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Kebyar Duduk
( ban, ᬓᭂᬩ᭄ᬬᬃᬥᬸᬥᬸᬓ᭄) is a traditional Balinese dance created by a Balinese man I Ketut Marya and first performed publicly in 1925. Inspired by the development of the quick-paced gamelan gong kebyar, kebyar duduk is named for the seated and half-seated positions taken by the dancers. It does not convey a story, but is interpretative. History The kebyar duduk dance was first performed in 1925 and designed by I Ketut Marya (better known in the West as I Mario) of Tabanan, Bali. In designing the kebyar duduk dance, I Mario was influenced by recent innovations in Balinese gamelan which allowed interpretation of the music as well as a fast tempo. This development, known as the gamelan gong kebyar, was manifested early on in legong dances (specifically, kebyar legong) from which I Mario drew his inspiration. I Mario later developed the dance further, adding long instruments with inverted kettle gongs known as ; this form is known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Colonial Exposition
The Paris Colonial Exhibition (or "''Exposition coloniale internationale''", International Colonial Exhibition) was a six-month colonial exhibition held in Paris, France, in 1931 that attempted to display the diverse cultures and immense resources of France's colonial possessions. History The exposition opened on 6 May 1931 in the Bois de Vincennes on the eastern outskirts of Paris. The scale was enormous.Leininger-Miller 54. It is estimated that from 7 to 9 million visitors came from over the world. The French government brought people from the colonies to Paris and had them create native arts and crafts and perform in grandly scaled reproductions of their native architectural styles such as huts or temples.Leininger-Miller 55. Other nations participated in the event, including The Netherlands, Belgium, Italy (with a pavilion designed by Armando Brasini), Japan, Portugal, the United Kingdom, and the United States. Politically, France hoped the exposition would paint its colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance In Indonesia
Dance in Indonesia ( id, Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. In its tradition, Indonesian dances can be divided into two types; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Tenzer
Michael Tenzer (born 1957) is a composer, performer, and music educator and scholar. Tenzer was born in New York City and studied music at Yale University (BA. 1978) and University of California, Berkeley (Ph.D. 1986). After teaching at Yale from 1986–96, he moved to University of British Columbia where he teaches ethnomusicology, composition, music theory and gamelan performance, co-directs the doctoral program in ethnomusicology. Tenzer's compositions for chamber, solo and orchestral media have been performed in North America, Europe, and Asia, featuring performers such as Pandit Swapan Chaudhuri (tabla), Alex Klein (oboe) and Evan Ziporyn (clarinet). His publications have been recognized with the Society for Ethnomusicology's Alan P. Merriam Prize (best book of 2000) and the 34th annual ASCAP-Deems Taylor award, and his research has been supported with grants from the National Endowment for the Humanities and Fulbright. Among his composition prizes are a Library of Congress/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squatting Position
Squatting is a versatile posture where the weight of the body is on the feet but the knees and hips are bent. In contrast, sitting involves taking the weight of the body, at least in part, on the buttocks against the ground or a horizontal object. The angle between the legs when squatting can vary from zero to widely splayed out, flexibility permitting. Another variable may be the degree of forward tilt of the upper body from the hips. Squatting may be either full or partial. Crouching is usually considered to be synonymous with squatting. It is common to squat with one leg and kneel with the other leg. One or both heels may be up when squatting. Young children often instinctively squat. Among Chinese, Southeast Asian and Eastern European adults, squatting often takes the place of sitting or standing. Etymology Squatting comes from the Old French ''esquatir/escatir'', meaning to "compress/press down". The weight-lifting sense of squatting is from 1954.Harper, D. (n.d.). Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Androgynous
Androgyny is the possession of both masculine and feminine characteristics. Androgyny may be expressed with regard to biological sex, gender identity, or gender expression. When ''androgyny'' refers to mixed biological sex characteristics in humans, it often refers to intersex people, who are born with congenital variations that complicate assigning their sex at birth. In comparison, hermaphroditism is the possession of both male and female reproductive organs. Regarding gender identity, androgynous individuals may identify with non-binary identities. Others may identify as transgender. As a form of gender expression, androgyny has fluctuated in popularity in different cultures and throughout history. Physically, an androgynous appearance may be achieved through personal grooming, fashion, or hormone treatment. Etymology The term derives from grc, ἀνδρόγυνος, from , stem - (''anér, andro-'', meaning man) and (''gunē, gyné'', meaning woman) through the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Make-up
Cosmetics are constituted mixtures of chemical compounds derived from either natural sources, or synthetically created ones. Cosmetics have various purposes. Those designed for personal care and skin care can be used to cleanse or protect the body or skin. Cosmetics designed to enhance or alter one's appearance (makeup) can be used to conceal blemishes, enhance one's natural features (such as the eyebrows and eyelashes), add color to a person's face, or change the appearance of the face entirely to resemble a different person, creature or object. Cosmetics can also be designed to add fragrance to the body. Definition and etymology The word ''cosmetics'' derives from the Greek (), meaning "technique of dress and ornament", from (), "skilled in ordering or arranging" and that from (), meaning "order" and "ornament". Cosmetics are constituted from a mixture of chemical compounds derived from either natural sources, or synthetically created ones. Legal definition Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17 Years Of Sekar Jepun 2014-11-01 64 Edit
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warrior Dance
Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defense; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. Etymology According to Paul Bowman, the term ''martial arts'' was popularized by mainstream popular culture during the 1960s to 1970s, notably by Hong Kong martial arts films (most famously those of Bruce Lee) during the so-called "chopsocky" wave of the early 1970s. According to John Clements, the term ''martial arts'' itself is derived from an older Latin term meaning "arts of Mars", the Roman god of war, and was used to refer to the combat systems of Europe (European martial arts) as early as the 1550s. The term martial science, or martial sciences, was commonly used to refer to the fighting arts of East Asia (Asian martial arts) up until the 1970s, while the term ''Chinese boxing'' wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Mead
Margaret Mead (December 16, 1901 – November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and the 1970s. She earned her bachelor's degree at Barnard College of Columbia University and her M.A. and Ph.D. degrees from Columbia. Mead served as president of the American Association for the Advancement of Science in 1975. Mead was a communicator of anthropology in modern American and Western culture and was often controversial as an academic. Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution. She was a proponent of broadening sexual conventions within the context of Western cultural traditions. Birth, early family life, and education Margaret Mead, the first of five children, was born in Philadelphia but raised in nearby Doylestown, Pennsylvania. Her father, Edward Sherwood Mead, was a professor of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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