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List Song
A list song, also called a laundry list song or a catalog song, is a song based wholly or in part on a list. Unlike topical songs with a narrative and a cast of characters, list songs typically develop by working through a series of information, often humorous or comically, articulating their images additively, and sometimes use items of escalating absurdity. The form as a defining feature of an oral tradition dates back to early classical antiquity, where it played an important part of early hexameter poetry for oral bards like Homer and Hesiod. In classical opera the list song has its own genre, the catalogue aria, that was especially popular in Italian ''opera buffa'' and comic opera in the latter half of the eighteenth and early nineteenth centuries. Leporello's aria (), also nicknamed The Catalogue Aria, is a prominent example, and often mentioned as a direct antecedent to the 20th-century musical's list song. The list song is a frequent element of 20th-century popular mus ...
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Classical Antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome known as the Greco-Roman world. It is the period in which both Greek and Roman societies flourished and wielded huge influence throughout much of Europe, North Africa, and Western Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer (8th–7th-century BC), and continues through the emergence of Christianity (1st century AD) and the fall of the Western Roman Empire (5th-century AD). It ends with the decline of classical culture during late antiquity (250–750), a period overlapping with the Early Middle Ages (600–1000). Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized vi ...
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Anything Goes
''Anything Goes'' is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, heavily revised by the team of Howard Lindsay and Russel Crouse. The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes", "You're the Top", and "I Get a Kick Out of You." Since its 1934 debut at the Alvin Theatre (now known as the Neil Simon Theatre) on Broadway, the musical has been revived several times in the United States and Britain and has been filmed three times. The musical has long been a popular choice for school and community productions. History The original idea for a musical set on board an ocean liner came from producer ...
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Buddy Kaye
Jules Leonard "Buddy" Kaye (January 3, 1918 – November 21, 2002) was an American songwriter, lyricist, arranger, producer, and author. His songs were recorded by top performers, including Frank Sinatra, Bob Dylan, Sarah Vaughan, Dinah Washington, Ella Fitzgerald, The McGuire Sisters, Glenn Miller, Sammy Kaye, Perry Como, Elvis Presley, Charles Aznavour, Tony Bennett, Cliff Richard, Pat Boone, Harry Belafonte, Bobby Darin, Little Richard, Barry Manilow, Karen Carpenter, Diana Krall, and Dusty Springfield. He scored number-one hits on the Billboard charts in 1945 with " Till The End Of Time", recorded by Perry Como, and in 1949 with " 'A' You're Adorable (The Alphabet Song)", recorded by Como and the Fontaine Sisters. Among his most recognizable tunes in pop culture are the theme songs to the Famous Studios theatrical cartoons Little Lulu and Little Audrey; the international hit song "Speedy Gonzales", recorded by Pat Boone; and the co-written theme song to the television series ' ...
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Sid Lippman
Sidney Lippman (March 1, 1914 – March 11, 2003) was a composer and songwriter. He wrote the music for Nat King Cole's 1951 No. 1 hit "Too Young". " Too Young's" words were written by Sylvia Dee, a lyricist and longtime collaborator with Lippman. They got the idea for the song when she told him that her younger brother was getting married and she thought he was too young. ''As she said that,'' Mr. Lippman recalled, ''she looked at me and I looked at her and we both said, 'Title?' '' He teamed up with Buddy Kaye and Fred Wise to do the words and music for " 'A' - You're Adorable (The Alphabet Song)", which also became a No. 1 hit, in 1949, as an RCA Victor recording with Perry Como and the Fontane Sisters. Mr. Lippman's other successful pop songs included the novelty ''Chickery Chick,'' which was a number one hit for Sammy Kaye in 1945. Sidney Lippman, also called Sid, was a native of Minneapolis and graduated from the University of Minnesota. During World War II he was ...
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'A' You're Adorable
"A' You're Adorable" is a popular music, popular song with music by Sidney Lippman, Sid Lippman and lyrics by Buddy Kaye and Fred Wise (songwriter), Fred Wise, published in 1948. Charted versions The most well-known version was recorded by Perry Como, with The Fontane Sisters on March 1, 1949. This recording was released on single records as follows: * In the United States, by RCA Victor, on 78 rpm and 45 rpm, in 1949, with the flip side "When Is Sometime?" This record reached number 1 on the US chart on April 9, 1949. * In the United Kingdom, by HMV, on 78 rpm in June 1949, with the flip side "Forever and Ever (1948 song), Forever and Ever" * In Japan, by Victor Entertainment, on 78 rpm, with the flip side "Bali Ha'i" * In Australia, by His Master's Voice, on 78 rpm, with the flip side "My Melancholy Baby" Another recording by Jo Stafford and Gordon MacRae was also very popular. The recording was released by Capitol Records. The flip side was "Need You". The recording first appe ...
