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List Of Tribes Of The Mardi Gras Indian Nation
Mardi Gras Indians (also known as Black Masking Indians) are black carnival revelers in New Orleans, Louisiana, who dress up for Mardi Gras in suits influenced by Native American ceremonial apparel. Collectively, their organizations are called "tribes". There are about 38 tribes which range in size from half a dozen to several dozen members. The groups are largely independent, but a pair of umbrella organizations loosely coordinates the Uptown Indians and the Downtown Indians. In addition to Mardi Gras Day, many of the tribes also parade on Saint Joseph's Day (March 19) and the Sunday nearest to Saint Joseph's Day ("Super Sunday"). Traditionally, these were the only times Mardi Gras Indians were seen in public in full regalia. The New Orleans Jazz & Heritage Festival began the practice of hiring tribes to appear at the Festival as well. In recent years it has become more common to see Mardi Gras Indians at other festivals and parades in the city. Notwithstanding the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Kongo
The Kingdom of Kongo ( kg, Kongo dya Ntotila or ''Wene wa Kongo;'' pt, Reino do Congo) was a kingdom located in central Africa in present-day northern Angola, the western portion of the Democratic Republic of the Congo, and the Republic of the Congo. At its greatest extent it reached from the Atlantic Ocean in the west to the Kwango River in the east, and from the Congo River in the north to the Kwanza River in the south. The kingdom consisted of several core provinces ruled by the ''Manikongo'', the Portuguese version of the Kongo title ''Mwene Kongo'', meaning "lord or ruler of the Kongo kingdom", but its sphere of influence extended to neighbouring kingdoms, such as Ngoyo, Kakongo, Loango, Ndongo and Matamba, the latter two located in what is Angola today. From c. 1390 to 1862 it was an independent state. From 1862 to 1914 it functioned intermittently as a vassal state of the Kingdom of Portugal. In 1914, following the Portuguese suppression of a Kongo revolt, Portugal abol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beyoncé
Beyoncé Giselle Knowles-Carter ( ; born September 4, 1981) is an American singer, songwriter, and actress. Beyoncé's boundary-pushing artistry and vocals have made her the most influential female musician of the 21st century, according to ''NPR''. Her success has led to her becoming a cultural icon and earning her the nickname "Honorific nicknames in popular music, Queen Bey". Beyoncé performed in various singing and dancing competitions as a child. She rose to fame in the late 1990s as a member of the R&B girl group Destiny's Child, one of the List of best-selling girl groups, best-selling girl groups of all time. Their hiatus saw the release of her debut album ''Dangerously in Love'' (2003), which featured the US Billboard Hot 100, ''Billboard'' Hot 100 number-one singles "Crazy in Love" and "Baby Boy (Beyoncé song), Baby Boy". Following the 2006 disbanding of Destiny's Child, Beyoncé released her second solo album, ''B'Day (Beyoncé album), B'Day'', which contained s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treme (TV Series)
''Treme'' ( ) is an American drama television series created by David Simon and Eric Overmyer that aired on HBO. The series premiered on April 11, 2010, and concluded on December 29, 2013, comprising four seasons and 36 episodes. The series features an ensemble cast, including Khandi Alexander, Rob Brown, Chris Coy, Kim Dickens, India Ennenga, John Goodman, Michiel Huisman, Melissa Leo, Lucia Micarelli, David Morse, Clarke Peters, Wendell Pierce, Jon Seda, and Steve Zahn, and features musical performances by several New Orleans-based artists. The series takes its name from Tremé, a neighborhood of New Orleans. It begins three months after Hurricane Katrina as the residents, including musicians, chefs, Mardi Gras Indians, and other New Orleanians, try to rebuild their lives, their homes, and their unique culture in the aftermath of the 2005 hurricane and the subsequent severe flooding of the city. It received generally favorable reception, particularly for its performances by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junkanoo
Junkanoo is a street parade with music, dance, and costumes with origin in many islands across the English speaking Caribbean every Boxing Day (26 December) and New Year's Day (1 January). These cultural parades are predominantly showcased in the Bahamas where the music is also mainstreamed, and competition results are hotly contested, There are also Junkanoo parades in Miami in June and Key West in October, where local black populations have their roots in the Caribbean. In addition to being a culture dance for the Garifuna people, this type of dancing is also performed in The Bahamas on Independence day and other historical holidays. Historically, Junkanoo parades were also found in Southeastern North Carolina. However, the custom became less popular after slavery was abolished. The last known Jonkonnu celebration in the Southern United States was in Wilmington, N.C., in the late 1880s. Dances are choreographed to the beat of goatskin drums and cowbells. History The festiva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rara
