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Legitimate Theater
Legitimate theatre is live performance that relies almost entirely on diegetic elements, with actors performing through speech and natural movement.Joyce M. Hawkins and Robert Allen, eds. "Legitimate" entry. ''The Oxford Encyclopedic English Dictionary.'' Oxford University Press, 1991. pp. 820-821. "''—adj.'' 5. constituting or relating to serious drama (including both comedy and tragedy) as distinct from musical comedy, farce, revue, etc. The term arose in the 18th c. ... It covered plays dependent entirely on acting with little or no singing, dancing or spectacle."Mark Hodin. "The Disavowal of Ethnicity: Legitimate Theatre and the Social Construction of Literary Value in Turn-of-the-Century America." ''Theatre Journal.'' 52.2: May 2000. p. 212. "The expression ''legitimate theatre''...became vernacular within heturn-of-the- 0thcentury amusement market. The legitimate prefix confirmed the fact that conventional stage plays no longer monopolized the definition of legitimate thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic
Diegesis (; from the Greek from , "to narrate") is a style of fiction storytelling that presents an interior view of a world in which: # Details about the world itself and the experiences of its characters are revealed explicitly through narrative. # The story is told or recounted, as opposed to shown or enacted. # There is a presumed detachment from the story of both the speaker and the audience. In diegesis, the narrator ''tells'' the story. The narrator presents the actions (and sometimes thoughts) of the characters to the readers or audience. In a rather different usage, diegetic elements are part of the fictional world ("part of the story"), as opposed to non-diegetic elements which are stylistic elements of how the narrator tells the story ("part of the storytelling"). Diegesis and mimesis according to the Greeks ''Diegesis'' (Greek διήγησις "narration") and '' mimesis'' (Greek μίμησις "imitation") have been contrasted since Plato's and Aristotle's time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Court Theatre
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a non-commercial West End theatre in Sloane Square, in the Royal Borough of Kensington and Chelsea, London, England. In 1956 it was acquired by and remains the home of the English Stage Company, which is known for its contributions to contemporary theatre and won the Europe Prize Theatrical Realities in 1999. History The first theatre The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist Ranelagh Chapel, opened as a theatre in 1870 under the name The New Chelsea Theatre. Marie Litton became its manager in 1871, hiring Walter Emden to remodel the interior, and it was renamed the Court Theatre. Several of W. S. Gilbert's early plays were staged here, including ''Randall's Thumb'', ''Creatures of Impulse'' (with music by Alberto Randegger), ''Great Expectations'' (adapted from the Dickens novel), and ''On Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saved (play)
''Saved'' is a play by Edward Bond which premiered at the Royal Court Theatre, London, in November 1965. The play itself is set in London during the 1960s. Its subject is the cultural poverty and frustration of a generation of young people on the dole and living on council estates. In response to the censorship of the play, Laurence Olivier wrote a letter to ''The Observer'', saying that: "''Saved'' is not a play for children but it is for grown-ups, and the grown-ups of this country should have the courage to look at it." U.S. novelist Mary McCarthy praised its "remarkable delicacy". ''Saved'' was originally refused a licence without severe cuts by the Lord Chamberlain. When it was performed to large private audiences, the Lord Chamberlain decided to prosecute those who were involved in the production of the play. Although the defendants pleaded guilty and were fined, the case reflected badly on the censorship office and was pivotal in the abolition of theatre censorship a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
