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Kalos Inscription
A ''kalos'' inscription (''καλός'') is a form of epigraph found on Attic vases and graffiti in antiquity, mainly during the Classical period from 550 to 450 BC. The word ''kalos'' (καλός) means "beautiful", and in the inscriptions it had an erotic connotation. Overview The ''kalos'' inscription is typically found on vessels used for a symposium. The scenes that accompany the inscription vary, and include athletic exercises and myths. Some inscriptions are generic, reading only "the boy is beautiful" (ὁ παῖς καλός). The inscription more often took the form of the beloved's name, in the nominative singular, followed by "kalos" (''X kalos'', i.e. "X is beautiful"). The beloved is most often a male youth, but a few times girls or women were spoken of as ''kalē'' (καλή). In one early cataloging of the inscriptions, among the individuals labeled as beautiful were 30 women and girls, and 528 youths. Male names outnumber female by more than twenty to one. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eos Memnon Louvre G115
In ancient Greek mythology and Ancient Greek religion, religion, Eos (; Ionic Greek, Ionic and Homeric Greek ''Ēṓs'', Attic Greek, Attic ''Héōs'', "dawn", or ; Aeolic Greek, Aeolic ''Aúōs'', Doric Greek, Doric ''Āṓs'') is the goddess and personification of the dawn, who rose each morning from her home at the edge of the river Oceanus to deliver light and disperse the night. In Greek tradition and poetry she is characterized as a goddess with a great sexual appetite, who took numerous lovers for her own satisfaction and bore them several children. Like her Roman mythology, Roman counterpart Aurora (mythology), Aurora and Rigvedic deities, Rigvedic Ushas, Eos continues the name of an earlier Proto-Indo-European mythology, Indo-European dawn goddess, Hausos. Eos, or her earlier Proto-Indo-European (PIE) ancestor, also shares several elements with the love goddess Aphrodite, perhaps signifying Eos's influence on her or otherwise a common origin for the two goddesses. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme Kydathenaion ( la, Cydathenaeum), was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play ''The Clouds'' as slander that contributed to the trial and subsequent condemning to death of Socrates, although other satirical playwrights had also caricatured the philosopher. Aristophanes' second play, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
5th-century BC Inscriptions
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6th-century BC Inscriptions
The 6th century is the period from 501 through 600 in line with the Julian calendar. In the West, the century marks the end of Classical Antiquity and the beginning of the Middle Ages. The collapse of the Western Roman Empire late in the previous century left Europe fractured into many small Germanic kingdoms competing fiercely for land and wealth. From the upheaval the Franks rose to prominence and carved out a sizeable domain covering much of modern France and Germany. Meanwhile, the surviving Eastern Roman Empire began to expand under Emperor Justinian, who recaptured North Africa from the Vandals and attempted fully to recover Italy as well, in the hope of reinstating Roman control over the lands once ruled by the Western Roman Empire. In its second Golden Age, the Sassanid Empire reached the peak of its power under Khosrau I in the 6th century.Roberts, J: "History of the World.". Penguin, 1994. The classical Gupta Empire of Northern India, largely overrun by the Huna, ended i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minotaur
In Greek mythology, the Minotaur ( , ;. grc, ; in Latin as ''Minotaurus'' ) is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus. Etymology The word ''minotaur'' derives from the Ancient Greek , a compound of the name (Minos) and the noun "bull", translated as "(the) Bull of Minos". In Crete, the Minotaur was known by the name Asterion, a name shared with Minos' foster-father. "Minotaur" was originally a proper noun in reference to this mythical figure. That is, there was only the one Minotaur. In contrast, the use of "minotaur" as a common noun to refer to members of a generic "species" of bul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calyx Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's '' Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarpedon
Sarpedon (; grc, Σαρπηδών) is the name of several figures in Greek mythology * Sarpedon, a son of Zeus, who fought on the side of Troy in the Trojan War. Although in the ''Iliad'', he was the son of Zeus and Laodamia, the daughter of Bellerophon, in the later standard tradition, he was the son of Zeus and Europa, and the brother of Minos and Rhadamanthus, while in other accounts the Sarpedon who fought at Troy was the grandson of the Sarpedon who was the brother of Minos. * Sarpedon, a Thracian son of Poseidon, eponym of Cape Sarpedon near the outlet of the River Hebrus, and brother to Poltys, King of Aenus. Unlike the other two Sarpedons, this Thracian Sarpedon was not a hero, but an insolent individual who was shot to death by Heracles as the latter was sailing away from Aenus. * Sarpedon, son of Zeus and Lardane and brother of Argus. Notes References * Apollodorus, ''The Library'' with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aryballos
An aryballos (Greek: ἀρύβαλλος; plural aryballoi) was a small spherical or globular flask with a narrow neck used in Ancient Greece."aryballos" in '' The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 611. It was used to contain perfume or oil, and is often depicted in vase paintings being used by athletes during bathing. In these depictions, the vessel is at times attached by a strap to the athlete's wrist, or hung by a strap from a peg on the wall. The shape of the aryballos originally came from the oinochoe of the Geometric period of the 9th century BCE, a globe-shaped wine jar. By the Proto-Corinthian period of the following century, it had attained its definitive shape, going from spherical to ovoid to conical, and finally back to spherical. This definitive form has a wide, flat mouth, and a single small handle. Some later variations have bell-shaped mouths, a second handle, and/or a flat base. Potters also crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Rhetorical Terms
Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms. A *''Absurdity.'' The exaggeration of a point beyond belief. *''Accumulatio.'' The emphasis or summary of previously made points or inferences by excessive praise or accusation. *'' Acutezza.'' Wit or wordplay used in rhetoric. *''Ad hominem.'' Rebutting an argument by attacking the character, motive, or other attribute of the person making it rather than the substance of the argument itself. *'' Adianoeta.'' A phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one. *'' Adjunction.'' When a verb is placed at the beginning or the end of a sentence instead of in the middle. For example (from '' Rheto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wasps
''The Wasps'' ( grc-x-classical, Σφῆκες, translit=Sphēkes) is the fourth in chronological order of the eleven surviving plays by Aristophanes. It was produced at the Lenaia festival in 422 BC, during Athens' short-lived respite from the Peloponnesian War. As in his other early plays, Aristophanes satirizes the Athenian general and demagogue Cleon. He also ridicules the law courts, one of the institutions that provided Cleon his power. The play has been thought to exemplify Old Comedy. Plot The play begins with a strange scene—a large net has been spread over a house, the entry is barricaded and two slaves, Xanthias and Sosias, are sleeping in the street outside. A third man is positioned at the top of an exterior wall with a view into the inner courtyard but he too is asleep. The two slaves wake and we learn from their banter that they are keeping guard over a "monster." The man asleep above them is their master and the monster is his father—he has an unusual disease ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
