Jeu-parti
The ''jeu-parti'' (plural ''jeux-partis'', also known as ''parture'') is a genre of French lyric poetry composed between two ''trouvères''. It is a cognate of the Occitan partimen (also known as ''partia'' or ''joc partit''). In the classic type, one poet poses a dilemma question in the opening stanza, his or her partner picks a side (the 'part') in the second stanza, which replicates the versification of the first and is sung to the same melody. Typically, the jeu-parti has six stanzas, with the two interlocutors alternating stanza by stanza. Many jeux-partis also have final partial stanzas in which one or both of the interlocutors appoint judges and call for judgement. The outcome, however, is virtually never given within the jeu-parti itself and would have been the subject of audience discussion after the jeu-parti's performance. The form was particularly associated with the Puy d'Arras. Over 200 examples survive, of which around 180 are in the classic form. Chief exponents ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lambert Ferri
Lambert Ferri (fl. c. 1250–1300) was a trouvère and cleric at the Benedictine monastery at Saint-Léonard, Pas-de-Calais. By 1268 he was a canon and a deacon of the monastery; he is last associated with the monastery in 1282. He was a popular partner for '' jeux partis'', of which some twenty-seven survive between him and other composers, including Jehan Bretel, Jehan le Cuvelier d'Arras, Jehan de Grieviler, Jehan de Marli, Phelipot Verdiere, Robert Casnois, and Robert de La Pierre.Michelle F. Stewart (1979), "The Melodic Structure of Thirteenth-Century ''Jeux-Partis''," ''Acta Musicologica'', 51(1), 86–107. Eleven of his songs have surviving melodies, including seven of the ''jeux partis'', three ''chansons'', and one Marian Marian may refer to: People * Mari people, a Finno-Ugric ethnic group in Russia * Marian (given name), a list of people with the given name * Marian (surname), a list of people so named Places * Marian, Iran (other) * Marian, Queens ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Partimen
The ''partimen'' (; ca, partiment ; also known as ''partia'' or ''joc partit'') is a cognate form of the French jeu-parti (plural ''jeux-partis''). It is a genre of Occitan lyric poetry composed between two troubadours, a subgenre of the ''tenso'' or ''cobla'' exchange in which one poet presents a dilemma in the form of a question and the two debate the answer, each taking up a different side. Of the nearly 200 surviving Occitan debate songs, 120 are ''partimens'' and 75 are open ''tensos''. The ''partimen'' was especially popular in poetic contests. See also Torneyamen. References Further reading *Alfred Jeanroy Alfred Jeanroy (5 July 1859 – 13 March 1953) was a French linguist. Jeanroy was a leading scholar studying troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Age ..., ''Les origines de la poésie lyrique en France au Moyen-Age'' (Paris, 1899, 3/1925) *Alfred Jeanroy: ''La poésie lyr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles I Of Anjou
Charles I (early 1226/12277 January 1285), commonly called Charles of Anjou, was a member of the royal Capetian dynasty and the founder of the Capetian House of Anjou, second House of Anjou. He was Count of Provence (1246–85) and County of Forcalquier, Forcalquier (1246–48, 1256–85) in the Holy Roman Empire, Count of Anjou and Count of Maine, Maine (1246–85) in France; he was also King of Sicily (1266–85) and Prince of Achaea (1278–85). In 1272, he was proclaimed Kingdom of Albania (medieval), King of Albania, and in 1277 he purchased a claim to the Kingdom of Jerusalem. The youngest son of Louis VIII of France and Blanche of Castile, Charles was destined for a Church career until the early 1240s. He acquired Provence and Forcalquier through his marriage to their heiress, Beatrice of Provence, Beatrice. His attempts to restore central authority brought him into conflict with his mother-in-law, Beatrice of Savoy, and the nobility. Charles received Anjou and Maine from ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jeu Parti
''Jeu'' is a 2006 animated short by Georges Schwizgebel. Described as a film about the frenetic pace of modern life, ''Jeu'' is set to the scherzo of Prokofiev's Concerto for Piano No. 2, Opus 16. The film has received 12 international awards, including the Silver Dove Award from the international jury for animated film at the International Leipzig Festival for Documentary and Animated Film, the award for best experimental/abstract animation under 35 minutes at the Ottawa International Animation Festival, and a Special International Jury Prize at the Hiroshima International Animation Festival. ''Jeu'' is co-produced by the National Film Board of Canada and Studio GDS A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, .... References External links Watch ''Jeu'' at NFB.ca Abstract ani ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gilles Le Vinier
