Lateral Movement
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Lateral Movement
Lateral movements or lateral flexions within equestrianism, have a specific meaning, used to refer to movements made by a horse where the animal is moving in a direction other than straight forward. They are used both in training and in competition, vary in difficulty, and are used in a progressive manner, according to the training and physical limitations of the animal. Uses Lateral movements are important tools to help with training problems, as they encourage better balance, suppleness, and response to the riding aids. When performed correctly, they ask the horse to move their legs further under their body, thus increasing impulsion and improving movement, and can help build muscle evenly on both sides. They are also required in some competition, such as dressage and reining. Additionally, they may have a practical purpose, such as allowing the rider to easily open a gate, or to ask the horse to move sideways to avoid an obstacle. Common problems Incorrectly ridden lateral move ...
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Equestrianism
Equestrianism (from Latin , , , 'horseman', 'horse'), commonly known as horse riding (Commonwealth English) or horseback riding (American English), includes the disciplines of riding, Driving (horse), driving, and Equestrian vaulting, vaulting. This broad description includes the use of horses for practical working animal, working purposes, transportation, recreational activities, artistic or cultural exercises, and animals in sport, competitive sport. Overview of equestrian activities Horses are horse training, trained and ridden for practical working purposes, such as in Mounted police, police work or for controlling herd animals on a ranch. They are also used in Horse#Sport, competitive sports including dressage, endurance riding, eventing, reining, show jumping, tent pegging, equestrian vaulting, vaulting, polo, horse racing, driving (horse), driving, and rodeo (see additional equestrian sports listed later in this article for more examples). Some popular forms of competi ...
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Riding Aids
Riding aids are the cues a rider gives to a horse to communicate what they want the animal to do. Riding aids are broken into the ''natural aids'' and the ''artificial aids''. Natural aids These are the aids which the rider possesses on their body, and should be used for the majority of the cues to the horse. Overuse of any aid can be detrimental to the training of the horse, but in general harsh or rough hands are considered the worst crime a rider can commit using the natural aids. The natural aids include: *Leg *Hand *Seat *Voice It is important to remember that the aids are used in a spectrum, from very light to very powerful, depending on the response desired. A very sensitive horse may readily jump forward from light touch of the leg, while a horse that is habituated to leg pressure may require a kick to get the same response. Additionally, an aid from canter to walk, for example, will use slightly more restraining aid on a particular horse than that horse would need going ...
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Impulsion
Impulsion is the movement of a horse when it is going forward with controlled power. Related to the concept of collection, impulsion helps a horse effectively use the power in its hindquarters. To achieve impulsion, a horse is not using speed, but muscular control; the horse exhibits a relaxed spinal column, which allows its hindquarters to come well under its body and "engage" so that they can be used in the most effective manner to move the horse forward at any speed. The concept and term was first written about by practitioners of dressage, but an ability to move with impulsion is a desired goal in most other equestrian disciplines. Impulsion occurs when a horse is under human control and is one of the desired goals in horse training, but it may sometimes be exhibited by a horse in a free and natural state. Impulsion allows any horse gait to be more elastic and light, and also provides the animal with the power needed to perform complex movements, including the piaffe and ...
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Dressage
Dressage ( or ; a French term, most commonly translated to mean "training") is a form of horse riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by the International Equestrian Federation, dressage is described as "the highest expression of horse training" where "horse and rider are expected to perform from memory a series of predetermined movements." Competitions are held at all levels from amateur to the Olympic Games and World Equestrian Games. Its fundamental purpose is to develop, through standardized progressive training methods, a horse's natural athletic ability and willingness to perform, thereby maximizing its potential as a riding horse. At the peak of a dressage horse's gymnastic development, the horse responds smoothly to a skilled rider's minimal aids. The rider is relaxed and appears effort-free while the horse willingly performs the requested movement. The discipli ...
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Reining
Reining is a western riding competition for horses where the riders guide the horses through a precise pattern of circles, spins, and stops. All work is done at the lope (a version of the horse gait more commonly known worldwide as the canter), or the gallop (the fastest of the horse gaits). Originating from working cattle, reining is often described as a Western form of dressage riding, as it requires the horse to be responsive and in tune with its rider, whose aids should not be easily seen, and judges the horse on its ability to perform a set pattern of movements. The horse should be willingly guided or controlled with little or no apparent resistance and dictated to completely. A horse that pins his ears, conveying a threat to his rider, refuses to go forward, runs sideways, bounces his rear, wrings his tail in irritation or displays an overall poor attitude is not being guided willingly, and is judged accordingly. Origins Throughout the history of the Americas, dating back ...
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Turn On The Forehand
Turn on the forehand is a lateral movement in equestrian schooling that involves moving the horse's hindquarters around his front legs. Although a basic movement, it is an important training tool for both horse and rider. Movement made by the horse It involves the horse's inside fore marking time on the spot. The outside foreleg moves forward very slightly and the hind legs move in a semicircle around the inside foreleg. A clear walk rhythm and sequence should be maintained throughout. During the turn, the horse's forehand should be prevented from moving forwards, sideways or backwards. When first beginning to teach this movement, the horse bends in the direction away from the movement of the hindquarters (so he bends to the left if the hindquarters are being pushed to the right). When he advances, he may be asked to have a very slight flexion in the direction of movement. Prerequisites Turn on the forehand can only be of good quality if the horse is on the bit while maintaining cl ...
