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Jazz Flute
Jazz flute is the use of the flute in jazz music. While flutes were sometimes played in ragtime and early jazz ensembles, the flute became established as a jazz instrument in the 1950s. It is now widely used in ensembles and by soloists. The modern Boehm system transverse concert flute is commonly used in jazz playing; other members of the same family are used, such as the alto flute in G. Ethnic and other flutes, such as bamboo flutes, have also been used in jazz. History The flute was not widely used in early jazz, although some ragtime arrangements call for it. The timbre and the limited dynamic range of the instrument and its associations with classical music caused it to be perceived as unsuitable to big band ensembles and unable to swing convincingly. Before the use of amplification became common practice in the 1930s, jazz flute players were restricted to the upper range of the instrument to be audible. Among the earliest jazz flute recordings is " Shootin' the Pistol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayman Carver
Wayman Carver (December 25, 1905, Portsmouth, Virginia – May 6, 1967, Atlanta) was an American jazz flutist and reeds player. Carver was a rare jazz flautist active during the swing era, and was among the earliest soloists on his main instrument to perform jazz, although Alberto Socarras preceded him by about five years. His first professional experience was with J. Neal Montgomery. After he moved to New York City in 1931, he recorded and performed with Dave Nelson, and played with Elmer Snowden (1931–32), Benny Carter, and Spike Hughes (1933). From 1934 to 1939, he played with Chick Webb on both saxophone and flute. After Webb died, he continued in the orchestra during its period of leadership under Ella Fitzgerald until 1941. After leaving the jazz scene, he became a professor of music at Clark College, where he taught saxophonists George Adams and Marion Brown, among others. References External links Wayman Carver recordingsat the Discography of American Historical R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Braxton
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double- LP record ''For Alto'', the first full-length album of solo saxophone music. A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. Sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Kirk
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Franks, Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval literature, medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Jasper
Bobby Jaspar (20 February 1926 – 28 February 1963) was a Belgian cool jazz and hard bop saxophonist, flautist and composer. Early life Born in Liège, Belgium, Jaspar learned to play piano and clarinet at a young age. Later, he took up the tenor saxophone and flute. Career With the "Bop Shots" band, he took his first steps in the jazz world. In 1950, Jaspar moved to Paris, playing and recording with the best musicians of the era. Here he met singer Blossom Dearie; the two were married in 1954 but separated in 1957. In 1956, Jaspar was persuaded to try his luck in the United States, where his reputation in jazz circles had preceded him. He played and recorded with the quintet of J. J. Johnson, with Kenny Burrell, Miles Davis, John Coltrane, Toshiko Akiyoshi, Donald Byrd and many others. In 1961/1962, Jaspar returned to Europe for a year for a series of concerts and a number of recordings. With his colleague, Belgian guitarist René Thomas, he formed a successful quinte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Dolphy
Eric Allan Dolphy Jr. (June 20, 1928 – June 29, 1964) was an American jazz alto saxophonist, bass clarinetist and flautist. On a few occasions, he also played the clarinet and piccolo. Dolphy was one of several multi-instrumentalists to gain prominence in the same era. His use of the bass clarinet helped to establish the instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists. His improvisational style was characterized by the use of wide intervals, in addition to employing an array of extended techniques to emulate the sounds of human voices and animals. He used melodic lines that were "angular, zigzagging from interval to interval, taking hairpin turns at unexpected junctures, making dramatic leaps from the lower to the upper register." Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional (if highly abstracted) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Most
Samuel Most (December 16, 1930 – June 13, 2013) was an American jazz flutist, clarinetist and tenor saxophonist, based in Los Angeles. He was "probably the first great jazz flutist", according to jazz historian Leonard Feather. Biography He was born in Atlantic City, New Jersey, and began his career in music at the age of 18 with the bands of Tommy Dorsey, Shep Fields, Boyd Raeburn and Don Redman. He also performed many times with his older brother, clarinetist Abe Most. His first recording was at age 23, a single called "Undercurrent Blues". The next year he was awarded '' DownBeat'' magazine's "Critic's New Star Award". Between 1953 and 1958 Most led and recorded sessions for the Prestige, Debut, Vanguard and Bethlehem labels. He also did session work for Chris Connor, Paul Quinichette and Teddy Wilson. He was a member of the Buddy Rich band from 1959 to 1961. Most resurfaced in the late 1970s recording six albums on the Xanadu label. From 1987 Most, with produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got Rhythm
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)". Composition The song came from the musical ''Girl Crazy'', which also includes two other hit songs, "Embraceable You" and " But Not for Me", and has been sung by many jazz singers since. It was originally written as a slow song for ''Treasure Girl'' (1928) and found another, faster setting in ''Girl Crazy''. Ethel Merman sang the song in the original Broadway production and Broadway lore holds that George Gershwin, after seeing her opening reviews, warned her never to take a singing lesson. The four-note opening riff bears a striking resemblance to the opening melody of the third movement of William Grant Still's ''Symphony No. 1,'' "Afro-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader. Early life Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The ''Encyclopædia Britannica'' and Allmusic indicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb's lifetime, a December 1937 ''DownBeat'' magazine article, "The Rise of a Crippled Genius", stated he was born in 1909, which is the year that appears on his grave marker. In 1939, ''The New York Times'' stated that Webb was born in 1907, the year also suggested in ''Rhythm on Record'' by Hilton Schleman. Webb was one of four children; the other three were sisters (Bessie, Mabel, and Ethel). His sister Mabel married Wilbur Porter around 1928. When an infant, Webb fell down some stairsteps in his family's home, crushing several vertebrae and requiring surgery, from which he nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
