Luthiers
A luthier ( ; AmE also ) is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word "luthier" is originally French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame. The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and makers of stringed instruments that are bowed. Since bowed instruments require a bow, the second category includes a subtype known ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Luthier Robert Benedetto In 1976
A luthier ( ; AmE also ) is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word "luthier" is originally French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame. The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and makers of stringed instruments that are bowed. Since bowed instruments require a bow, the second category includes a subtype known ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Archtop Guitar
An archtop guitar is a hollow electric or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players. Typically, an archtop guitar has: * Six strings * An arched top and back, not a flat top and back * A hollow body * Moveable adjustable bridge * F-holes similar to members of the violin family * Rear mounted tailpiece, stoptail bridge, or Bigsby vibrato tailpiece * 14th-fret neck join History The archtop guitar is often credited to Orville Gibson, whose innovative designs led to the formation of the Gibson Mandolin-Guitar Mfg. Co, Ltd in 1902. His 1898 patent for a mandolin, which was also applicable to guitars according to the specifications, was intended to enhance "power and quality of tone." Among the features of this instrument were a violin-style arched top and back, each carved from a single piece of wood, and thicker in the middle than at the sides; sides carved to shape from a sing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Georg Staufer
Johann Georg Stauffer (also Johann Georg Staufer; born January 26, 1778 in Vienna; died 24 January 1853) was an Austrian luthier and the most important Viennese luthier of his time. Life Stauffer was born in the Viennese suburb of Weißgerber, the son of Mathias Stauffer, a labourer from Weyregg am Attersee. He studied under the luthier Franz Geissenhof. In June 1800 he took the Vienna oath of citizenship and in May 1802 he married Josepha Fischer in the Schottenkirche, Vienna. He took over the workshop of Ignaz Christian Bartl. Initially he built instruments modeled after the Italian guitar masters Giovanni Battista Fabricatore and Gaetano Vinaccia, he then developed several variants, typical of his own guitar style (see section ''Instruments''). In 1813/14, he applied for the vacant position of Court Luthier ("Hofgeigenmacher") but Johann Martin Stoss was preferred. From 1830-1836 Stauffer was also active as a music publisher. He devoted more time to his inventions, which is p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John D'Angelico
John D'Angelico (1905 in Little Italy, Manhattan – September 1, 1964 in Manhattan) was a luthier from New York City, noted for his handmade archtop guitars and mandolins. He founded the D'Angelico Guitars company, where other notable luthiers like Jimmy D'Aquisto served as apprentices. Luthiery John D’Angelico was born in 1905 in New York to an Italian-American family, and was apprenticed in 1914 to his great-uncle, Raphael Ciani, who made violins, mandolins, and flat top guitars. This apprenticeship would become the basis for construction principles he later incorporated into his archtop guitars. After Ciani died D'Angelico took over the management of the business, but he didn't like having to supervise the 15 employees. As a result, he left and founded in 1932 D'Angelico Guitars at 40 Kenmare Street in Manhattan's Little Italy. Here he began making guitars initially based on the 16 inch Gibson L-5 and subsequently working on his own designs. Instrument designs and output ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Matteo Sellas
Matteo Sellas (sometimes also written Mateo Sellas or in original German Matthäus Seelos) was a German luthier born in 1580 in Füssen who worked in Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ... from 1620–1650 and is best known for building lutes, archlutes and baroque guitars. References {{DEFAULTSORT:Sellas, Matteo German luthiers 1580 births People from Füssen 1661 deaths Italian luthiers Businesspeople from Venice Emigrants from the Holy Roman Empire to the Republic of Venice ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tieffenbrucker
Tieffenbrucker is a large multigenerational family of luthiers, originally from Bavaria, active in Venice and Padua, Italy from the beginning of the 16th century till around 1630. Several of their 16th- and 17th-century lutes are on display at the Lobkowicz Palace in Prague. See also * Gasparo Duiffopruggar Gasparo Duiffopruggar (1514 – ) was an instrument maker. His originally German family name was also spelled Tieffenbrucker, Tiefenbrugger, Tiefenbrucker, Teufenbrugger, Tuiffenbrugger, Deuffenbrugger, Dieffopruchar, Dieffoprughar, Duyfautbrocard ... References *Lundberg, Robert (2002). "Historical Lute Construction" * "THE TIEFFENBRUCKER FAMILY and its collaborators" pp. 262 - 343, book "Viol and Lute Makers of Venice 1490 -1630" by Stefano Pio, Venice 2012, Ed. Venice research. www.veniceresearch.com Italian luthiers German luthiers Families of German ancestry Italian families {{Germany-music-bio-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Violin Making And Maintenance
Making an instrument of the violin family, also called lutherie, may be done in different ways, many of which have changed very little in nearly 500 years since the first violins were made. Some violins, called "bench-made" instruments, are made by a single individual, either a master maker or an advanced amateur, working alone. Several people may participate in the making of a "shop-made" instrument, working under the supervision of a master. This was the preferred method of old violin makers who always put their names on violins crafted by their apprentices. Various levels of "trade violin" exist, often mass-produced by workers who each focus on a small part of the overall job, with or without the aid of machinery. "Setting up" a violin is generally considered to be a separate activity, and may be done many times over the lengthy service life of the instrument. Setup includes fitting and trimming tuning pegs, surfacing the fingerboard, carving the soundpost and bridge, adjusti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jimmy D'Aquisto
James L. D'Aquisto (Brooklyn, November 9, 1935 – California, April 17, 1995) was an Italian–American luthier who concentrated on building and repairing archtop guitars. He served as an apprentice to John D'Angelico beginning in 1952 and later developed his own distinctive style. Career James D'Aquisto was born on November 9, 1935 into a musical Italian family. An aspiring jazz guitarist he visited luthier John D'Angelico's shop in 1951 which lead to him in 1952 becoming his apprentice. About his routine, D'Aquisto said, "I was making $35 a week. I was like the runner: I'd go to the stores, pick up the tuners, go get the tailpieces from downtown, take the necks to the engraver, all that. I cleaned the windows, swept the floors, everything—we all did that. On Friday we put away the tools and cleaned the shop so when Monday came the place would be spotless." Later, he learned the "rough work" of the D'Angelico style. D'Angelico had a heart attack in 1959 and also parted w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antonio Torres Jurado
Antonio de Torres Jurado (13 June 1817 – 19 November 1892) was a Spanish guitarist and luthier, and "the most important Spanish guitar maker of the 19th century." It is with his designs that the first recognisably modern classical guitars are to be seen. Most acoustic guitars in use today are derivatives of his designs. Biography Antonio de Torres was the son of Juan Torres, a local tax collector, and Maria Jurado. As was common, when he was 12 he started an apprenticeship as a carpenter. In 1833, a dynastic war broke out, and soon after Torres was conscripted into the army. Through his father's machinations, young Antonio was dismissed as medically unfit for service. As only single men and widowers without children were subject to conscription, in 1835 his family pushed Torres into a hastily arranged marriage to Juana María López, the 13-year-old daughter of a shopkeeper. Children soon followed: a daughter in 1836, another in 1839, and a third in 1842, who died a few ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |