Jump-cut
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Jump-cut
A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's '' Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. ...
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Breathless (1960 Film)
''Breathless'' (french: À bout de souffle, lit=Out of Breath) is a 1960 French crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor. ''Breathless'' is an influential example of French New Wave (''nouvelle vague'') cinema. Along with François Truffaut's ''The 400 Blows'' and Alain Resnais's ''Hiroshima mon amour'', both released a year earlier, it brought international attention to new styles of French filmmaking. At the time, ''Breathless'' attracted much attention for its bold visual style, which included then unconventional use of jump cuts. Upon its initial release in France, the film attracted over two million viewers. It has since been considered one of the best films ever made, appearing in ''Sight & Sound'' magazine's decennial polls of filmmakers a ...
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Cut (transition)
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term ''edit'', though "edit" can imply any number of transitions or effects. The cut, dissolve and wipe serve as the three primary transitions. The term refers to the physical action of cutting film or videotape, but also refers to a similar edit performed in software; it has also become associated with the resulting visual "break". History Due to the short length of early film stock, splicing was necessary to join together segments into long-form. Actuality directors spliced together reels prior to shooting to record for longer periods of time. Narrative directors, on the other hand, preferred shooting for shorter lengths, editing together shot footage. In either case, film was cut (and subsequently joining the cut segments) to remove excess footage, focusing attention on significant elements. The ...
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Run Lola Run
''Run Lola Run'' (german: Lola rennt}, lit. "Lola Runs") is a 1998 German experimental thriller film written and directed by Tom Tykwer. The story follows a woman named Lola (Franka Potente) who needs to obtain 100,000 Deutschmarks in twenty minutes to save the life of her boyfriend Manni (Moritz Bleibtreu). ''Run Lola Run'' screened at the Venice Film Festival, where it competed for the Golden Lion. Following its release, the film received critical acclaim and several accolades, including the Grand Prix of the Belgian Syndicate of Cinema Critics, the Audience Award at the Sundance Film Festival, Best Film at the Seattle International Film Festival, and seven awards at the German Film Awards. It was also selected as the German entry for the Best Foreign Language Film at the 71st Academy Awards, though it was not ultimately nominated. Plot Manni, a bagman responsible for delivering 100,000 Deutschmarks, frantically calls his girlfriend Lola. Manni says that he was riding the U- ...
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Moon (2009 Film)
''Moon'' is a 2009 science fiction film directed by Duncan Jones (in his directorial debut) and written by Nathan Parker from a story by Jones. The film follows Sam Bell (Sam Rockwell), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the far side of the Moon. Kevin Spacey voices Sam's robot companion, GERTY. ''Moon'' premiered at the 2009 Sundance Film Festival and was released in selected cinemas in New York and Los Angeles on 12 June 2009. The release was expanded to additional theatres in the United States on 10 July and to the United Kingdom on 17 July. A follow-up film containing an epilogue to the film's events, ''Mute'', was released in 2018. A third installment, a graphic novel called ''Madi: Once Upon A Time in the Future'', was released in 2020. ''Moon'' was modestly budgeted and grossed just under $10 million worldwide but was well-received by critics. Rockwell's performance found praise. The movie won nu ...
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Mark Cousins (film Critic)
Mark Cousins (born 3 May 1965) is a Northern Irish director and writer based in Edinburgh. A prolific documentarian, he is best known for his 15-hour 2011 documentary ''The Story of Film: An Odyssey''. Career Cousins interviewed famous filmmakers such as David Lynch, Martin Scorsese and Roman Polanski in the TV series ''Scene by Scene''. He presented the BBC cult film series ''Moviedrome'' from June 1997 to July 2000. He introduced 66 films for the show, including the little-seen Nicolas Roeg film ''Eureka (1983 film), Eureka''. Throughout his career, Cousins has interviewed directors, producers and actors including Steven Spielberg, Woody Allen, Tom Hanks, Sean Connery, Brian De Palma, Steve Martin, Lauren Bacall, Jane Russell, Paul Schrader, Bernardo Bertolucci, Kirk Douglas, Jeanne Moreau, Terence Stamp, Jack Lemmon, Janet Leigh and Rod Steiger. In 2009, Cousins and Tilda Swinton co-founded the '8/2 Foundation'. Together they also created a project where they mounted a 33.5-t ...
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Arsenal (1929 Film)
''Arsenal'' ( uk, Арсенал, also alternative title ''January Uprising in Kyiv in 1918'') is a 1929 Soviet war film by Ukrainian director Oleksandr Dovzhenko. The film was shot at Odessa Film Factory of VUFKU with the camera of legendary cameraman Danyl Demutskyi and using the original sets made by Volodymyr Muller. The expressionist imagery, perfect camera work and original drama took the film far beyond the usual propaganda and made it one of the most important pieces of Ukrainian avant-garde cinema. The film was made in 1928 and released early in 1929.Magill's Survey of Silent Films, Vol.1 A-FLA p.152 edited by Frank N. Magill c.1982 (3 book set ) It is the second film in his "Ukraine Trilogy", the first being ''Zvenigora'' (1928) and the third being ''Earth'' (1930). The film concerns an episode in the Russian Civil War in 1918 in which the Kiev Arsenal January Uprising of workers aided the besieging Bolshevik army against the Ukrainian national Parliament Central Rada ...
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Alexander Dovzhenko
Oleksandr Petrovych Dovzhenko or Alexander Petrovich Dovzhenko ( uk, Олександр Петрович Довженко, ''Oleksandr Petrovych Dovzhenko''; russian: Алекса́ндр Петро́вич Довже́нко, ''Aleksandr Petrovich Dovzhenko''; November 25, 1956), was a Ukrainian Soviet screenwriter, film producer and director. He is often cited as one of the most important early Soviet filmmakers, alongside Sergei Eisenstein, Dziga Vertov, and Vsevolod Pudovkin, as well as being a pioneer of Soviet montage theory. Biography Oleksandr Dovzhenko was born in the hamlet of Viunyshche located in the Sosnitsky Uyezd of the Chernihiv Governorate of the Russian Empire (now part of Sosnytsia in Chernihiv Oblast, Ukraine), to Petro Semenovych Dovzhenko and Odarka Yermolayivna Dovzhenko. His paternal ancestors were Ukrainian Cossacks (Chumaks) who settled in Sosnytsia in the eighteenth century, coming from the neighbouring province of Poltava. Oleksander was the sev ...
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The Battleship Potemkin
'' Battleship Potemkin'' (russian: Бронено́сец «Потёмкин», ''Bronenosets Potyomkin''), sometimes rendered as ''Battleship Potyomkin'', is a 1925 Soviet silent drama film produced by Mosfilm. Directed and co-written by Sergei Eisenstein, it presents a dramatization of the mutiny that occurred in 1905 when the crew of the Russian battleship ''Potemkin'' rebelled against its officers. In 1958, the film was voted number 1 on the prestigious Brussels 12 list at the 1958 World Expo. ''Battleship Potemkin'' is considered one of the greatest films of all time. In the most recent Sight and Sound critics' poll in 2022, it was voted the fifty-fourth-greatest film of all time, and it placed in the top 10 in many previous editions. Plot The film is set in June 1905; the protagonists of the film are the members of the crew of the ''Potemkin'', a battleship of the Imperial Russian Navy's Black Sea Fleet. Eisenstein divided the plot into five acts, each with its o ...
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Sergei Eisenstein
Sergei Mikhailovich Eisenstein (russian: Сергей Михайлович Эйзенштейн, p=sʲɪrˈɡʲej mʲɪˈxajləvʲɪtɕ ɪjzʲɪnˈʂtʲejn, 2=Sergey Mikhaylovich Eyzenshteyn; 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. He was a pioneer in the theory and practice of montage. He is noted in particular for his silent films ''Strike'' (1925), ''Battleship Potemkin'' (1925) and ''October'' (1928), as well as the historical epics ''Alexander Nevsky'' (1938) and ''Ivan the Terrible'' (1944, 1958). In its 2012 decennial poll, the magazine ''Sight & Sound'' named his ''Battleship Potemkin'' the 11th greatest film of all time. Early life Sergei Eisenstein was born on 22 January 1898 in Riga, Latvia (then part of the Russian Empire in the Governorate of Livonia), to a middle-class family. His family moved frequently in his early years, as Eisenstein continued to do throughout his life. His father, the architect Mikhail Osipov ...
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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ...
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Music Videos
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. Although the origins of music videos date back to musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including " illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live-action, documentary, and non-narrative approaches such as abstract film. Combining these styles and techniques has become more popular due to the variety for the audience ...
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