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Legong
Legong ( Balinese: ) is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. Origins Legong probably originated in the 19th century as royal entertainment. Legend has it that a prince of Sukawati fell ill and had a vivid dream in which two maidens danced to gamelan music. When he recovered, he arranged for such dances to be performed in reality. Others believe that the Legong originated with the ''sanghyang dedari'', a ceremony involving voluntary possession of two little girls by beneficent spirits. Legong is also danced at public festivals. Excerpts from Legong dance dramas are put on for tourists. Dancers Traditionally, legong dancers were girls who have not yet reached puberty. They begin rigorous training from about the age of five. These dancers are regarded highly in the society and usually become wives of royal personages or wealthy merchants. After marriag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese Dance
Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄ᬩᬮᬶ) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. Balinese dancers express the stories of dance-drama through the bodily gestures including gestures of fingers, hands, head and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most of the dances in Bali are connected to Hindu or traditional folk rituals, such as the Sanghyang Dedari sacred dance that invoke benevolent hyang spirits, believed to possess the dancers in a trance state during the performance. Other Balinese dances are not linked to religious rituals and are created for certain occasions or purposes, such as the Baris or Pendet welcoming dances and Joged dance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese Dances
Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄ᬩᬮᬶ) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. Balinese dancers express the stories of dance-drama through the bodily gestures including gestures of fingers, hands, head and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most of the dances in Bali are connected to Hindu or traditional folk rituals, such as the Sanghyang Dedari sacred dance that invoke benevolent hyang spirits, believed to possess the dancers in a trance state during the performance. Other Balinese dances are not linked to religious rituals and are created for certain occasions or purposes, such as the Baris or Pendet welcoming dances and Joged dance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Of Indonesia
Dance in Indonesia ( id, Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. In its tradition, Indonesian dances can be divided into two types; tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Condong
( ban, ᬘᭀᬦ᭄ᬤᭀᬂ) is a Balinese dance which is often performed as a preface to legong and accompanied by the Gamelan semar pegulingan, semar pangulingan style of gamelan. The term also refers to a stock character, a quintessential representation of the maidservant, found in the condong dance, as well as the legong, gambuh, and arja dances. History The condong dance originated in the by List of monarchs of Bali, palaces of Bali in the mid-19th century. Its creator is not known, but folk history suggests that a List of monarchs of Bali#Rajas of Sukawati and Ubud, prince of Sukawati, deathly ill, saw a vision of two beautiful girls dancing gracefully while accompanied by gamelan music; upon regaining his health, this prince recreated the dance he had seen. It originally told the story of two ''bidadari'' (nymphs) named Supraba and Wilotama. By the 1930s the story had been modified, telling of a king or queen and their subject. In current performances, the condong dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rejang Dance
''Rejang'' dance ( ban, ᬋᬚᬂ) is a sacred Balinese dance, a sacrificial dance in which the girls offer themselves to the gods. It is usually held at the Hindu temple's of Klungkung Regency and Karangasem Regency in Bali, Indonesia. “Rejang” means “offering”, a dance to greet the gods that come down to the Earth. This dance is part of the sacred offering ceremonies, which all happen around about the same time on Bali's ceremonial calendar. The main occasion is arranged as a three-day ceremony at the village hall of Bale Agung. The dancers required no prior training, in a believe that the spirit of ngayah would guide them to perform the dance movements harmoniously. Girls as young as two or three can be included in the procession. The dance is also known as ''ngeremas'', ''Simi'' or ''sutri''. See also *Pendet * Joged * Janger *Balinese dance Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄ᬩᬮᬶ) is an ancient dance tradition that is part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanghyang
