|
Jo-ha-kyū
is a concept of modulation and movement applied in a wide variety of traditional Japanese arts. Roughly translated to "beginning, break, rapid", it essentially means that all actions or efforts should begin slowly, speed up, and then end swiftly. This concept is applied to elements of the Japanese tea ceremony, to the samurai sword art of kenjutsu, to the bamboo sword training art of kendō, and to other martial arts, to dramatic structure in the traditional theatre, and to the traditional collaborative linked verse forms renga and renku (haikai no renga). The concept originated in ''gagaku'' court music, specifically in the ways in which elements of the music could be distinguished and described. Though eventually incorporated into a number of disciplines, it was most famously adapted, and thoroughly analysed and discussed by the great Noh playwright Zeami, who viewed it as a universal concept applying to the patterns of movement of all things. Theatre It is perhaps in the the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Structure
Dramatic structure (also known as dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of dramatic structures worldwide which have been hypothesized by critics, writers and scholars alike over time. This article covers the range of dramatic structures from around the world. How the acts are structured, what the center of the story is supposed to be about widely varies by region and time period. Africa and African diaspora Karibbean Kwik Kwak The structure is: #Tell riddles to test the audience. #Audience becomes a chorus and comments on the story. Usually there is a ritual ending. West Africa Griot A story structure commonly found in West Africa told by Griot storytellers, who tell their stories orally. Famous stories from this tradition include Anansi folktales. This storytelling type had influence on later African American, Creole, and Caribbean African diaspora stories. The story structure is as foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Aesthetics
Japanese aesthetics comprise a set of ancient ideals that include '' wabi'' (transient and stark beauty), '' sabi'' (the beauty of natural patina and aging), and '' yūgen'' (profound grace and subtlety). These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful. Thus, while seen as a philosophy in Western societies, the concept of aesthetics in Japan is seen as an integral part of daily life. Japanese aesthetics now encompass a variety of ideals; some of these are traditional while others are modern and sometimes influenced by other cultures. Shinto and Buddhism Shinto is considered to be at the fountain-head of Japanese culture. With its emphasis on the wholeness of nature and character in ethics, and its celebration of the landscape, it sets the tone for Japanese aesthetics. Until the thirteenth century, Shinto remained the main influence on Japanese aesthetics. In the Buddhist tradition, all things are cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Structure
Dramatic structure (also known as dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of dramatic structures worldwide which have been hypothesized by critics, writers and scholars alike over time. This article covers the range of dramatic structures from around the world. How the acts are structured, what the center of the story is supposed to be about widely varies by region and time period. Africa and African diaspora Karibbean Kwik Kwak The structure is: #Tell riddles to test the audience. #Audience becomes a chorus and comments on the story. Usually there is a ritual ending. West Africa Griot A story structure commonly found in West Africa told by Griot storytellers, who tell their stories orally. Famous stories from this tradition include Anansi folktales. This storytelling type had influence on later African American, Creole, and Caribbean African diaspora stories. The story structure is as foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kishōtenketsu
describes the structure and development of classic Chinese, Korean and Japanese narratives. The structure originated in China and was called ''qǐ chéng zhuǎn hé'' () and used in Chinese poetry as a four-line composition, such as Qijue. From there, it moved to Korea where it is called ''gi seung jeon gyeol'' (Hangul: 기승전결; Hanja: 起承轉結). Finally, the art style came to Japan, where it is referred to as , from which the English word derives. Regionalities There are variations of this dramatic structure based on region due to differences in how the Chinese characters are interpreted per the country and culture. China The Chinese interpretation is: : means start or introduction, usually meaning the reason something started : meant handling, process, or hardships : turn, turning point, crescendo : result. Korea The Korean interpretation is 기 : raising issues and introducing characters 승 : the beginning of the action (But not to solve a problem, necess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuhari
Shuhari (Kanji: 守破離 Hiragana: しゅはり) is a Japanese martial art concept which describes the stages of learning to mastery. It is sometimes applied to other disciplines, such as Go. Etymology ''Shuhari'' roughly translates to "to keep, to fall, to break away" or "follow the rules, break the rules, transcend the rules". Shuhari can be decomposed in 3 kanjis, each kanji in components and radicals: * "protect", "obey"—traditional wisdom—learning fundamentals, techniques, heuristics, proverbs. This first kanji consists of the components ** 宀: the roof ** 寸: the measure, the dimension, small, 1/10th of a shaku (i.e. ~3cm) * "detach", "digress"—breaking with tradition—detachment from the illusions of self, to break with tradition - to find exceptions to traditional wisdom, to find new approaches. In some styles of Japanese music (gagaku and noh), it is also the middle of the song. The components of this kanji are ** 石 : the stone ** 皮: skin This kanji can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nijō Yoshimoto
, son of regent Nijō Michihira, was a Japanese ''kugyō'' (court noble), waka poet, and renga master of the early Nanboku-chō period (1336–1392). Yoshimoto's wife gave birth to Nijō Moroyoshi. With another woman, he had sons Nijō Morotsugu and Ichijō Tsunetsugu. Career as government official Yoshimoto held the regent position of kampaku three times (from 1346 to 1347, from 1363 to 1367, and in 1388), and that of sesshō twice (from 1382 to 1388, and in 1388). * 1381 (''Eitoku 1, 7th month''): Yoshimoto is made '' Daijō Daijin.'' * 1387 (''Kakei 1, 1st month''): Yoshimoto is deprived of his position as ''daijō daijin.''Titsingh, p. 318. * 1388 (''Kakei 2, 6th month''): Yoshitomo dies at age 69; and his son Nijō Morotsugu succeeds him with the title of '' kampaku.'' Scholar-poet Yoshimoto learned waka from Ton'a and renga from Gusai and Kyūsei. He regarded himself primarily as a waka poet; he authored several treatises on the subject. It is for ''renga'' that he i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Martial Arts Terminology
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Literary Terminology
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chadō
The Japanese tea ceremony (known as or ) is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . While in the West it is known as "tea ceremony", it is seldom ceremonial in practice. Most often tea is served to family, friends, and associates; religious and ceremonial connotations are overstated in western spaces. While in the West it is known as a form of tea ceremony, in Japan the art and philosophy of tea can be more accurately described as "Teaism" as opposed to focusing on the ceremonial aspect. Zen Buddhism was a primary influence in the development of the culture of Japanese tea. Much less commonly, Japanese tea practice uses leaf tea, primarily , a practice known as . Tea gatherings are classified as either an informal tea gathering () or a formal tea gathering (). A is a relatively simple course of hospitality that includes confections, thin tea, and perhaps a light meal. A is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In Japan
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
