Kaishakunin
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Kaishakunin
A ''kaishakunin'' ( ja, 介錯人) is a person appointed to behead an individual who has performed seppuku, Japanese ritual suicide, at the moment of agony. The role played by the ''kaishakunin'' is called ''kaishaku''. Aside from being spared prolonged anguish until death, both the condemned and those on hand to observe are spared the spectacle of the writhing death throes that would ensue. The most recent ''kaishakunin'' of the 20th century was Hiroyasu Koga, who beheaded the novelist Yukio Mishima and political activist Masakatsu Morita during their seppuku. Ritual Still preserved in modern-day movements (''kata'') of the martial art Iaidō, the ritual of performing ''kaishaku'' varies very little between Japanese fencing schools, but all of them are bound to the following steps to be performed by the ''kaishakunin'': #First, the ''kaishakunin'' sits down in the upright (''seiza'') position, or remains standing, at the left side of the person about to commit ''seppuku'', at ...
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Seppuku
, sometimes referred to as hara-kiri (, , a native Japanese kun reading), is a form of Japanese ritual suicide by disembowelment. It was originally reserved for samurai in their code of honour but was also practised by other Japanese people during the Shōwa period (particularly officers near the end of World War II) to restore honour for themselves or for their families. As a samurai practice, ''seppuku'' was used voluntarily by samurai to die with honour rather than fall into the hands of their enemies (and likely be tortured), as a form of capital punishment for samurai who had committed serious offences, or performed because they had brought shame to themselves. The ceremonial disembowelment, which is usually part of a more elaborate ritual and performed in front of spectators, consists of plunging a short blade, traditionally a ''tantō'', into the belly and drawing the blade from left to right, slicing the belly open. If the cut is deep enough, it can sever the abdominal ...
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Seppuku
, sometimes referred to as hara-kiri (, , a native Japanese kun reading), is a form of Japanese ritual suicide by disembowelment. It was originally reserved for samurai in their code of honour but was also practised by other Japanese people during the Shōwa period (particularly officers near the end of World War II) to restore honour for themselves or for their families. As a samurai practice, ''seppuku'' was used voluntarily by samurai to die with honour rather than fall into the hands of their enemies (and likely be tortured), as a form of capital punishment for samurai who had committed serious offences, or performed because they had brought shame to themselves. The ceremonial disembowelment, which is usually part of a more elaborate ritual and performed in front of spectators, consists of plunging a short blade, traditionally a ''tantō'', into the belly and drawing the blade from left to right, slicing the belly open. If the cut is deep enough, it can sever the abdominal ...
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Daki-kubi
, sometimes referred to as hara-kiri (, , a native Japanese kun reading), is a form of Japanese ritual suicide by disembowelment Disembowelment or evisceration is the removal of some or all of the organs of the gastrointestinal tract (the bowels, or viscera), usually through a horizontal incision made across the abdominal area. Disembowelment may result from an accident .... It was originally reserved for samurai in their Bushido, code of honour but was also practised by other Japanese people during the Shōwa period (particularly officers near the end of World War II) to restore honour for themselves or for their families. As a samurai practice, ''seppuku'' was used voluntarily by samurai to die with honour rather than fall into the hands of their enemies (and likely be tortured), as a form of Capital punishment in Japan, capital punishment for samurai who had committed serious offences, or performed because they had brought shame to themselves. The ceremonial disembowel ...
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Mozambique Drill
The Mozambique Drill,See section on Mozambique. also known as the Failure Drill, or Failure to Stop drill and, informally, as "two to the body, one to the head," is a close-quarters shooting technique that requires the shooter to fire twice into the torso of a target (known as a double tap or hammered pair to the center of mass), and follow up with a more difficult head shot that, if properly placed, will instantaneously stop the target if the previous shots failed to do so. History According to anecdotal history, the technique originated with a Rhodesian mercenary, Mike Rousseau, engaged in the Mozambican War of Independence (1964–1974). Fighting at the airport at Lourenço Marques (modern-day Maputo), Rousseau rounded a corner and encountered an enemy combatant, armed with an AK-47 assault rifle, at 10 paces (). Rousseau immediately brought up his Browning HP35 pistol and fired two bullets into the target's upper chest, usually enough to incapacitate or kill outright. Seeing ...
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Coup De Grâce
A coup de grâce (; 'blow of mercy') is a death blow to end the suffering of a severely wounded person or animal. It may be a mercy killing of mortally wounded civilians or soldiers, friends or enemies, with or without the sufferer's consent. Methods Examples of coup de grâce include shooting the heart or head (typically the back of the skull) of a wounded, but still living, person during an execution or by humanely killing a suffering, mortally wounded soldier, in war, for whom medical aid is not available. In pre-firearms eras the wounded were finished with edged or impact weapons to include cutting throats, blows to the head, and thrusts to the heart. Other examples include the officer leading a firing squad administering a coup de grâce to the condemned with a pistol if the first hail of gunfire fails to kill the prisoner; or a ''kaishakunin'' who performs a beheading to quickly end a samurai's agony after seppuku. Other uses The phrase may also refer to the final even ...
