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Kikimora
Kikimora ( rus, кикимора, p=kʲɪˈkʲimərə) is a legendary creature, a female house spirit in Slavic mythology. Her role in the house is usually juxtaposed with that of the domovoy. The kikimora can either be a "bad" or a "good" spirit, which will depend on the behavior of the homeowner. When the kikimora inhabits a house, she lives behind the stove or in the cellar, and usually produces noises similar to those made by mice in order to obtain food. Kikimory (in plural) were the first traditional explanation for sleep paralysis in Russian folklore. Etymology Most sources link the suffix -''mora'' with the Proto-Slavic *''morà'' ('nightly spirit, bad dream') and the Proto-Germanic *''marōn'' (''id.''), as in the modern English nightmare. In Polish folklore, mora are the souls of living people that leave the body during the night, and are seen as wisps of straw or hair or as moths. Accordingly, Polish ''mora'', Czech ''můra'' denote both a kind of elf or spirit as well ...
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Kikimora
Kikimora ( rus, кикимора, p=kʲɪˈkʲimərə) is a legendary creature, a female house spirit in Slavic mythology. Her role in the house is usually juxtaposed with that of the domovoy. The kikimora can either be a "bad" or a "good" spirit, which will depend on the behavior of the homeowner. When the kikimora inhabits a house, she lives behind the stove or in the cellar, and usually produces noises similar to those made by mice in order to obtain food. Kikimory (in plural) were the first traditional explanation for sleep paralysis in Russian folklore. Etymology Most sources link the suffix -''mora'' with the Proto-Slavic *''morà'' ('nightly spirit, bad dream') and the Proto-Germanic *''marōn'' (''id.''), as in the modern English nightmare. In Polish folklore, mora are the souls of living people that leave the body during the night, and are seen as wisps of straw or hair or as moths. Accordingly, Polish ''mora'', Czech ''můra'' denote both a kind of elf or spirit as well ...
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Kikimora By Hippius 04
Kikimora ( rus, кикимора, p=kʲɪˈkʲimərə) is a legendary creature, a female house spirit in Slavic mythology. Her role in the house is usually juxtaposed with that of the domovoy. The kikimora can either be a "bad" or a "good" spirit, which will depend on the behavior of the homeowner. When the kikimora inhabits a house, she lives behind the stove or in the cellar, and usually produces noises similar to those made by mice in order to obtain food. Kikimory (in plural) were the first traditional explanation for sleep paralysis in Russian folklore. Etymology Most sources link the suffix -''mora'' with the Proto-Slavic *''morà'' ('nightly spirit, bad dream') and the Proto-Germanic *''marōn'' (''id.''), as in the modern English nightmare. In Polish folklore, mora are the souls of living people that leave the body during the night, and are seen as wisps of straw or hair or as moths. Accordingly, Polish ''mora'', Czech ''můra'' denote both a kind of elf or spirit as we ...
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Kikimora Im Sumpf By V
Kikimora ( rus, кикимора, p=kʲɪˈkʲimərə) is a legendary creature, a female house spirit in Slavic mythology. Her role in the house is usually juxtaposed with that of the domovoy. The kikimora can either be a "bad" or a "good" spirit, which will depend on the behavior of the homeowner. When the kikimora inhabits a house, she lives behind the stove or in the cellar, and usually produces noises similar to those made by mice in order to obtain food. Kikimory (in plural) were the first traditional explanation for sleep paralysis in Russian folklore. Etymology Most sources link the suffix -''mora'' with the Proto-Slavic *''morà'' ('nightly spirit, bad dream') and the Proto-Germanic *''marōn'' (''id.''), as in the modern English nightmare. In Polish folklore, mora are the souls of living people that leave the body during the night, and are seen as wisps of straw or hair or as moths. Accordingly, Polish ''mora'', Czech ''můra'' denote both a kind of elf or spirit as we ...
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Domovoi
In the Slavic religious tradition, Domovoy (Russian: Домово́й, literally "he oneof the household"; also spelled ''Domovoi'', ''Domovoj'', and known as pl, Domowik or Serbian and ua, Домовик, translit=domovyk) is the household spirit of a given kin. They are deified progenitors, that is to say the fountainhead ancestors of the kin. According to the Russian folklorist E. G. Kagarov, the Domovoy is a personification of the supreme Rod in the microcosm of kinship. Sometimes he has a female counterpart, Domania, the goddess of the household, though he is most often a single god. The Domovoy expresses himself as a number of other spirits of the household in its different functions. Etymology and belief The term ''Domovoy'' comes from the Indo-European root *''dom'', which is shared by many words in the semantic field of "abode", "domain" in the Indo-European languages (cf. Latin ''domus'', "house"). The Domovoy have been compared to the Roman ''Di Penates'', the '' ...
