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Kemanche
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Lyra
The Byzantine lyra or lira ( gr, λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (''Museo Nazionale, Florence, Coll. Carrand, No.26''). Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece ( Politiki lyra, lit. "lyra of the City" i.e. Constantinople), Crete (Cretan lyra), Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia ( Dalmatian Lijerica), Italy (Calabrian lira) and Armenia. History The most likely origin is the pear-shaped pandura, however with the introduction of a bow. The first recorded reference to the bowed lyra was in the 9th century by the Persian geographer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Digital Library
The World Digital Library (WDL) is an international digital library operated by UNESCO and the United States Library of Congress. The WDL has stated that its mission is to promote international and intercultural understanding, expand the volume and variety of cultural content on the Internet, provide resources for educators, scholars, and general audiences, and to build capacity in partner institutions to narrow the digital divide within and among countries. It aims to expand non-English and non-western content on the Internet, and contribute to scholarly research. The library intends to make available on the Internet, free of charge and in multilingual format, significant primary materials from cultures around the world, including manuscripts, maps, rare books, musical scores, recordings, films, prints, photographs, architectural drawings, and other significant cultural materials. The WDL opened with 1,236 items. As of early 2018, it lists more than 18,000 items from nearly 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Uzbekistan
The music of Uzbekistan has reflected the diverse influences that have shaped the country. It is very similar to the music of the Middle East and is characterized by complicated rhythms and Meter (music), meters. Because of the long history of music in the country and the large variety of music styles and musical instruments, Uzbekistan is often regarded as one of the most musically diverse countries in Central Asia. Classical music of Uzbekistan The music of what is now Uzbekistan has a very long and rich history. Shashmaqam, a Central Asian classical music style, is believed to have arisen in the cities of Bukhara and Samarqand in the late 16th century. The term "shashmaqam" translates as ''six maqams'' and refers to the structure of music with six sections in different musical modes, similar to classical Persian traditional music. Interludes of spoken Sufi poetry interrupt the music, typically beginning at a low Register (music), register and gradually ascending to a climax bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Turkmenistan
The music of the nomadic and rural Turkmen people is closely related to Kyrgyz and Kazakh folk forms. Important musical traditions in Turkmen music include traveling singers and shamans called '' bakshy'', who act as healers and magicians and sing either a cappella or with instruments such as the two-stringed lute called dutar. Turkmenistan's national poet is Magtumguly Pyragy, from the 18th century, who wrote four-line goshuk lyrics. The Central Asian classical music tradition mugam is also present in Turkmenistan by name as the mukamlarbr> National anthem As a Republics of the Soviet Union, Soviet Republic, Turkmenistan's national anthem was "Turkmenistan", composed by Veli Mukhatov with words by Aman Kekilov. In 1997 (well after independence), the anthem was changed to the " National anthem of Independent, Neutral, Turkmenistan", the music and lyrics of which were written by President-for-Life Saparmurat Niyazov. Dutar The dutar is the most representative instru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Georgia (country)
Georgia has rich and still vibrant traditional music, which is primarily known as arguably the earliest polyphonic tradition of the Christian world. Situated on the border of Europe and Asia, Georgia is also the home of a variety of urban singing styles with a mixture of native polyphony, Middle Eastern monophony and late European harmonic languages. Georgian performers are well represented in the world's leading opera troupes and concert stages. Folk music The folk music of Georgia consists of at least fifteen regional styles, known in Georgian musicology and ethnomusicology as "musical dialects". According to Edisher Garaqanidze, there are sixteen regional styles in Georgia. These sixteen regions are traditionally grouped into two, eastern and western Georgian groups. The Eastern Georgian group of musical dialects consists of the two biggest regions of Georgia, Kartli and Kakheti (Garakanidze united them as "Kartli-Kakheti"); several smaller north-east Georgian mountain regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurdish Music
Kurdish music refers to music performed in the Kurdish languages and Zaza-Gorani languages. The earliest study of Kurdish music was initiated by the renowned Armenian priest and composer Komitas in 1903, when he published his work ''" Chansons kurdes transcrites par le pere Komitas"'' which consisted of twelve Kurdish melodies which he had collected. The Armenian Karapetê Xaço also preserved many traditional Kurdish melodies throughout the 20th century by recording and performing them. In 1909, Scholar Isya Joseph published the work "''Yezidi works''" in which he documented the musical practice of the Yazidis including the role of the musician-like qawâl figures and the instruments used by the minority. Kurdish music appeared in phonographs in the late 1920s, when music companies in Baghdad began recording songs performed by Kurdish artists. Despite being secondary to vocals, Kurds use many instruments in traditional music. Musical instruments include the tembûr (see kurdish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peeters (publishing Company)
Peeters Publishers is an international academic publisher founded in Leuven in 1857, joining a tradition of book printing in Leuven dating back to the 15th century. Peeters publishes 200 new titles and 75 journals a year. Humanities and social sciences are the main fields of the publishing house, with series focusing on Biblical studies, Religious studies, Patristics, Classical and Oriental studies, Egyptology, Philosophy, Ethics, Medieval studies, and the Arts. History Leuven’s association with printing is as old as the art of printing itself. In 1474 Johann Veldener, from Würzburg, Germany, prints the first book in Leuven. In the 15th century, eight printers were active in Leuven. The best known were Johann von Westphalen and Dirk Martens. In the 16th century it was mainly the Antwerp printers who published the important works of the humanists. The best-known Antwerp printer is undoubtedly Christoffel Plantin, who, due to the number of publications and its high qual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenian Music
The music of Armenia ( hy, հայկական երաժշտություն ''haykakan yerazhshtut’yun'') has its origins in the Armenian highlands, dating back to the 3rd millennium BCE, and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music (such as the ''sharakan'' Armenian chant and '' taghs'', along with the indigenous '' khaz'' musical notation). Folk music was notably collected and transcribed by Komitas Vardapet, a prominent composer and musicologist, in the late nineteenth and early twentieth centuries, who is also considered the founder of the modern Armenian national school of music. Armenian music has been presented internationally by numerous artists, such as composers Aram Khachaturian, Alexander Arutiunian, Arno Babajanian, Haig Gudenian, and Karen Kavaleryan as well as by traditional performers such as duduk player Djivan Gasparyan. Melodic basis Traditional Armenian folk music as well as Armenian church mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijani Music
Azerbaijani music ( Azerbaijani: Azərbaycan musiqisi) is the musical tradition of the Azerbaijani people from Azerbaijan Republic. Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies.Энциклопедический музыкальный словарь, 2-е изд., Москва, 1966 (''Encyclopedical Music Dictionary'' (1966-1967), 2nd ed., Moscow) Music from Azerbaijan has a branch mode system, where chromatisation of major and minor scales is of great importance. Classical music In 1920, Azerbaijani classical music had undergone a renaissance and Baku Academy of Music was founded to give classical musicians the same support as folk musicians. Modern day advocates of Western classical music in Azerbaijani include Farhad Badalbeyli, Fidan Gasimova and Franghiz Alizadeh. Opera and Ballet The emergence of opera and ballet in Azerbaijan is associated with the Imperial Russian and Soviet era of Azerbaijani history when Aze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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