Lapidary
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Lapidary
Lapidary (from the Latin ) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing. Hardstone carving requires specialized carving techniques. In modern contexts, a gemcutter is a person who specializes in cutting diamonds, but in older contexts the term refers to artists who produced hardstone carvings; engraved gems such as jade carvings, a branch of miniature sculpture or ornament in gemstone. By extension, the term ''lapidary'' has sometimes been applied to collectors of and dealers in gems, or to anyone who is knowledgeable in precious stones. Etymology The etymological root of the word 'lapidary' is the Latin word , meaning "stone".Douglas Harper (2014)Lapidary Online Etymology Dictionary In the 14th century, the term evolved from , meani ...
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Lapidary 3302
Lapidary (from the Latin ) is the practice of shaping Rock (geology), stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameo (carving), cameos), and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing. Hardstone carving requires specialized carving techniques. In modern contexts, a gemcutter is a person who specializes in cutting diamonds, but in older contexts the term refers to artists who produced hardstone carvings; engraved gems such as jade carvings, a branch of miniature sculpture or ornament in gemstone. By extension, the term ''lapidary'' has sometimes been applied to collectors of and dealers in gems, or to anyone who is knowledgeable in precious stones. Etymology The etymological root of the word 'lapidary' is the Latin word , meaning "stone".Douglas Harper (2014)Lapidary Online Etymology Dictionary In the 14th century ...
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Lapidary Tool Kit, NPS
Lapidary (from the Latin ) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing. Hardstone carving requires specialized carving techniques. In modern contexts, a gemcutter is a person who specializes in cutting diamonds, but in older contexts the term refers to artists who produced hardstone carvings; engraved gems such as jade carvings, a branch of miniature sculpture or ornament in gemstone. By extension, the term ''lapidary'' has sometimes been applied to collectors of and dealers in gems, or to anyone who is knowledgeable in precious stones. Etymology The etymological root of the word 'lapidary' is the Latin word , meaning "stone".Douglas Harper (2014)Lapidary Online Etymology Dictionary In the 14th century, the term evolved from ...
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Lapidary (text)
A lapidary is a text in verse or prose, often a whole book, that describes the physical properties and virtues of precious and semi-precious stones, that is to say, a work on gemology. It was frequently used as a medical textbook since it also comprises practical information about each stone's medical application. Several lapidaries also provide information about countries or regions where some rocks were thought to originate, and others speculate about the natural forces in control of their formation. Lapidaries were very popular in the Middle Ages when belief in gems' inherent power for various purposes was widely held. Among the wealthy, collecting jewels was often an obsession and a popular way to store and transport capital. In the Middle Ages, scholars often distinguish "three different kinds of lapidaries: 1. the scientific lapidary 2. the magical or astrological lapidary that sets the relationship between the Signs of the zodiac and a particular gemstone and 3. the Christian ...
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Hardstone Carving
Hardstone carving is a general term in art history and archaeology for the artistic carving of predominantly semi-precious stones (but also of gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for an object made in this way. Normally the objects are small, and the category overlaps with both jewellery and sculpture. Hardstone carving is sometimes referred to by the Italian term ''pietre dure''; however, ''pietra dura'' (with an "a") is the common term used for stone inlay work, which causes some confusion. From the Neolithic period until about the 19th century such objects were among the most highly prized in a wide variety of cultures, often attributed special powers or religious significance, but today coverage in non-specialist art history tends to be relegated to a catch-all decorative arts or "minor arts" category. The types of objects carved have included those with ritual or religious purposes, engraved gems as signet ...
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Hardstone Carvings
Hardstone carving is a general term in art history and archaeology for the artistic carving of predominantly semi-precious stones (but also of gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for an object made in this way. Normally the objects are small, and the category overlaps with both jewellery and sculpture. Hardstone carving is sometimes referred to by the Italian term ''pietre dure''; however, ''pietra dura'' (with an "a") is the common term used for stone inlay work, which causes some confusion. From the Neolithic period until about the 19th century such objects were among the most highly prized in a wide variety of cultures, often attributed special powers or religious significance, but today coverage in non-specialist art history tends to be relegated to a catch-all decorative arts or "minor arts" category. The types of objects carved have included those with ritual or religious purposes, engraved gems as signet ...
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Cabochon
A cabochon (; ) is a gemstone that has been shaped and polished, as opposed to faceted. The resulting form is usually a convex (rounded) obverse with a flat reverse. Cabochon was the default method of preparing gemstones before gemstone cutting developed. Application Cutting ''en cabochon'' (French: "in the manner of a cabochon") is usually applied to opaque gems, while faceting is usually used for transparent stones. Hardness is also taken into account as softer gemstones with a hardness lower than 7 on the Mohs hardness scale are easily scratched, mainly by silicon dioxide in dust and grit. This would quickly make translucent gems unattractive—instead they are polished as cabochons, making the scratches less evident. In asteriated stones such as star sapphires and chatoyant stones such as cat's eye chrysoberyl, a domed cabochon cut can show the star or eye, which would not be visible in a faceted cut. The usual shape for cutting cabochons is an ellipse, because the e ...
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Amethyst
Amethyst is a violet variety of quartz. The name comes from the Koine Greek αμέθυστος ''amethystos'' from α- ''a-'', "not" and μεθύσκω (Ancient Greek) / μεθώ (Modern Greek), "intoxicate", a reference to the belief that the stone protected its owner from drunkenness. Ancient Greeks wore amethyst and carved drinking vessels from it in the belief that it would prevent intoxication. Amethyst, a semiprecious stone, is often used in jewelry and is the traditional birthstone for February. Structure Amethyst is a purple variety of quartz (SiO2) and owes its violet color to irradiation, impurities of iron and in some cases other transition metals, and the presence of other trace elements, which result in complex crystal lattice substitutions.Michael O'Donoghue (2006), ''Gems'', Butterworth-Heinemann, 6th ed. The hardness of the mineral is the same as quartz, thus making it suitable for use in jewelry. Hue and tone Amethyst occurs in primary hues from a li ...
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Stephanie Wynne-Jones
Stephanie Wynne-Jones is an Africanist archaeologist, whose research focuses on East African material culture, society and urbanism. She is Senior Lecturer and Deputy Head of the Department of Archaeology at the University of York. She previously worked as Assistant Director of the British Institute in Eastern Africa (2005-2008) and remains a Trustee and Member of the BIEA Governing Council. In 2016, Wynne-Jones was elected to Fellowship of the Society of Antiquaries of London. Wynne-Jones is one of the Core Group at the Danish National Research Foundation Centre of Excellence in Urban Network Evolutions (Urbnet), Aarhus University. Between 2015 and 2017 she was a Pro Futura Scientia Fellow at the Swedish Collegium for Advanced Study, Uppsala. Research Wynne-Jones' research has explored the medieval history of eastern Africa, with a focus on the Swahili coast and the caravan trade that connected it with the African interior. She has directed a series of projects across east Afri ...
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Jade
Jade is a mineral used as jewellery or for ornaments. It is typically green, although may be yellow or white. Jade can refer to either of two different silicate minerals: nephrite (a silicate of calcium and magnesium in the amphibole group of minerals), or jadeite (a silicate of sodium and aluminium in the pyroxene group of minerals). Jade is well known for its ornamental use in East Asian, South Asian, and Southeast Asian art. It is commonly used in Latin America, such as Mexico and Guatemala. The use of jade in Mesoamerica for symbolic and ideological ritual was influenced by its rarity and value among pre-Columbian Mesoamerican cultures, such as the Olmecs, the Maya, and other ancient civilizations of the Valley of Mexico. Etymology The English word ''jade'' is derived (via French and Latin 'flanks, kidney area') from the Spanish term (first recorded in 1565) or 'loin stone', from its reputed efficacy in curing ailments of the loins and kidneys. ''Nephrite'' is der ...
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Cameo (carving)
Cameo () is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio, which has a negative image. Originally, and still in discussing historical work, cameo only referred to works where the relief image was of a contrasting colour to the background; this was achieved by carefully carving a piece of material with a flat plane where two contrasting colours met, removing all the first colour except for the image to leave a contrasting background. A variation of a carved cameo is a cameo incrustation (or sulphide). An artist, usually an engraver, carves a small portrait, then makes a cast from the carving, from which a ceramic type cameo is produced. This is then encased in a glass object, often a paperweight. These are very difficult to make but were popular from the late 18th century through the end of the 19th century. Originating in Bohemia, the finest examples were mad ...
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Engraved Gem
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be use ...
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Lapis Lazuli
Lapis lazuli (; ), or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines,David Bomford and Ashok Roy, ''A Closer Look- Colour'' (2009), National Gallery Company, London, () in Shortugai, and in other mines in Badakhshan province in northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley civilisation. Lapis was highly valued by the Indus Valley Civilisation (7570–1900 BC). Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun (1341–1323 BC). By the end of the Middle Ages, lapis lazuli began to be exported to Europe, where it was ground into powder and made into ultramarine, the finest and most expensive of all blue pigments. Ultra ...
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