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Japanese Martial Arts
Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (''budō'', ''bujutsu'', and ''bugei'') are used interchangeably with the English phrase Japanese martial arts. The usage of the term ''budō'' (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms ''bujutsu'' (武術) and ''bugei'' (武芸) have different meanings from ''budō'', at least historically speaking. ''Bujutsu'' refers specifically to the practical application of martial tactics and techniques in actual combat. ''Bugei'' refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. History The historical origin of Japanese martial arts can be found in the warrior traditio ...
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Zanshin
''Zanshin'' ( ja, 残心) is a state of awareness, of relaxed alertness, in Japanese martial arts. A literal translation of ''zanshin'' is "remaining mind"."One arrow, one life: Zen, archery, enlightenment" by Kenneth Kushner
, 2000, page 73

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Chiburi
, also called ''chiburi'', is the process by which one symbolically removes blood from a sword blade. The term chiburui can thus be translated as "shaking off the blood". In the Japanese martial art of ''iaidō'', this is done before '' nōtō'' or placing the blade back into the scabbard (known as '' saya'').Yamatsuta, p. 36. In popular culture In films set in feudal Japan, such as ''Zatoichi is a fictional character created by Japanese novelist Kan Shimozawa. He is an itinerant blind masseur and swordsman of Japan's late Edo period (1830s and 1840s). He first appeared in the 1948 essay , part of Shimozawa's ''Futokoro Techō'' serie ...'', chiburi is usually performed by swordsmen after the killing of an opponent. However, chiburi is incorrectly portrayed as a simple swipe that completely removes all of the blood. In reality, the sword needs to be thoroughly wiped with a cloth as there would still be enough blood on the blade to cause rusting. Notes References * * Japa ...
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Tantō
A is one of the traditionally made Japanese swords ( ''nihonto'') that were worn by the samurai class of feudal Japan. The tantō dates to the Heian period, when it was mainly used as a weapon but evolved in design over the years to become more ornate. Tantō were used in traditional martial arts (tantojutsu). The term has seen a resurgence in the West since the 1980s as a point style of modern tactical knives, designed for piercing or stabbing. Description The ''tantō'' is a single or double edged dagger with a length between 15 and 30 cm (1 Japanese shaku). The tantō was designed primarily as a stabbing weapon, but the edge can be used for slashing as well. Tantō are generally forged in ''hira-zukuri'' (平造) style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the ''shinogi-zukuri'' (鎬造) structure of a ''katana''. Some tantō have particularly thick cross-sections for armor-piercing duty, and are called '' yoroi ...
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Musō Shinden-ryū
is a style of sword-drawing art (''iaido'') founded by Nakayama Hakudō (中山博道) in 1932. Nakayama Hakudō studied under Hosokawa Yoshimasa, a master of the ''Shimomura'' branch (下村派) of Hasegawa Eishin-ryū, and Morimoto Tokumi, a fellow student of Ōe Masaji of the ''Tanimura'' branch (谷村派). The name Musō Shinden-ryū most likely comes from the name given to the ''Shimomura'' branch by Hosokawa, Musō Shinden Eishin-ryū (無雙神傳英信流). Particularities The ''kata'' from Musō Shinden-ryū have a number of differences from the ''kata'' of its sister art, Musō Jikiden Eishin-ryū. Among the most visible are the manner in which the ''furikaburi'' (raising the sword overhead, sometimes called ''furikamuri'') and the ''nōtō'' (sheathing) are done. Both arts also differ from many other ''iaijutsu'' schools in that the ''kiai'' is performed silently, without ''hassei'' (shouting). Furikaburi After striking with one hand, primarily on ''nukitsuke'' (cut ...
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Ko-ryū
is a Japanese term for any kind of Japanese school of traditional arts. The term literally translates as "old school" (''ko''—old, '' ryū''—school) or "traditional school". It is sometimes also translated as "old style". Martial Arts It is often used as a synonymous shorthand for , ancient Japanese martial arts that predate the Meiji Restoration of 1868.Draeger, Donn F. (1974) ''Modern Bujutsu and Budo''. New York: Weatherhill. Page 57. Fumon Tanaka (2003) ''Samurai Fighting Arts: The Spirit and the Practice''.
Tokyo: Kodansha International Ltd. Page 22.
In English, the International