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Annie Get Your Gun (musical)
''Annie Get Your Gun'' is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860–1926), a sharpshooter who starred in ''Buffalo Bill's Wild West'', and her romance with sharpshooter Frank E. Butler (1847–1926). The 1946 Broadway production was a hit, and the musical had long runs in both New York (1,147 performances) and London, spawning revivals, a 1950 film version and television versions. Songs that became hits include " There's No Business Like Show Business", " Doin' What Comes Natur'lly", "You Can't Get a Man with a Gun", "They Say It's Wonderful", and "Anything You Can Do (I Can Do Better)". History and background Dorothy Fields had the idea for a musical about Annie Oakley, to star her friend, Ethel Merman. Producer Mike Todd turned the project down, so Fields approached a new producing team, Richard Rodgers and Oscar Hammerstein II. Afte ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre ...
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Doin' What Comes Natur'lly
"Doin' What Comes Natur'lly" is a song from the 1946 musical '' Annie Get Your Gun'', written by Irving Berlin. The song was introduced by Ethel Merman in the original production of the musical. Other singers to have recorded the song include Betty Hutton, Judy Garland, Bernadette Peters, Suzi Quatro, The DeMarco Sisters, and Dinah Shore. In the song Annie Oakley, her brother (Little Jake), sisters (Minnie, Jessie, and Nellie), and the owner of the Wilson Hotel (Foster Wilson) sing jokingly about how the Oakley family and their community live happy lives despite their lack of education and, often, money Money is any item or verifiable record that is generally accepted as payment for goods and services and repayment of debts, such as taxes, in a particular country or socio-economic context. The primary functions which distinguish money ar .... It was released as a 78 rpm 10-inch record by MGM in the 1950s. References Songs from Annie Get Your Gun Songs writ ...
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You Can't Get A Man With A Gun
"You Can't Get a Man with a Gun" is a song from the 1946 musical '' Annie Get Your Gun'', written by Irving Berlin. It was originally performed by Ethel Merman. In the song, Annie Oakley sings about how a girl with talent as a sharpshooter nevertheless finds that her abilities do not help her attract men. She introduces herself with: "I'm quick on the trigger/with targets not much bigger/than a pinpoint I'm number one." The song is humorous in that she imagines different scenarios in which shooting a man will not make him fall in love with you, e.g. "A man may be hot/but he's not/when he's shot/oh, you can't get a man with a gun!" and "But you can't shoot a lover,/and use him for a cover/oh, you can't get a man with a gun!" Recordings * Doris Day - for her album '' Annie Get Your Gun'' (1963) * Judy Garland - recorded for the film soundtrack but not used as Garland was subsequently dropped from the film. * Eydie Gormé - for her album ''Gormé Sings Showstoppers'' (1959). * ...
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Anything You Can Do (I Can Do Better)
"Anything You Can Do (I Can Do Better)" is a show tune composed by Irving Berlin for the 1946 Broadway musical '' Annie Get Your Gun''. The song is a duet, with one male singer and one female singer attempting to outdo each other in increasingly complex tasks. In the musical, the song sets the scene for the climactic sharpshooting contest between Annie Oakley and Frank Butler. Its most memorable lines are, "Anything you can do, I can do better; I can do anything better than you." The song was first performed in ''Annie Get Your Gun'' by Ethel Merman and Ray Middleton. During the song, they argue playfully about who can, for example, sing softer, sing higher, sing sweeter, and hold a note for longer, and boast of their abilities and accomplishments, such as opening safes and living on bread and cheese, although Annie almost always seems to counter Frank's argument. Neither can "bake a pie," though. Notable versions * Ethel Merman and Ray Middleton from original cast recording (19 ...
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Louisiana Purchase (musical)
''Louisiana Purchase'' is a musical with music and lyrics by Irving Berlin and book by Morrie Ryskind based on a story by B. G. DeSylva. Set in New Orleans, the musical lightly satirises Louisiana Governor Huey Long and his control over Louisiana politics.Bordman, 573 An honest U.S. senator travels to Louisiana to investigate corruption in the Louisiana Purchase Company; the company's lawyer attempts to divert him via the attentions of two beautiful women, but the senator maintains his integrity and ends up marrying one of them. In 1941 it was adapted for the film ''Louisiana Purchase'' directed by Irving Cummings. The show opened at the Shubert Brothers' Imperial Theatre, New York City on May 28, 1940 and ran for 444 performances. It was produced by Buddy De Sylva, who also wrote the story, and staged by Edgar MacGregor. The musical orchestrations were by Robert Emmett Dolan and N. Lang Van Cleve, with the ballets by George Balanchine and the musical staging and dances by C ...
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Face The Music (musical)
''Face the Music'' is a musical, the first collaboration between Moss Hart (book) and Irving Berlin (music and lyrics). ''Face the Music'' opened on Broadway in 1932, and has had several subsequent regional and New York stagings. The popular song " Let's Have Another Cup of Coffee" was introduced in the musical by J. Harold Murray. History The musical was written as a political satire, specifically spoofing political and police corruption that the Seabury Commission was investigating. It also satirized show business, showing the far-fetched economies, such as seeing 4 films with a room and bath for 10¢. The musical did not ignore the Depression but rather found humor in it. There were many titles considered, among them ''Nickels and Dimes'', but Berlin came up with the final title. Brown, pp. 77- 79 Synopsis Producer Hal Reisman desperately seeks backers for his Broadway show. Because of the Great Depression, once-rich investors are "Lunching at the Automat". Kit Baker, a forme ...
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