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Khuuchir
The khuuchir is a bowed musical instrument of Mongolia. Formerly, the nomads mainly used the snake skin violin or horsetail violin. The Chinese call it "the Mongol instrument" or " ''huk'in'' or ''huqin''".Хуучир mongol.undesten.mn
It is tuned in the interval of a fifth and is small or middle sized. The khuuchir has a small, cylindrical, square or cup-like resonator made of bamboo, wood or copper, covered with a snake skin and open at the bottom. The neck is inserted in the body of the instrument. It usually has four silk strings, of which the first and the third are accorded in unison, whereas the second and fourth are tuned in the upper fifth. The more popular of the ''hu'kin'' instruments have only two strings and are called "

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Kumo Xi
The Kumo Xi (Xu Elina-Qian, p.296b), also known as the Tatabi, were a Mongolic steppe people located in current Northeast China from 207 CE to 907 CE. After the death of their ancestor Tadun in 207, they were no longer called Wuhuan but joined the Khitan Xianbei in submitting to the Yuwen Xianbei. Their history is widely linked to the more famous Khitan.Xu Elina-Qian, pp.268-271 During their history, the Kumo Xi engaged in conflict with numerous Chinese dynasties and with the Khitan tribes, eventually suffering a series of disastrous defeats to Chinese armies and coming under the domination of the Khitans. In 907, the Kumo Xi were completely assimilated into the Khitan-led Liao dynasty of China. Etymology Omeljan Pritsak reconstructs the ethnonym underlying Middle Chinese *''kʰuoH-mɑk̚-ɦei'' as ''qu(o)mâġ-ġay''. The first element ''qu(o)mâġ'' is from *''quo'' "yellowish" plus denominal suffix *''-mAk'', cognate with Mongolian ''qumaġ'' "fine sands" and with Turkic ...
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Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come fr ...
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Music Of Central Asia
The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly open at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles. The origin of the bowed string Use of the bowed string is thought to originate with nomads who mainly used the snake-skin, covered horsetail-bowed lute. In Mongolia instruments like the morin khuur or horse-head fiddle survive today. The fiddle wiener is widespread in the Gobi areas of central Mongolia and among Eastern Mongols, the Khuuchir and Dorvon Chikhtei Khuur being a two and four stringed spiked fiddle respectively. The resonator can be cylindrical or polygonal and made of either wood or metal. The face is ...
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Huuchir
The khuuchir is a bowed musical instrument of Mongolia. Formerly, the nomads mainly used the snake skin violin or horsetail violin. The Chinese call it "the Mongol instrument" or " ''huk'in'' or ''huqin''".Хуучир mongol.undesten.mn
It is tuned in the interval of a fifth and is small or middle sized. The khuuchir has a small, cylindrical, square or cup-like resonator made of bamboo, wood or copper, covered with a snake skin and open at the bottom. The neck is inserted in the body of the instrument. It usually has four silk strings, of which the first and the third are accorded in unison, whereas the second and fourth are tuned in the upper fifth. The more popular of the ''hu'kin'' instruments have only two strings and are called "

Huqin
''Huqin'' () is a family of bowed string instruments, more specifically, a spike fiddle popularly used in Chinese music. The instruments consist of a round, hexagonal, or octagonal sound box at the bottom with a neck attached that protrudes upwards. They also usually have two strings, and their soundboxes are typically covered with either snakeskin (most often python) or thin wood. Huqin instruments usually have two tuning pegs, one peg for each string. The pegs are attached horizontally through holes drilled in the instrument's neck. Most huqin have the bow hair pass in between the strings. Exceptions to having two strings and pegs include variations of huqin with three, four, and sometimes even more than five. These include the zhuihu, a three stringed huqin, the sihu, a huqin of Mongolian origin, and the sanhu, a lesser-known three-stringed variation. The most common huqin are the ''erhu'', which is tuned to a middle range; ''zhonghu'', which is tuned to a lower register, an ...
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Sihu (instrument)
The ''sihu'' () (known as a / / ''khuuchir'' in Mongolia, where this term defines the whole ''huqin'' family) is a Chinese bowed string instrument with four strings. It is a member of the ''huqin'' family of instruments. Construction The instrument's name comes from the words ''sì'' (四, meaning "four" in Chinese, referring to the instrument's number of strings) and ''hú'' (胡, short for ''huqin'', the family of instruments of which the ''sihu'' is a member). Its soundbox and neck are made from hardwood and the playing end of the soundbox is covered with python, cow, or sheep skin. There are several sizes of ''sihu''; the lowest of these is generally tuned C, C, G, G; the medium size is tuned G, G, D, D; and the smallest size is tuned D, D, A, A. Technique The instrument is held vertically, with its soundbox on the player's lap, and its strings are tuned in pairs. The hair of the bow passes between the two pairs of strings. Use The ''sihu'' is primarily associated ...
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Ethnic Groups In Chinese History
Ethnic groups in Chinese history refer to various or presumed ethnicities of significance to the history of China, gathered through the study of Classical Chinese literature, Chinese and non-Chinese literary sources and inscriptions, historical linguistics, and archaeological research. Among the difficulties in the study of ethnic groups in China are the relatively long periods of time involved, together with the large volume of literary and historical records which have accompanied the history of China. Classical Chinese ethnography (like much premodern ethnography) was often sketchy, leaving it unclear as to whether Chinese-depicted names referred to a true ethnic group or a possibly multiethnic political entity. Even then, ethnonyms were sometimes assigned by geographic location or surrounding features, rather than by any features of the people themselves, and often carried little distinction of who the Han Chinese authors considered Chinese and non-Chinese for differenc ...
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Music Of Mongolia
Music is an integral part of Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing and morin khuur, the horse-headed fiddle. The music of Mongolia is also rich with varieties related to the various ethnic groups of the country: Oirats, Hotogoid, Tuvans, Darhad, Buryats, Tsaatan, Dariganga, Uzemchins, Barga, Kazakhs and Khalha. Besides the traditional music, Western classical music and ballet flourished during the Mongolian People's Republic. Among the most popular forms of modern music in Mongolia are Western pop and rock genres and the mass songs, which are written by modern authors in a form of folk songs. Traditional music Overtone singing Overtone singing, known as '' höömij'' (throat), is a singing technique also found in the general Central Asian area. This type of singing is considered more as a type of instrument. It involves different ways of breathing: producing two distinctively audible ...
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