Lira (Ukrainian Instrument)
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Lira (Ukrainian Instrument)
The lira, or relia, ( uk, ліра) is a Ukrainian variant of the hurdy-gurdy, an instrument which can trace its history back to the 10th century. Regarding the origins of the lira in the region there are two schools of thought: # The lira is an evolution of the medieval bowed lira of the Byzantine Empire, ancestor of most European bowed instruments. The Byzantine lira was possibly introduced into Ukraine through the various trade routes to Byzantium. # The lira was introduced into Ukraine in the 17th century by Cossacks who had fought in France as mercenary soldiers. The lira was used as an instrument to accompany religious psalms, kants and epic ballads (known as '' dumy'') performed by itinerant blind musicians called lirnyky (sing. lirnyk). Occasionally lirnyky were hired to play dance music at weddings. They often organized themselves into Kobzar guilds, guilds or brotherhoods with their own laws and a secret language known as Lebiy. The traditional lira has three strings, ...
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Mykola Budnyk
Mykola Petrovych Budnyk ( uk, Мико́ла Петро́вич Будник) was a luthier and traditional performer in the Kobzar tradition. He was active in authentic construction and recreation of historic folk instruments, and involved in the movement for authentic performаnce practice on Ukrainian folk instruments. Budnyk was also known as a painter and poet. He was born in 1954 in Skolobiv, near Khoroshiv, Zhytomyr region, and died January 16, 2001, in Irpin', Kyiv region. He was chairman of the Kyiv Kobzar Guild (Kobzarskyi Tsekh), bandura, known as a master player of folk musical instruments, and as an artist and poet. Creative legacy Budnyk recreated 17 types of traditional folk instruments - among them different regional types of the kobza, bandura, lira, husli, hudok, torban, husli, hudok and other traditional Ukrainian musical instruments. Together Budnyk formally resurrected the Kobzarskyi Tsekh (Kobzar Guild), uniting like-minded intellectuals interested ...
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Ukrainian Musical Instruments
Ukrainian may refer to: * Something of, from, or related to Ukraine * Something relating to Ukrainians, an East Slavic people from Eastern Europe * Something relating to demographics of Ukraine in terms of demography and population of Ukraine * Something relating to Ukrainian culture * Ukrainian language, an East Slavic language, the native language of Ukrainians and the official state language of Ukraine * Ukrainian alphabet, a Ukrainian form of Cyrillic alphabet * Ukrainian cuisine See also * Languages of Ukraine * Name of Ukraine * Ukrainian Orthodox Church (other) * Ukrainians (other) * Ukraine (other) * Ukraina (other) * Ukrainia (other) Ukrainia may refer to: * The land of Ukraine, the land of the Kievan Rus * The land of the Ukrainians, an ethnic territory * Montreal ''Ukrainia'', a sports team in Canada * Toronto ''Ukrainia'', a sports team in Canada See also * * Ukraina ... * {{disambiguation Language and nationality ...
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Ukrainian Folk Music
Ukrainian folk music includes a number of varieties of traditional, folkloric, folk-inspired popular music, and folk-inspired European classical music traditions. In the 20th century numerous ethnographic and folkloric musical ensembles were established in Ukraine and gained popularity. During the Soviet era, music was a controlled commodity and was used as a tool for the indoctrination of the population. As a result, the repertoire of Ukrainian folk music performers and ensembles was controlled and restricted. Vocal music Authentic folk singing Ukrainians, particularly in Eastern Ukraine have fostered a peculiar style of singing – The White voice ( uk, Білий голос). This type of singing primarily exploits the chest register and is akin to controlled yelling or shouting. The vocal range is restrictive and in a lower tessitura. In recent times vocal courses have been established to study this particular form of singing. Among the most popular exponents of tradi ...
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Lirnyk
] The lirnyk ( Ukrainian language, Ukrainian: лірник; plural лірники - lirnyky) were itinerant Ukrainian musicians who performed religious, historical and epic songs to the accompaniment of a lira, the Ukrainian version of the hurdy-gurdy. Lirnyky were similar to and belonged to the same guilds as the better known bandura players known as kobzars. However, the lirnyk played the lira, a kind of crank-driven hurdy-gurdy, while the kobzars played the lute-like banduras. Lirnyky were usually blind or had some major disability. They were active in all areas of Ukraine from (at least) the 17th century on. The tradition was discontinued in Eastern/Central Ukraine in the mid-1930s, some lirnyky were seen in the regions of Western Ukraine until the 1970s and even the 1980s. Today, the repertoire of the instrument is mostly performed by educated, sighted performers. Notable performers of the lira include Mykhailo Khai, Vadym "Yarema" Shevchuk, Volodymyr Kushpet and Andr ...