Rara is a form of festival music that originated in Haiti that is used for street processions, typically during Easter Week. The music centers on a set of cylindrical bamboo trumpets called vaksin, but also features drums, maracas, güiras or güiros (a percussion instrument), and metal bells, as well as alsos which are made from recycled metal, often coffee cans. The vaksin perform repeating patterns in hocket and often strike their instruments rhythmically with a stick while blowing into them. In the modern day, standard trumpets and saxophones may also be used. The genre though predominantly Afro-based has some Taino Amerindian elements to it such as the use of güiros and maracas. The songs are always performed in Haitian Creole and typically celebrate the African ancestry of the Afro-Haitian masses. '' Vodou'' is often implemented through the procession. Rara in Haiti is celebrated to commemorate part of the slave revolution that led to independence. At the time when it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Line (parades)
The second line is a tradition in parades organized by Social Aid and Pleasure Clubs (SAPCs) with brass band parades in New Orleans, Louisiana, United States. The "main line" or "first line" is the main section of the parade, or the members of the SAPC with the parading permit as well as the brass band. The second line consists of people who follow the band to enjoy the music, dance, and engage in community. The second line's style of traditional dance, in which participants dance and walk along with the SAPCs in a free-form style with parasols and handkerchiefs, is called "second-lining". It is one of the most foundationally Black American-retentive cultures in the United States. It has been called "the quintessential New Orleans art form – a jazz funeral without a body". Another significant difference from jazz funerals is that second line parades lack the slow hymns and dirges played at funerals (although some organizations may have the band play a solemn selection towar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austin Chronicle
''The Austin Chronicle'' is an alternative weekly newspaper published every Thursday in Austin, Texas, United States. The paper is distributed through free news-stands, often at local eateries or coffee houses frequented by its targeted demographic. The newspaper reported a weekly readership of 545,500. It is part of the Association of Alternative Newsmedia and it emulates the typical publications of the 1960s counterculture movement. History The ''Chronicle'' was co-founded in 1981 by Nick Barbaro and Louis Black, with assistance from others who largely met through the graduate film studies program at the University of Texas at Austin. Barbaro and Black are also co-founders of the South by Southwest Festival, although the festival operates as a separate company. The paper initially was published bi-weekly, and later weekly. Its precursor in style and format was the ''Austin Sun'', a bi-weekly that had ceased operations in 1978, after four years of publication. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wild Magnolias
The Wild Magnolias are a Mardi Gras Indian tribe who also record and play as a funk musical act from New Orleans, Louisiana. History Origins A group calling itself the Wild Magnolias, participating in the local " Indian masking" traditions and performing New Orleans Mardi Gras music, extends at least back into the 1950s. The group's lead member was called the Big Chief, and at least three Big Chiefs are known to have headed the band for short stints prior to 1964: Leon, Flap, and Joe Lee Davis. In 1964, Bo Dollis became Big Chief of the group, having previously participated in other Mardi Gras tribes such as the White Eagles and the Golden Arrows. 1970s: Commercial peak In 1970, the group cut a 45rpm single for Crescent City Records entitled "Handa Wanda," recorded and mixed by Cy Frost at Deep South Recording Studio. That year they also performed at the first New Orleans Jazz & Heritage Festival, along with Monk Boudreaux of the Golden Eagles Mardi Gras Indian tribe. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wild Tchoupitoulas
The Wild Tchoupitoulas were originally a group of Mardi Gras Indians formed in the early 1970s by George "Big Chief Jolly" Landry. Landry, with his Autochthon American (Choctaw) heritage, had been an active performer in the Mardi Gras Indian styling for a number of years. The group is named after the Tchoupitoulas tribe who also gave their name to Tchoupitoulas Street. With help from local New Orleans musicians The Meters, The Wild Tchoupitoulas recorded an eponymous album, which featured the "call-and-response" style chants typical of Mardi Gras Indians. Vocals were provided by Landry, as well as other members of his Mardi Gras tribe. Instrumentation was provided in part by members of the Meters. The album also notably featured Landry's nephews, the Neville Brothers, providing harmonies and some of the instrumentation. The album was produced by famed New Orleans writer-musician-producer Allen Toussaint. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allison Montana
Chief Allison "Tootie" Montana (December 16, 1922 – June 27, 2005), a lather by trade, was a New Orleans cultural icon who acted as the Mardi Gras Indian "Chief of Chiefs" for over 50 years. Tootie is revered in the Mardi Gras Indian culture as the Big Chief. Tootie was the Big Chief of the Yellow Pocahontas Tribe and made the culture of the Mardi Gras Indians about pageantry rather than combat display. Origins and traditions of Mardi Gras Indians The history of the Mardi Gras Indians can be traced back to the time of slavery in New Orleans. When slaves would escape from the city, many would find shelter with the Indigenous people of America. Traditions of the Mardi Gras Indians stemmed from what was observed while under the care of the indigenous people. The art of masking in Indian suits at Carnival is a way to pay respect to the people who looked after escaped slaves. Originally, the Mardi Gras Indians were a violent group of people fighting over lands and wards surrou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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