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Jazz Trio
A jazz trio is a group of three jazz musicians, often a piano trio comprising a pianist, a double bass player and a drummer. Jazz trios are commonly named after their leader, such as the Bill Evans Trio. Variants and examples Famous examples include the Bill Evans Trio with Scott LaFaro on bass and Paul Motian on drums; and the Vince Guaraldi trio, featuring Fred Marshall and Jerry Granelli. Nat King Cole formed a piano/guitar/bass trio in 1937. This format was also used by Art Tatum, Lennie Tristano, Ahmad Jamal, Vince Guaraldi, and Oscar Peterson. Tristano, Jamal, Guaraldi, and Peterson all later led trios with the traditional format of piano, bass, and drums. Another variant is the organ trio, comprising electric organ (typically a Hammond B-3), drums, and usually electric guitar. The bassist is excluded, and the organist instead plays the bassline with their left hand (on a keyboard) or their feet (on the bass pedalboard). Organists Jimmy Smith and Jack McDuff an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Trio In Community Garden (5045973149)
Jazz is a music genre that originated in the African Americans, African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional music, traditional and popular music. Jazz is characterized by swung note, swing and blue notes, complex Chord (music), chords, Call and response (music), call and response vocals, polyrhythms and Jazz improvisation, improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. Dixieland, New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphony, polyphonic Musical improvisation, improvisation. But jazz did not begin as a single musical traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brad Mehldau Trio
Bradford Alexander Mehldau (; born August 23, 1970) is an American jazz pianist, composer, and arranger. Mehldau studied music at The New School, and toured and recorded while still a student. He was a member of saxophonist Joshua Redman's Quartet with bassist Christian McBride and drummer Brian Blade in the mid-1990s, and has led his own trio since the early 1990s. His first long-term trio featured bassist Larry Grenadier and drummer Jorge Rossy; in 2005 Jeff Ballard replaced Rossy. These bands have released a dozen albums under the pianist's name. Since the early 2000s, Mehldau has experimented with other musical formats in addition to trio and solo piano. '' Largo'', released in 2002, contains electronics and input from rock and classical musicians. Later examples include: touring and recording with guitarist Pat Metheny; writing and playing song cycles for classical singers Renée Fleming, Anne Sofie von Otter, and Ian Bostridge; composing orchestral pieces for 2009's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Young (musician)
Larry Young (also known as Khalid Yasin ''Abdul Aziz October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young's early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3. Biography Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band. Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, '' Testifying'', '' Young Blues'' and '' Groove Street''. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded several times as part of a trio with guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McLaughlin (musician)
John McLaughlin (born 4 January 1942), frequently known as Mahavishnu John, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Indian classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made '' Extrapolation'', his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams's group Lifetime and then with Miles Davis on his electric jazz fusion albums '' In a Silent Way'', ''Bitches Brew'', '' Jack Johnson'', and '' On the Corner''. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences. McLaughlin's solo on "Miles Beyond" from his album ''Live at Ronnie Scott's'' won the 2018 Grammy Award for the Best Improvised Jazz Solo. He has been awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tony Williams Lifetime
The Tony Williams Lifetime was a jazz fusion group led by jazz drummer Tony Williams. Original line-up The Tony Williams Lifetime was founded in 1969 as a power trio with John McLaughlin on electric guitar, and Larry Young on organ. The band was possibly named for Williams' debut album as a bandleader, '' Life Time'', released on Blue Note in 1965. Its debut album was ''Emergency!'', a double album released on Polydor/ PolyGram Records in 1969. It was largely rejected by jazz listeners at the time of its release because of its heavy rock influences, but it is now looked upon as a fusion classic. Jack Bruce joined the group to provide bass and vocals on its second album, ''Turn It Over'', released in 1970. McLaughlin left the group and was replaced by Ted Dunbar on its 1971 album, '' Ego''. This album also featured Ron Carter on bass and cello, Warren Smith and Don Alias on percussion, and Larry Young on organ. Lifetime gigs around this time featured Juini Booth on bass. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack McDuff
Eugene McDuff (September 17, 1926 – January 23, 2001), known professionally as "Brother" Jack McDuff or "Captain" Jack McDuff, was an American jazz organist and organ trio bandleader who was most prominent during the hard bop and soul jazz era of the 1960s, often performing with an organ trio. He is also credited with giving guitarist George Benson his first break. Career Born Eugene McDuffy in Champaign, Illinois, McDuff began playing bass, appearing in Joe Farrell's group. Encouraged by Willis Jackson in whose band he also played bass in the late 1950s, McDuff moved to the organ and began to attract the attention of Prestige while still with Jackson's group. McDuff soon became a bandleader, leading groups featuring a young George Benson on guitar, Red Holloway on tenor saxophone and Joe Dukes on drums. McDuff recorded many classic albums on Prestige, including his debut solo ''Brother Jack'' in 1960; ''The Honeydripper'' (1961), with tenor saxophonist Jimmy Forrest a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Smith (musician)
James Oscar Smith (December 8, 1925 – February 8, 2005) was an American jazz musician whose albums often appeared on ''Billboard'' magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music. In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. Early years There is confusion about Smith's birth year, with sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, he joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Pedalboard
A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music. A pedalboard has long, narrow lever-style keys laid out in the same semitone scalar pattern as a manual keyboard, with longer keys for C, D, E, F, G, A and B, and shorter, raised keys for C, D, F, G and A. Training in pedal technique is part of standard organ pedagogy in church music and art music. Pedalboards are found at the base of the console of most pipe organs, pedal pianos, theatre organs, and electronic organs. Standalone pedalboards such as the 1970s-era Moog Taurus bass pedals are occasionally used in progressive rock and fusion music. In the 21st century, MIDI pedalboard controllers are used with synthesizers, electronic Hammond-style organs, and with digital pipe organs. Pedalboards are also used with pedal pianos and with some harpsichords, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, or classical music for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popular m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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