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Domovoy
In the Slavic religious tradition, Domovoy (Russian: Домово́й, literally "he oneof the household"; also spelled ''Domovoi'', ''Domovoj'', and known as pl, Domowik or Serbian and ua, Домовик, translit=domovyk) is the household spirit of a given kin. They are deified progenitors, that is to say the fountainhead ancestors of the kin. According to the Russian folklorist E. G. Kagarov, the Domovoy is a personification of the supreme Rod in the microcosm of kinship. Sometimes he has a female counterpart, Domania, the goddess of the household, though he is most often a single god. The Domovoy expresses himself as a number of other spirits of the household in its different functions. Etymology and belief The term ''Domovoy'' comes from the Indo-European root *''dom'', which is shared by many words in the semantic field of "abode", "domain" in the Indo-European languages (cf. Latin ''domus'', "house"). The Domovoy have been compared to the Roman ''Di Penates'', the '' ...
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Tone Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ...
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Leshy
The Leshy (also Leshi; rus, леший, p=ˈlʲeʂɨj; literally, " efrom the forest", pl, borowy, leśnik, leśniczy, lasowik, leszy) is a tutelary deity of the forests in pagan Slavic mythology. As the spirit rules over the forest and hunting, he may be related to the Slavic god Porewit. There is also a deity, named ''Svyatibor'' (''Svyatobor'', ''Svyatibog''), who is mentioned in the beliefs of the Eastern and Western Slavs as the god of forests and the lord of the leshies. His functions were identical to those of the god Veles. The Leshy is masculine and humanoid in shape, is able to assume any likeness and can change in size and height. In some accounts, Leshy is described as having a wife (''Leshachikha'', ''Leszachka'', ''Lesovikha'' and also, sometimes, the '' Kikimora'' of the swamp) and children (''leshonki'', ''leszonky''). He is known by some to have a propensity to lead travelers astray and abduct children (which he shares with Chort, the "Black One"), which wou ...
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Russian Folklore
Folklore of Russia is folklore of Russians and other ethnic groups of Russia. Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales._Epic_Russian_ олше́бн_...s._Epic_Russian_bylinas_are_also_an_important_part_of_Slavic_paganism.html" ;"title="bylina.html" ;"title="олше́бн ...s. Epic Russian bylina">олше́бн ...s. Epic Russian bylinas are also an important part of Slavic paganism">bylina.html" ;"title="олше́бн ...s. Epic Russian bylina">олше́бн ...s. Epic Russian bylinas are also an important part of Slavic paganism. The oldest bylinas of Kievan cycle were recorded in the Northwestern Federal District, Russian North, especially in Karelia, where most of the Finnish people, Finnish national epic Kalevala was recorded as well. In the late 19th-century Russian fairy tales began being translated into English, with ''Russian Folk Tales'' (1873) by William Ralston, and ''Tales and L ...
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Udmurt Language
Udmurt is a Permic language spoken by the Udmurt people who are native to Udmurtia. As a Uralic language, it is distantly related to languages such as Finnish, Estonian, Mansi, Khanty, and Hungarian. The Udmurt language is co-official with Russian within Udmurtia. It is written using the Cyrillic alphabet with the addition of five characters not used in the Russian alphabet: Ӝ/ӝ, Ӟ/ӟ, Ӥ/ӥ, Ӧ/ӧ, and Ӵ/ӵ. Together with the Komi and Permyak languages, it constitutes the Permic grouping of the Uralic family. Among outsiders, it has traditionally been referred to by its Russian exonym, Votyak. Udmurt has borrowed vocabulary from neighboring languages, mainly from Tatar and Russian. In 2010, as per the Russian census, there were around 324,000 speakers of the language in the country, out of the ethnic population of roughly 554,000. Ethnologue estimated that there were 550,000 native speakers (77%) out of an ethnic population of 750,000 in the former Russian SFSR (198 ...
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House Spirit
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as c ...
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Spinning (textiles)
Spinning is a twisting technique to form yarn from fibers. The fiber intended is drawn out, twisted, and wound onto a bobbin. A few popular fibers that are spun into yarn other than cotton, which is the most popular, are viscose (the most common form of rayon), and synthetic polyester. Originally done by hand using a spindle whorl, starting in the 500s AD the spinning wheel became the predominant spinning tool across Asia and Europe. The spinning jenny and spinning mule, invented in the late 1700s, made mechanical spinning far more efficient than spinning by hand, and especially made cotton manufacturing one of the most important industries of the Industrial Revolution. Process The yarn issuing from the drafting rollers passes through a thread-guide, round a Ring spinning#How it works, traveller that is free to rotate around a ring, and then onto a tube or bobbin, which is carried on to a Spindle (textiles), spindle, the axis of which passes through a center of the ring. The spin ...
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Bailichka
(in ) is a story from Russian folklore Folklore of Russia is folklore of Russians and other ethnic groups of Russia. Russian folklore takes its roots in the pagan beliefs of ancient Slavs and now is represented in the Russian fairy tales. Epic Russian bylinas are also an important ... about an allegedly true event involving a meeting with spirits. In contrast to the ''byvalschina'', here the story is conducted with an emphasis on the personal testimony of the narrator. See also * Byvalschina References *Померанцева Э. В. Мифологические персонажи в русском фольклоре. М., 1975. — С. 16-18. *Зиновьев В. П. Быличка как жанр фольклора и её современные судьбы // Мифологические рассказы русского населения Восточной Сибири. — Новосибирск, 1987. — С. 381—383. Russian folklore {{fantasy-stor ...
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