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Jongleur
A minstrel was an entertainer, initially in medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. Description Minstrels performed songs which told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty and high society. As the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th century, and which has some continuity in the form of today's bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadours
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansons De Geste
The ''chanson de geste'' (, from Latin 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.Hasenohr, 242. Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred ''chansons de geste'' have survived in approximately three hundred manuscripts''La Chanson de Roland,'' 12. that date from the 12th to the 15th century. Origins Since the 19th century, much critical debate has centered on the origins of the ''chansons de geste'', and particularly on explaining the length of time between the composition of the ''chansons'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Busking
Street performance or busking is the act of performing in public places for gratuities. In many countries, the rewards are generally in the form of money but other gratuities such as food, drink or gifts may be given. Street performance is practiced all over the world and dates back to antiquity. People engaging in this practice are called street performers or buskers in the United Kingdom. Outside of New York, ''buskers'' is not a term generally used in American English. Performances are anything that people find entertaining, including acrobatics, animal tricks, balloon twisting, caricatures, clowning, comedy, contortions, escapology, dance, singing, fire skills, flea circus, fortune-telling, juggling, magic, mime, living statue, musical performance, one man band, puppeteering, snake charming, storytelling or reciting poetry or prose, street art such as sketching and painting, street theatre, sword swallowing, ventriloquism and washboarding. Buskers may be solo perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gleemen
An itinerant poet or strolling minstrel (also known variously as a gleeman, circler, or cantabank) was a wandering minstrel, bard, musician, or other poet common in medieval Europe but extinct today. Itinerant poets were from a lower class than jesters or jongleurs, as they did not have steady work, instead travelling to make a living. Medieval performers In Medieval England, a gleeman was a reciter of poetry. Like a scop, a gleeman performed poetry to the accompaniment of a harp or " glee wood". Gleemen occasionally attached themselves to a particular court, but were most often ''wandering'' entertainers; this is unlike scops, who were more static. Gleemen were also less likely to compose or perform their own poetry and relied on the work of others for their material. A source cited that the number of itinerant poets were augmented by disgraced courtiers, clairvoyants, and even the deformed as these entertainers formed troupes and catered to the whims of individual patrons. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiddle
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught " by ear" rather than via written music. Fiddling is the act of playing the fiddle, and fiddlers are musicians that play it. Among musical styles, fiddling tends to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagpipe
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with their ton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flageolet
The flageolet is a woodwind instrument and a member of the fipple flute family which includes recorders and tin whistles. Its invention was erroneously ascribed to the 16th-century Sieur Juvigny in 1581. There are two basic forms of the instrument: the French, having four finger holes on the front and two thumb holes on the back; and the English, having six finger holes on the front and sometimes a single thumb hole on the back. The latter was developed by English instrument maker William Bainbridge, resulting in the "improved English flageolet" in 1803. There are also double and triple flageolets, having two or three bodies that allowed for a drone and countermelody. Flageolets were made until the 19th century. Flageolets have varied greatly during the last 400 years. The first flageolets were called "French flageolets", and have four tone-holes on the front and two on the back. This instrument was played by Hector Berlioz, Frédéric Chalon, Samuel Pepys, and Robert Louis Steve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cittern
The cittern or cithren ( Fr. ''cistre'', It. ''cetra'', Ger. ''Cister,'' Sp. ''cistro, cedra, cítola'') is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is descended from the Medieval citole (or cytole). Its flat-back design was simpler and cheaper to construct than the lute. It was also easier to play, smaller, less delicate and more portable. Played by people of all social classes, the cittern was a premier instrument of casual music-making much as is the guitar today. History Pre-modern citterns The cittern is one of the few metal-strung instruments known from the Renaissance period. It generally has four courses (single, pairs or threes) of strings, one or more courses being usually tuned in octaves, though instruments with more or fewer courses were made. The cittern may have a range of only an octave between its lowest and highest strings and employs a re-entrant tuning – a tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kettledrum
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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