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Turn On The Haunches
The turn of the haunches is a lateral movement performed at the halt and walk, used in horse training. It requires the horse, while bent in the direction of the turn, to move his forehand around his hindquarters so that he makes a very small circle with the inside foreleg. The horse should pivot around a hind-leg, as seen in the spin. Additionally, the horse should continue to display basic requirements of dressage, such as an even and regular rhythm, relaxation, acceptance of the aids, balance, and freedom of movement. Uses The main purpose of the turn on the haunches is to introduce collection to the horse, as a movement to build collection, and as a stepping stone to the move advanced pirouette. It may also be used as a training movement to help with other problems, such as transitions into the canter, when used right before the transition. For the dressage horse, the movement is first asked for in the second level tests. The turn on the haunches is also important for jumping h ...
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Pirouette (dressage)
A Pirouette is a French word for the Ballet reference, "to whirl about." A pirouette is a two-track lateral movement asked of a horse in dressage, in which the animal makes a circle with its front end around a smaller circle made by the hind end. Specifically, the front legs and outside hind leg should travel around the inside hind leg, with the horse remaining slightly bent in the direction of travel. From the part of the rider it needs "much practice in collecting and balancing the horse and in using the aids correctly." The horse may perform the movement at the walk or canter, although the pirouette at the walk is more commonly called the turn on the haunches. It "can also be executed at piaffe." As in all dressage, the horse should remain relaxed, engaged, and responsive, with the poll Poll, polled, or polling may refer to: Figurative head counts * Poll, a formal election ** Election verification exit poll, a survey taken to verify election counts ** Polling, voting to ...
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Collection (horse)
{{Unreferenced, date=June 2009 Collection occurs when a horse's center of gravity is shifted backwards. Energy is directed in a more horizontal trajectory with less forward movement (limbs generate higher vertical impulses). Biomechanical markers include: increased flexion in the lumbo-sacral joint, stifle, and hocks of the horse; increased engagement of the thoracic sling muscles resulting in the withers rising relative to the horse's scapula; and reduced ranges of limb protraction–retraction. Collection in riding Collection is also an important ingredient in riding, if the rider wishes to perform more advanced movements or jumping. It not only allows the horse to move more easily and athletically, but also helps prevent wear-and-tear on the front legs. Through training, the horse learns to collect itself when requested to do so by the rider. The observer receives the impression of great strength held under perfect control. The most readily apparent form of collection can b ...
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Leg Yield
The leg-yield is a lateral movement in which a horse travels both forward and sideways at the same time. The horse is fairly straight through his body in the leg-yield, although he may have a slight bend opposite to the direction of travel. It is one of the "three initial movements leading up to true lateral work", the others being the turn on the forehand and the shoulder-fore.Cf. Loriston-Clarke, p. 77. - Davison, p. 53, calls it "the first preliminary lateral exercise". Difference from the half-pass The leg-yield and half-pass are sometimes confused because they are both movements in which the horse goes forward and sideways. However, the half-pass is quite a bit more advanced, requiring greater balance, engagement, and collection from the horse. In the leg-yield, the horse is fairly straight or bent slightly away from the direction of travel. In the half-pass, the horse is bent ''towards'' the direction of travel, which is physically much more difficult for the horse. Uses and ...
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Half-pass
The half-pass is a lateral movement seen in dressage, in which the horse moves forward and sideways at the same time. Unlike the easier leg-yield, the horse is bent in the direction of travel, slightly around the rider's inside leg. The outside hind and forelegs should cross over the inside legs, with the horse's body parallel to the arena wall and his forehand leading. The horse should remain forward, balanced, and bent, moving with cadence. The inside hind leg remains engaged throughout the half-pass, and the horse should not lose its rhythm. The half-pass is a variation of haunches-in (travers), executed on a diagonal line instead of along the wall. At higher levels it is used to perform a counter-change of hand, combining more than two half-passes with changes of direction in a zig-zag pattern. Vs. the leg-yield The half-pass requires more balance, engagement, and collection from a horse than the leg-yield. This is because the horse is slightly bent in the direction of movem ...
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Haunches-in
Haunches-in, also called travers or ''tĂȘte au mur'' ("head to the wall" in French), is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or ''croupe au mur'' ("rump to the wall"), that is slightly more difficult. Both movements are ''four-track'', meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the ''three-track'' shoulder-in. In haunches-in, the horse bends its hindquarters slightly to the inside of the arena, away from the arena wall, so that the horse is ''bent in the direction of movement''. The front legs and shoulders should not move from the original track. This produces the four tracks, with the outer track made by the outside foreleg, the second track by the inside foreleg, the third track by the outside hind leg, and the inside track made by the inside hind leg. In haunches-out (renvers), the horse is similarly bent in the direc ...
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