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Jidaigeki
is a genre of film, television, video game, and theatre in Japan. Literally meaning "period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Some, however, are set much earlier—''Portrait of Hell'', for example, is set during the late Heian period—and the early Meiji era is also a popular setting. ''Jidaigeki'' show the lives of the samurai, farmers, craftsmen, and merchants of their time. ''Jidaigeki'' films are sometimes referred to as chambara movies, a word meaning "sword fight", though chambara is more accurately a subgenre of ''jidaigeki''. ''Jidaigeki'' rely on an established set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines. Types Many ''jidaigeki'' take place in Edo, the military capital. Others show the adventures of people wandering from place to place. The long-running television series ''Zenigata Heiji'' and ''Abarenbō Shōgun'' typify the Edo ''jidaigeki''. ''Mito ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
時代劇
is a genre of film, television, video game, and theatre in Japan. Literally meaning "period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Some, however, are set much earlier—''Portrait of Hell'', for example, is set during the late Heian period—and the early Meiji era is also a popular setting. ''Jidaigeki'' show the lives of the samurai, farmers, craftsmen, and merchants of their time. ''Jidaigeki'' films are sometimes referred to as chambara movies, a word meaning "sword fight", though chambara is more accurately a subgenre of ''jidaigeki''. ''Jidaigeki'' rely on an established set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines. Types Many ''jidaigeki'' take place in Edo, the military capital. Others show the adventures of people wandering from place to place. The long-running television series ''Zenigata Heiji'' and ''Abarenbō Shōgun'' typify the Edo ''jidaigeki''. ''Mito K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chambara
, also commonly spelled "''chambara''", meaning "sword fighting" films,Hill (2002). denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. ''Chanbara'' is a sub-category of ''jidaigeki'', which equates to period drama. ''Jidaigeki'' may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. Chanbara also refers to a martial arts sport similar to Fencing. While earlier samurai period pieces were more dramatic rather than action-based, samurai films produced after World War II have become more action-based, with darker and more violent characters. Post-war samurai epics tended to portray psychologically or physically scarred warriors.Silver (1977), p. 37. Akira Kurosawa stylized and exaggerated death and violence in samurai epics. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abarenbō Shōgun
(Abarenbō Shōgun) was a Japanese television program on the TV Asahi network. Set in the eighteenth century, it showed fictitious events in the life of Yoshimune, the eighth Tokugawa ''shōgun''. The program started in 1978 under the title ''Yoshimune Hyobanki: Abarenbo Shogun'' (''Chronicle in Praise of Yoshimune: The Unfettered Shogun'') who went after rogue councillors and ''daimyō'' who were abusing their power. After a few seasons, they shortened the first two words and the show ran for two decades under the shorter title until the series ended in 2003; a two-hour special aired in 2004. The earliest scripts occasionally wove stories around historic events such as the establishment of firefighting companies of commoners in Edo, but eventually the series adopted a routine of strictly fiction. Along with Zenigata Heiji and Mito Kōmon, it ranks among the longest-running series in the jidaigeki genre. Like many other jidaigeki, it falls in the category of ''kanzen-chōaku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mito Kōmon
is a Japanese ''jidaigeki'' or period drama that was on prime-time television from 1969 to 2011, making it the longest-running ''jidaigeki'' in Japanese television history. The title character is the historic Tokugawa Mitsukuni, former vice-''shōgun'' and retired second ''daimyō'' of the Mito Domain. In the guise of Mitsuemon, a retired crepe merchant from Echigo, he roams Japan with two samurai retainers, fun-loving Sasaki Sukesaburō (Suke-san) and studious Atsumi Kakunoshin (Kaku-san). An episode typically starts with some injustice perpetrated by a corrupt official, a wealthy merchant or a gangster. The travelers arrive incognito, discover the injustice and quietly investigate it. The episode concludes with a brawl in which the unarmed, disguised protagonists defeat a crowd of samurai and gangsters, culminating in the presentation of the '' inrō'' that reveals the hero's identity. Afterwards, the hero passes judgement on the villains, sets things straight with comments and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Mitsukuni
, also known as , was a Japanese daimyo who was known for his influence in the politics of the early Edo period. He was the third son of Tokugawa Yorifusa (who in turn was the eleventh son of Tokugawa Ieyasu) and succeeded him, becoming the second daimyo of the Mito Domain. Biography Tokugawa Mitsukuni was born on July 11, 1628, in Mito Domain, Hitachi Province as the third son of Tokugawa Yorifusa, the first daimyo of Mito Domain. His father was the eleventh son of Tokugawa Ieyasu, the founder and first shogun of the Tokugawa shogunate. At the age of six, his elder brother Yorishige became valetudinarian, and Mitsukuni was chosen to succeed his father. At the age of nine, he underwent ''genpuku'' (coming-of-age ceremony). He was responsible for assembling the Mitogaku scholars to compile a huge Japanese history, ''Dai Nihonshi''. In it, Japan was depicted as a nation under the Emperor, analogous to that in Chinese dynasties. This helped the rise of nationalism in the late shogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Hell
