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Linear Drumming
Linear drumming is a drum kit playing style in which no drum, cymbal, or other drum component hits simultaneously. Unlike other forms of time keeping and fills, there is no layering of parts. For example, if playing a cymbal, no other drum set voice, such as a snare or bass drum, would be hit at the same time. Various cymbal ostinatos and other stickings can be used, but are not required. Linear drumming does not refer to any specific function of playing; rather, it applies to grooves, rhythms, and embellishments designed to create musical phrases. The drum kit voices can be combined in any order. One common fill application uses the combination of double stroke rudiments and single stroke rudiments between the hands and feet in a succession of sixteenth notes or triplets. Linear drum beats have appeared in various formats, ranging from shuffle feels, 4/4 feels, double-time feels, half-time feels, swing, and odd time meters. The playing style has steadily gained popu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-second Note
In music, a thirty-second note (American) or demisemiquaver (British) is a Musical note, note played for of the duration of a whole note (or ''semibreve''). It lasts half as long as a sixteenth note (or ''semiquaver'') and twice as long as a sixty-fourth note, sixty-fourth (or ''hemidemisemiquaver''). Thirty-second notes are notated with an oval, filled-in note head and a straight note stem with three flags or beam (music), beams. A single thirty-second note is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. As with all notes with stems, thirty-second notes are drawn with stems to the right of the notehead, extending up, when they are below the middle line of the musical staff. When they are on or above the middle line, they are drawn with stems on the left of the note head, extending down. Flags are always on the right side of the stem, and curve to the right. On stems e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lick (music)
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them to build a vocabulary of their own. In a jazz band, a lick may be performed during an improvised solo, either during an accompanied solo chorus or during an unaccompanied solo break. Jazz licks are usually original short phrases which can be altered so they can be used over a song's changing harmonic progressions. Similar concepts A lick is different from the related concept of a riff, as riffs can include repeated chord progressions. Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Wester ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
50 Ways To Leave Your Lover
"50 Ways to Leave Your Lover" is a song by the American singer-songwriter Paul Simon. It was the second single from his fourth studio album, ''Still Crazy After All These Years'' (1975), released on Columbia Records. Backing vocals on the single were performed by Patti Austin, Valerie Simpson, and Phoebe Snow. The song features a recognizable repeated drum riff performed by drummer Steve Gadd. One of his most popular singles, "50 Ways" was released in December 1975 and began to see chart success within the new year. It became Simon's sole number-one hit as a solo artist on the ''Billboard'' Hot 100 in the United States, and was his highest position in France, where it peaked at number two. Elsewhere, the song was a top 20 hit in Canada and New Zealand. The single was certified gold by the Recording Industry Association of America (RIAA), denoting sales of over one million copies. Creation Following Simon's divorce from first wife Peggy Harper, Simon opted to take a more humorou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the best-known and highly regarded session and studio drummers in the industry, recognized by his induction into the ''Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" and "Late in the Evening" and Steely Dan's "Aja (song), Aja" are examples of his style. He has worked with other popular musicians from many genres including Simon & Garfunkel, Paul McCartney, James Taylor, Harry Chapin, Joe Cocker, Bonnie Raitt, Grover Washington Jr., Michael Brecker, Chick Corea, Lee Ritenour, Paul Desmond, Kate Bush, Chet Baker, Al Di Meola, Chuck Mangione, Kenny Loggins, Eric Clapton, Pino Daniele, Michel Petrucciani, and Toshiki Kadomatsu. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Garibaldi (musician)
John David Garibaldi (born November 4, 1946) is an American drummer best known for his work with the Oakland-based band Tower of Power. His playing style is considered a staple of funk music. Garibaldi’s drummer credits also include Natalie Cole, Jermaine Jackson, Boz Scaggs, Deniece Williams and Yellowjackets. Rolling Stone magazine ranked Garibaldi #46 on its list “100 Greatest Drummers of All Time”. Early life and education David Garibaldi was born in Oakland, California. His interest in music started at a young age by hearing his mother and her sister singing and playing piano. He took piano and violin lessons before switching to percussion by age 10. Garibaldi played a drum kit for the first time at age 15, after hearing an older student play rock n’ roll beats. He was able to reproduce the beat by ear and continued self-teaching himself how to play the drums by listening to records. He later joined the high school’s big band and practiced with the help of Eddie T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Porcaro
Jeffrey Thomas Porcaro (; April 1, 1954 – August 5, 1992) was an American drummer, songwriter, and record producer. He is best known for his work with the rock band Toto but is one of the most recorded session musicians in history, working on hundreds of albums and thousands of sessions. While already an established studio player in the 1970s, he came to prominence in the United States as the drummer on the Steely Dan album ''Katy Lied''. AllMusic has characterized him as "arguably the most highly regarded studio drummer in rock from the mid-'70s to the early '90s" and says that "it is no exaggeration to say that the sound of mainstream pop/rock drumming in the 1980s was, to a large extent, the sound of Jeff Porcaro." He was posthumously inducted into the ''Modern Drummer'' Hall of Fame in 1993. Early life Jeffrey Thomas Porcaro was born on April 1, 1954, in Hartford, Connecticut, the eldest son of Los Angeles session percussionist Joe Porcaro (1930–2020) and his wife, Eil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drummer
A drummer is a percussionist who creates music using drum The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a she ...s. Most contemporary western bands that play Rock music, rock, Pop music, pop, jazz, or R&B music include a drummer for purposes including timekeeping and embellishing the musical timbre. The drummer's equipment includes a drum kit (or "drum set" or "trap set"), which includes various drums, cymbals and an assortment of accessory hardware such as pedals, standing support mechanisms, and drum sticks. Particularly in the traditional music of many countries, drummers use individual drums of various sizes and designs rather than drum kits. Some use only their hands to strike the drums. In larger ensembles, the drummer may be part of a rhythm section with other percussion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
