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Kemanak
Kemanak ( jv, ꦏꦼꦩꦤꦏ꧀, translit=Kemanak) is a banana-shaped idiophone used in Javanese gamelan, made of bronze. They are actually metal slit drums. It is struck with a padded stick and then allowed to resonate. It has a specific pitch, which can be varied by covering the slit, but it is not matched to the other instruments of the gamelan. They are usually played in pairs, although they can be played in sets of four as well. They are used to accompany the bedhaya and serimpi, female court dances. Kemanak is also a style of gendhing which includes, in addition to kemanak, only colotomic instruments, a kendang, and a sindhen. In the region of Cirebon on the Northwest Coast of Java, Kemanak are played in pairs by striking one against the other in a repetitive fashion. Unlike in Central Java, Kemanak in Cirebon are not reserved for specific performance idioms and are considered indispensable in the standard Gamelan Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Instruments
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called ''kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a '' rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or '' gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedhaya
The bedhaya (also written as bedoyo, beḍaya and various other transliterations) ( jv, ꦧꦼꦝꦪ, translit=Bedhaya) is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. Along with the srimpi, the bedhaya epitomized the elegant ( jv, ꦲꦭꦸꦱ꧀, translit=alus) character of the royal court and became an important symbol of the ruler's power. The bedhaya has different forms in the two court cities, the ''bedhaya Ketawang'' in Surakarta (Solo) and the ''bedhaya Semang'' in Yogyakarta, the latter of which has not been performed for more than 20 years. The Solonese dance continues to be performed once per year on the second day of the Javanese month of Ruwah (May), to commemorate the ascension of the current Susuhunan (prince) of Surakarta. Nine females, relatives or wives of the Susuhunan, perform the dance before a private audience. An invitation to anyone outside of the inner circle of the court is a conside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slit Drum
A slit drum or slit gong is a hollow percussion instrument. In spite of the name, it is not a true drum but an idiophone, usually carved or constructed from bamboo or wood into a box with one or more slits in the top. Most slit drums have one slit, though two and three slits (cut into the shape of an "H") occur. If the resultant tongues are different width or thicknesses, the drum will produce two different pitches. It is used throughout Africa, Southeast Asia, and Oceania. In Africa such drums, strategically situated for optimal acoustic transmission (e.g., along a river or valley), have been used for long-distance communication. The ends of a slit drum are closed so that the shell becomes the resonating chamber for the sound vibrations created when the tongues are struck, usually with a mallet. The resonating chamber increases the volume of the sound produced by the tongue and presents the sound through an open port. If the resonating chamber is the correct size for the pitch b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serimpi
The Srimpi ( jv, ꦱꦿꦶꦩ꧀ꦥꦶ, translit=Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. The ''srimpi'' dance is one of the classical dances of Central Java. Along with the '' bedhaya'', ''srimpi'' epitomised the elegant ( jv, script=Latn, alus) character of the royal Javanese court, becoming a symbol of the ruler's power as well as the refinement of Javanese culture. Form and movement The ''srimpi'' dance is usually performed by four female dancers, however other numbers such as two, six or eight dancers is also possible, depending on the type of ''srimpi'' being performed. Similarity in looks, height and body type among dancers is preferred to achieve better aesthetics. ''Srimpi'' demonstrate soft, slow and graceful movements, highly stylised hand positions, stances and body poses, coupled with the shoulder-baring ''kemben'' outfit, to describe elegance, modesty, refinement, bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gendhing
''Colotomy'' is an Music of Indonesia, Indonesian description of the rhythmic and meter (music), metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. In the gamelan, this is usually done by gongs of various size: the ''kempyang'', ''ketuk'', ''kempul'', ''kenong'', ''gong suwukan'', and ''gong ageng''. The fast-playing instruments, ''kempyang and ketuk'', keep a regular beat (music), beat. The larger gongs group together these hits into larger groupings, playing once per each grouping. The largest gong, the ''gong ageng'', represents the largest time cycle and generally indicates that that section will be repeated, or the piece will move on to a new section. The details of the rhythmic patterns depend on the colotomic structure ( jv, italic=yes, bentuk), also known as ''gendhing'' structure. There are a number of different structures, which differ greatl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colotomic
''Colotomy'' is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. In the gamelan, this is usually done by gongs of various size: the ''kempyang'', ''ketuk'', ''kempul'', '' kenong'', ''gong suwukan'', and ''gong ageng''. The fast-playing instruments, ''kempyang and ketuk'', keep a regular beat. The larger gongs group together these hits into larger groupings, playing once per each grouping. The largest gong, the ''gong ageng'', represents the largest time cycle and generally indicates that that section will be repeated, or the piece will move on to a new section. The details of the rhythmic patterns depend on the colotomic structure ( jv, italic=yes, bentuk), also known as ''gendhing'' structure. There are a number of different structures, which differ greatly in length and complexity; however, all of them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kendang
Kendang or Gendang ( jv, ꦏꦼꦤ꧀ꦝꦁ, translit=Kendhang, su, ᮊᮨᮔ᮪ᮓᮀ, translit=Kendang, ban, ᬓᬾᬦ᭄ᬤᬂ, translit=Kendang, Tausug/Bajau Maranao: ''Gandang'', Bugis: ''Gendrang'' and Makassar: ''Gandrang'' or ''Ganrang'' ) is a two-headed drum used by people from the Indonesian Archipelago. Kendang is one of the primary instruments used in the Gamelan ensembles of Javanese, Sundanese, and Balinese, the Kendang ensemble as well as various Kulintang ensembles in Indonesia, Brunei, Malaysia, Singapore, and the Philippines. It is constructed in a variety of ways by different ethnic groups. It is a relation to the Indian mridangam double-headed drum. Overview The typical double-sided membrane drums are known throughout Maritime Southeast Asia and India. One of the oldest image of kendang can be found in ancient temples in Indonesia, especially the ninth century Borobudur and Prambanan temple. Among the Javanese, Sundanese, and Balinese, the has one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
