lyrique en deux parties'' (''The Child and the Spells: A Lyric Fantasy in Two Parts'') is an opera in one act, with music by Maurice Ravel to a libretto by Colette. It is Ravel's second opera, his first be .... References External linksReconstruction of the original Orphéal from Cloetens in the organ of Oud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lina Tur Bonet
Lina (pronounced "Leena") is a feminine given name. Languages of origin include: English, Italian, Lithuanian, Russian, Spanish, Swedish, Persian, Kurdish, Arabic. It is also the short form of a variety of names ending in -lina including Catalina, Angelina, Carmelina, Carolina, Emelina, Marcelina, Nikolina, Rosalina, Italina, and Žaklina. Lina is a Finnish, Italian, and Slovene feminine given name that is a feminine form of Lino, Lin, and Linus. In 2011 it was one of the most popular given female names in Germany. beliebte-vornamen.de Accessed: August 14, 2012 It was initially used as a shortened form of names such as [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Nemtanu
Sarah Nemtanu (born 1981) is a Franco-Romanian classical violinist. Biography Nemtanu started studying the violin with her father, Vladimir Nemtanu, solo concertmaster of the Orchestre National Bordeaux Aquitaine. She then studied at the Conservatoire de Bordeaux, unanimously obtaining a gold medal in violin and in chamber music. She entered the Conservatoire de Paris in 1997, where she studied with Gérard Poulet and Pierre-Laurent Aimard. She won the first prize of the Maurice Ravel competition at Saint-Jean-de-Luz in 1998 and the third prize at the International Stradivarius Competition in 2001. Since 2002 she has been sharing with Luc Héry the position of concertmaster of the Orchestre national de France with whom she also performs as soloist. This situation led her to be invited by famous conductors such as Bernard Haitink, Colin Davis and Riccardo Muti. In 2009, she performed Tchaikovsky's Violon Concerto in the film ''Le Concert''. Selected discography *''Gypsic' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Rogé
Pascal Rogé (born 6 April 1951) is a French pianist. His playing includes the works of compatriot composers Saint-Saëns, Fauré, Debussy, Ravel, Satie, and Poulenc, among others. However, his repertoire also covers the German and Austrian masters Haydn, Mozart, Brahms, and Beethoven. Biography Rogé first appearance in public was in 1960 with a performance of Claude Debussy's Préludes. He won the piano prize at the Paris Conservatory and worked for several years with Julius Katchen. At seventeen, he gave his first recitals in major European cities, landing an exclusive contract with Decca in the process. He has a particular affinity with French composers such as Claude Debussy, Gabriel Fauré, Maurice Ravel and Francis Poulenc. He also performs chamber works, with the Pasquier Trio, and with musicians such as Pierre Amoyal or Michel Portal, with whom he recorded Poulenc and Tchaikovsky. He gives recitals worldwide,Jean-Pierre Thiollet, ''88 notes pour piano sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