( ban, ᬲᬂᬳ᭄ᬬᬂ) is a traditional sacred Balinese dance originated from the Indonesian island of Bali, it is based on the premise that an unseen force enters the body of an entranced performer. The force, identified as ''hyang'', is an important type of spiritual entity in ancient Indonesian mythology. The ''sanghyang'' dances are considered sacred ritual dances and are performed exclusively at Balinese religious ceremonies. Variants ''Sanghyang bojog'' The dancer is a man dressed like a monkey (''bojog'') and accompanied by a chorus of chanting ''sanghyang''. Before it begins, the dancer goes through the phases of summoning ape spirits. After conceding, the dancer will jump into a tree and mimic the behavior of an ape. This dance is only found in Bugbug, Karangasem. ''Sanghyang celeng'' This is a ''sanghyang'' dance variant only found in Duda, Karangasem, danced by a man wearing palm fiber clothing. The dancer mimics the movements of a pig. ''Sanghyang ded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baris (dance)
''Baris'' dance ( ban, ᬩᬭᬶᬲ᭄) is a family of traditional war dances in Bali, Indonesia, accompanied by gamelan, in which dancers depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence. ''Baris'' derives its name from the word ''bebarisan'', which literally means "line" or "file formation", referring to the soldiers who served the ancient rajas of Bali. Performance There are two main types of ''baris'' dance which can be found throughout the island of Bali. The non-ritual dance is performed by a solo male dancer, and is often the first dance that a budding dancer learns. However, there are over thirty different types of ritual ''baris'' dances, each of which is performed by a group of people, still imitating the movements of the warrior. ''Baris tunggal'' A ''baris tunggal'' dancer, namely a ''baris'' dancer who performs on his own, is dressed in white leggings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gambuh
''Gambuh'' ( ban, ᬕᬫ᭄ᬩᬸᬄ) is an ancient form of Balinese dance-drama. It is accompanied by musicians in a gamelan ''gambuh'' ensemble. History ''Gambuh'' is one of the oldest surviving forms in Balinese performing arts, dating to the late Majapahit era (ca. 15th century) with very little known change since this time. Emiko Susilo writes, "when the dance-dramas of Majapahit came to Bali, they had the new task of ''preserving'' the tradition of a fallen dynasty" (emphasis in original). It also introduced a new element of narrative to Balinese performing arts that influenced other forms of dance-drama on the island, such as ''topeng'' masked dance and '' arja'' opera. For centuries it was supported by patronage at the royal courts of Bali's aristocracy, during which it achieved its greatest heights of sophistication. As the courts fell apart in the bloody wars with the Dutch, this support evaporated and much of the art of ''gambuh'' was lost. Like the many othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayang Wong
''Wayang wong'', also known as ''wayang orang'' (literally "human ''wayang''"), is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the '' Ramayāna'' or '' Mahabharāta''. Performances are stylised, reflecting Javanese court culture: Despite being closely associated with Javanese and Balinese tradition, variants of ''wayang wong'' dance drama can also be found in neighboring Javanese ethnic traditions, including Sundanese tradition. History The bas relief panels on the ninth-century Prambanan temple show episodes of the ''Ramayana'' epic. The adaptation of ''Mahabharata'' episodes has been integrated in the Javanese literature tradition since the Kahuripan and Kediri era, with notable examples such as Arjunawiwaha, composed by Mpu Kanwa in the 11th century. The Penataran temple in East Java depicts themes from the ''Ramayana'' and ''Mahabharata'' in its bas reliefs. The Javanese dance drama associated with ''waya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joged
''Joged'' dance ( ban, ᬚᭀᬕᬾᬤ᭄) is a style of dance from the Island of Bali derived from the traditional Gandrung dance. The term ''joged'' or ''joget'' is also a common word for dance in Indonesia. The dance is typically accompanied by a gamelan ensemble of bamboo instruments called a gamelan joged bumbung. Dancers usually wear attire consisting of a Kebaya and Sarong Unlike most Balinese dance, ''joged'' is not a religious and ritual one, it is a secular social dance for entertainment purposes only. During a ''joged'' performance, a single or several female dancers will perform for usually predominantly male audience to dance with them. Dancers may often invite a spectator to join in the ''joged'' using a fan and sash. which unlike many dances has no set moves and is largely improvised. It is considered impolite to refuse such an invitation. The dance often involves erotic movements and teasing, ranging from humorous to seductive interactions between the dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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