Gilles le Vinier (died 1252) was a trouvère from a middle-class family of Arras. He was the younger brother of fellow trouvère Guillaume le Vinier. He entered the church and served as a canon at Arras, where he was the church's legal representative between 1225 and 1234, and at Lille. At Arras he created several benefices between 1236 and 1246. His last one was founded on the death of his brother. In his song ''Aler m'estuet la ou je trerai paine'' he mentions making a pilgrimage to the Holy Land. The records of Arras Cathedral note that a requiem was held for Gilles, called ''Dominus Aegidius'' (Lord Gilles), on 13 November 1252. Gilles composed at least seven songs that have survived. Both ''Amors ki me le comande'' and ''Au partir de la froidure'' possess "echo rhymes", which is to say that the final syllables of a verse are repeated, with a change in meaning, at the start of the next. His melodies are standard. He composed a ''lai–descort'' of ten stanzas. List of songs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables musique_mesurée.html"_;"title="ee_"musique_mesurée">ee_"musique_mesurée"._The_most_common_Meter_(poetry).html" "title="musique_mesurée".html" ;"title="musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée"">musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable li ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alfred Jeanroy
Alfred Jeanroy (5 July 1859 – 13 March 1953) was a French linguist. Jeanroy was a leading scholar studying troubadour poetry, publishing over 600 works. He established an influential view of the second generation of troubadours divided into two camps: “idealists” (e.g. Jaufre Rudel, Ebles de Ventadorn) and “realists” (e.g. Marcabru Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are e ...).Amelia E. Van Vleck, ''The Lyric Texts'', p. 28, in ''A Handbook of the Troubadours'' (1995), F. R. P. Akehurst and Judith M. Davis editors. Selected works * 1893: ''Mystères provençaux du quinzième siècle'', publié avec une introduction et un glossaire par A. Jeanroy et H. Teulié, Toulouse, Privat. * 1913: ''Les chansons de Guillaume IX, duc d’Aquitaine: (1071–1127)'', Paris, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Grand Chant
The ''grand chant'' (''courtois'') or, in modern French, (''grande'') ''chanson courtoise'' or ''chanson d'amour'', was a genre of Old French lyric poetry devised by the trouvères. It was adopted from the Occitan ''canso'' of the troubadours, but scholars stress that it was a distinct genre. The predominant theme of the ''grand chant'' was courtly love, but topics were more broad than in the ''canso'', especially after the thirteenth century. The monophonic ''grand chant'' of the High Middle Ages (12th–13th centuries) was in many respects the predecessor of the polyphonic ''chanson'' of the Late Middle Ages The Late Middle Ages or Late Medieval Period was the Periodization, period of European history lasting from AD 1300 to 1500. The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern period (and in much of Eur ... (14th–15th centuries). Reference works *O'Neill, Mary (2006). ''Courtly Love Songs of Medieval France: Transmissi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Commercy
Commercy () is a commune in the Meuse department in Grand Est in north-eastern France. The 18th-century Lorraine historian Nicolas Luton Durival (1713–1795) was born in Commercy. History Commercy dates back to the 9th century, and at that time its lords were dependent on the bishop of Metz. In 1544 it was besieged by Charles V in person. For some time the lordship was in the hands of Jean François Paul de Gondi, cardinal de Retz, who lived in the town for a number of years, and there composed his memoirs. From him it was purchased by Charles IV, Duke of Lorraine. In 1744 it became the residence of Stanisław Leszczyński, king of Poland, who spent a great deal of care on the embellishment of the town, castle and neighbourhood. Commercy is the home of the Madeleines referred to by Marcel Proust in ''À la recherche du temps perdu''. Population People from Commercy * Nicolas Durival (1723–1795), historian * Nicolas Alaidon (1738–1827), curé de Toul, emigrated during ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leiningen Family
The House of Leiningen is the name of an old German noble family whose lands lay principally in Alsace, Lorraine, Saarland, Rhineland, and the Palatinate. Various branches of this family developed over the centuries and ruled counties with Imperial immediacy. Origins The first count of Leiningen about whom anything definite is known was a certain Emich II (d. before 1138). He (and perhaps his father Emich I) built Leiningen Castle, which is now known as "Old Leiningen Castle" (German: ''Burg Altleiningen''), around 1100 to 1110. Nearby Höningen Abbey was built around 1120 as the family's burial place. This family became extinct in the male line when Count Frederick I died about 1220. Frederick I's sister, Liutgarde, married Simon II, Count of Saarbrücken. One of Liutgarde's sons, also named Frederick, inherited the lands of the counts of Leiningen, and he took their arms and their name as Frederick II (d. 1237). He became known as a ''Minnesinger'', and one of his songs w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |