Lamzdeliai
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Lamzdeliai
Lamzdeliai (pipes) are traditional wind instruments in Lithuania. The instrument was popular during night herding, at young people's gatherings, and weddings. ''Lamzdeliai'' are used to play improvised herding melodies—''raliavimai'', ''ridovimai'', and ''tirliavimai''. Herders calmed their animals with these melodies, or they imitated the sounds of nature and birds. Other tunes played on the pipes were sutartines, songs, and contemporary dances (polka, waltz, mazurka, quadrille, and march). Traditional ''lamzdeliai'' are made of either bark or wood. The bark pipe (''zieves lamzdelis'') is made in the springtime of a willow, aspen or pine sprout. The bark is beaten on all sides, and twisted off of the wood. The blowing end is closed off with a stopper made from the wood, with one side cut off. At the place where the stopper ends, a whistle hole is cut into the bark, and one end of the hole is bent slightly inwards. Three to six finger holes are cut in the pipe. Wooden pi ...
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Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ...
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Lithuania
Lithuania (; lt, Lietuva ), officially the Republic of Lithuania ( lt, Lietuvos Respublika, links=no ), is a country in the Baltic region of Europe. It is one of three Baltic states and lies on the eastern shore of the Baltic Sea. Lithuania shares land borders with Latvia to the north, Belarus to the east and south, Poland to the south, and Russia to the southwest. It has a Maritime boundary, maritime border with Sweden to the west on the Baltic Sea. Lithuania covers an area of , with a population of 2.8 million. Its capital and largest city is Vilnius; other major cities are Kaunas and Klaipėda. Lithuanians belong to the ethno-linguistic group of the Balts and speak Lithuanian language, Lithuanian, one of only a few living Baltic languages. For millennia the southeastern shores of the Baltic Sea were inhabited by various Balts, Baltic tribes. In the 1230s, Lithuanian lands were united by Mindaugas, Monarchy of Lithuania, becoming king and founding the Kingdom of Lithuania ...
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Sutartines
Lithuanian folk songs (in Lithuanian: "liaudies dainos") are often noted for not only their mythological content but also their relating historical events. Lithuanian folk music includes romantic songs, wedding songs, as well as work songs and archaic war songs. Traditional songs are performed either solo or in groups, in unison or harmonized in primarily in thirds (''tūravoti'' - lith. "to harmonize"). There are three ancient styles of singing in Lithuania that are connected with ethnographical regions: monophony, multi-voiced homophony, heterophony and polyphony. Monophony mostly occurs in southern (Dzūkija), southwest (Suvalkija) and eastern (Aukštaitija) parts of Lithuania. Multi-voiced homophony is widespread in the entire Lithuania. It is most archaic in the western part (Samogitia). Polyphonic songs are common in the renowned sutartinės tradition of Aukštaitija and occurs only sporadically in other regions. Many Lithuanian dainos are performed in the minor key. Par ...
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Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The polka' ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Mazurka
The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast ''oberek''. The ''mazurka'' is always found to have either a triplet, trill, dot ...
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Quadrille
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six '' contredanses''. Latterly the quadrille was frequently danced to a medley of opera melodies. Performed by four couples in a rectangular formation, it is related to American square dancing. The Lancers, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone Lesser Antilles is known as ''kwadril'', and the dance is also still found in Madagascar and is within old Caribbean culture. History The term ''quadrille'' originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the Italian ''quadriglia'' (diminutive of ''quadra'', hence a small square). The dance was introduced in France around 1760: originally it was a form of cotillion in whic ...
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March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Richard Wagner, Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Ludwig van Beethoven, Beethoven's Symphony No. 3 (Beethoven), ''Eroica'' Symphony, in the Three Marches Militaires (Schubert), Marches Militaires of Franz Schubert, in the Marche funèbre in Frédéric Chopin, Chopin's Piano Sonata No. 2 (Chopin), Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in George Frideric Handel, Handel's ''Saul (Handel), Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to ...
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Frula
The frula (, sr-Cyrl, фрула), also known as svirala (свирала) or jedinka, is a musical instrument which resembles a medium sized flute, traditionally played in Serbia. It is typically made of wood and has six holes. It is an end-blown aerophone. The frula is a traditional instrument of shepherds, who would play while tending their flocks. For a list of similar instruments, see the section below. Names In Croatia it is commonly known as "jedinka". Other local names in Croatia include ''žveglica'', ''šaltva'', ''kavela'', ''ćurlik''. It has also been simply called "Serbian flute". Overview The frula is a small wooden flute with six holes. In the Balkans, the frula was played by shepherds while tending their flocks. It is a traditional instrument of Serbia, one of several aerophones used for leisure time, rituals, or accompanying the ''kolo'' (circle dance), along with long flutes (''duduk'', ''cevara''), the double flute (''dvojnice''), and the bag-pipe (''gajde'') ...
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Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangib ...
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