, also titled ''A Story of Hell'' and ''The Hell Screen'', is a 1969 Japanese ''jidaigeki'' film directed by Shirō Toyoda starring Tatsuya Nakadai and Kinnosuke Nakamura. The film is based on the short story ''Hell Screen'' by Ryūnosuke Akutagawa. Plot The story, set in the Heian period, depicts the conflict between Korean painter Yoshihide and his Japanese patron, the cruel and egotistical Lord Horikawa. Horikawa demands that Yoshihide decorate the walls of his new temple with an image of Buddha, but Yoshihide refuses, insisting that he cannot paint what he does not see. In Horikawa's realm, Yoshihide can see nothing but the suffering of peasants. He creates several gruesome images that appear to have some sort of magical power. (For example, a painting of a man killed by Horikawa's soldiers at the beginning of the film gives off the stench of a rotting corpse.) These all appall Horikawa, and he demands that the paintings be destroyed. Ultimately, Yoshihide asks that he be all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Shogunate
The Tokugawa shogunate (, Japanese 徳川幕府 ''Tokugawa bakufu''), also known as the , was the military government of Japan during the Edo period from 1603 to 1868. Nussbaum, Louis-Frédéric. (2005)"''Tokugawa-jidai''"in ''Japan Encyclopedia'', p. 978.Nussbaum"''Edo-jidai''"at p. 167. The Tokugawa shogunate was established by Tokugawa Ieyasu after victory at the Battle of Sekigahara, ending the civil wars of the Sengoku period following the collapse of the Ashikaga shogunate. Ieyasu became the ''shōgun,'' and the Tokugawa clan governed Japan from Edo Castle in the eastern city of Edo (Tokyo) along with the ''daimyō'' lords of the ''samurai'' class.Nussbaum"Tokugawa"at p. 976. The Tokugawa shogunate organized Japanese society under the strict Tokugawa class system and banned most foreigners under the isolationist policies of ''Sakoku'' to promote political stability. The Tokugawa shoguns governed Japan in a feudal system, with each ''daimyō'' administering a ''han'' (f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai Actors
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the ''daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the ''bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zatoichi
is a fictional character created by Japanese novelist Kan Shimozawa. He is an itinerant blind masseur and swordsman of Japan's late Edo period (1830s and 1840s). He first appeared in the 1948 essay , part of Shimozawa's ''Futokoro Techō'' series that was serialized in the magazine ''Shōsetsu to Yomimono''. This originally minor character was drastically altered and developed for the screen by Daiei Film and actor Shintaro Katsu, becoming the subject of one of Japan's longest-running film series. A total of 26 films were made between 1962 and 1989. From 1974 to 1979, a television series was produced, starring Katsu and some of the same actors that appear in the films. Produced by Katsu Productions, 100 episodes were aired before the ''Zatoichi'' television series was cancelled. The seventeenth film of the ''Zatoichi'' series was remade in the US in 1989 by TriStar Pictures as ''Blind Fury'', starring Rutger Hauer. A 2003 film was directed by Takeshi Kitano, who also starred a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zenigata Heiji
, usually called and formerly Heiji Zenigata VII, is a fictional character created by Monkey Punch for his manga series ''Lupin III'', which debuted in ''Weekly Manga Action'' on August 10, 1967. He is named after the famous fictional Japanese detective Zenigata Heiji, of whom he is a descendant. He is the star of the live action ''Inspector Zenigata'' TV series and portrayed by Ryohei Suzuki, making it the second ''Lupin III''-based property not to star Lupin as the protagonist. Creation Inspector Zenigata was conceived as Lupin's arch rival to create a "human Tom and Jerry". Monkey Punch said that he believed the ''Lupin III'' story could never end but that if he had to, both Zenigata and Lupin would have to end as equals. They would either both fail, both win or both get very old. Personality Inspector Zenigata hails from Japan, city of origin unknown. According to '' Episode 0: The First Contact'', his original title was Tokyo Police Inspector whose original interest w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shōgun
, officially , was the title of the military dictators of Japan during most of the period spanning from 1185 to 1868. Nominally appointed by the Emperor, shoguns were usually the de facto rulers of the country, though during part of the Kamakura period, shoguns were themselves figureheads, with real power in hands of the Shikken of the Hōjō clan. The office of shogun was in practice hereditary, though over the course of the history of Japan several different clans held the position. The title was originally held by military commanders during Heian period in the eighth and ninth centuries. When Minamoto no Yoritomo gained political ascendency over Japan in 1185, the title was revived to regularize his position, making him the first shogun in the usually understood sense. The shogun's officials were collectively referred to as the ; they were the ones who carried out the actual duties of administration, while the Imperial court retained only nominal authority.Beasley, William G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