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Kobzar
A ''kobzar'' ( ua, кобзар, pl. kobzari ua, кобзарі) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed bandura or kobza. Tradition Kobzars were often blind and became predominantly so by the 1800s. ''Kobzar'' literally means 'kobza player', a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition. The professional kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzars accompanied their singing with a musical instrument known as the kobza, bandura, or lira. Their repertoire primarily consisted of para-liturgical psalms and "kanty", and also included a unique epic form known as dumas. At the turn of the nineteenth century there were three regional kobzar schools: Chernihiv, Poltava, and Slobozhan, which were differentiated by repertoire and playing style. Guilds In Ukraine, kobzar ...
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Bandurist
A banduryst ( uk, бандури́ст) is a person who plays the Ukrainian plucked string instrument known as the bandura. Types of performers There are a number of different types of bandurist who differ in their particular choice of instrument, the specific repertoire they play and manner in which they approach their vocation. *Kobzari, who play authentic ethnographic instruments or copies. This group can also be further categorized into ''authentic'', ''reproduction'', and ''stage'' performers. *Academic players, playing more sophisticated contemporary concert banduras. These performers have a tertiary education majoring in bandura performance and typically perform works by Western classical composers in addition to, or instead of, Ukrainian folk music. This category can be further divided into instrumentalists (who only perform instrumental works) and vocalists (who primarily use the bandura to accompany their voice). The most common academic bandurists play in the Kiev acad ...
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Jurij Fedynskyj
Yuriy Fedynsky (born in 1975, United States)— Ukrainian-American composer, torbanist, bandurist and singer-songwriter, producer, bandleader, luthier, cultural activist and pedagogue. Fedynsky is a performer on kobza, torban and traditional bandura. He was born in the USA, but moved permanently to his ancestral Kyiv, (Ukraine) after the break-up of the USSR, specifically to pursue a career in Ukrainian folklore. He studied piano under Henry Doskiy and bandura under Julian Kytasty. He is one of the founding members of the Experimental Bandura Trio, together with Julian Kytasty and Michael Andrec. He performed with the Detroit-based Ukrainian Bandurist Choir. He also collaborated with Ukrainian rock band Haydamaky. He is also a co-founder of several ensembles, in particular The Carpathians, Run Through the Jungle and Chorea Cozacky (with Taras Kompanichenko. He is a member in Kyiv Kobzar Guild. As of 2016, he joined the Ukrainian folk ensemble "Drevo" from the Poltava regi ...
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Serhii Pavlychenko
Sergius is a male given name of Ancient Rome, Ancient Roman origin after the name of the Latins, Latin ''gens'' Gens Sergia, Sergia or Sergii of Roman Kingdom, regal and Roman Republic, republican ages. It is a common Christian name, in honor of Sergius (martyr), Saint Sergius, or in Russia, of Saint Sergius of Radonezh, and has been the name of four popes. It has given rise to numerous variants, present today mainly in the Romance languages, Romance (Serge, Sergio, Sergi) and Slavic languages (Serhii, Sergey, Serguei). It is not common in English, although the Anglo-Norman language, Anglo-French name Sargent (name), Sergeant is possibly related to it. Etymology The name originates from the Ancient Rome, Roman ''nomen'' (patrician family name) ''Sergius'', after the name of the Roman ''gens'' of Latin origins Gens Sergia, Sergia or Sergii from Alba Longa, Old Latium, counted by Theodor Mommsen as one of the oldest Roman families, one of the original 100 ''gentes originarie''. It ha ...
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Serhii Perekhozhuk
Sergius is a male given name of Ancient Roman origin after the name of the Latin ''gens'' Sergia or Sergii of regal and republican ages. It is a common Christian name, in honor of Saint Sergius, or in Russia, of Saint Sergius of Radonezh, and has been the name of four popes. It has given rise to numerous variants, present today mainly in the Romance (Serge, Sergio, Sergi) and Slavic languages (Serhii, Sergey, Serguei). It is not common in English, although the Anglo-French name Sergeant is possibly related to it. Etymology The name originates from the Roman ''nomen'' (patrician family name) ''Sergius'', after the name of the Roman ''gens'' of Latin origins Sergia or Sergii from Alba Longa, Old Latium, counted by Theodor Mommsen as one of the oldest Roman families, one of the original 100 ''gentes originarie''. It has been speculated to derive from a more ancient Etruscan name but the etymology of the nomen Sergius is problematic. Chase hesitantly suggests a connection with the ...
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Kobzar Guilds
Kobzar guilds, regional organizations of kobzars and lirnyks, were widespread in the mid-19th century. Modeled on artisans' guilds, they protected their members' interests. Every brotherhood had its own secret traditions and regulations. Its members collectively chose as their centre a church, for which they bought icons, candles, and oil. They met at the church on certain holy days to attend requiem services for deceased members and to settle urgent matters. In the spring they secretly gathered elsewhere (usually the forests near Brovary outside Kyiv) to elect their officers, to define the territory on which individual kobzars could operate, and to initiate new members according to a prescribed ritual. If necessary, the elected leader (pan otets) would call additional meetings. To become a member one had to have a physical handicap, to study kobza playing with a master (usually for at least two years), and to obtain permission ( vyzvilka) to perform independently, to know the kobzars ...
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Chordophone
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque ...
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