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Irish Flute
The Irish flute is a conical-bore, simple-system wooden flute of the type favoured by classical flautists of the early 19th century, or to a flute of modern manufacture derived from this design (often with modifications to optimize its use in Irish Traditional Music, Scottish Traditional Music or Music of Brittany and other Celtic nations). The majority of traditional Irish flute players use a wooden, simple-system flute. Although it is played in every county in Ireland, the flute has a strong heartland in the mid-western counties of Roscommon, Leitrim, Sligo, South Fermanagh, East Galway, Clare and West Limerick. Physical characteristics The Irish flute is a simple system, transverse flute which plays a diatonic (Major) scale as the tone holes are successively uncovered. Most flutes from the Classical era, and some of modern manufacture include metal keys and additional tone holes to achieve partial or complete chromatic tonality. Due to its wooden construction, character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matt Molloy
Matt Molloy (born 12 January 1947) is an Irish musician, from a region known for producing talented flautists. As a child, he began playing the flute and won the All-Ireland Flute Championship at nineteen. Considered one of the most brilliant Irish musicians, his style that adapts piping techniques to the flute has influenced many contemporary Irish flute players. During the 1970s, Molloy was a member of The Bothy Band and its successor, the re-founded Planxty. He joined The Chieftains in 1979, replacing Michael Tubridy. Over the course of his career, Molloy has worked with the Irish Chamber Orchestra, Paul Brady, Tommy Peoples, Micheál Ó Súilleabháin and Dónal Lunny. Molloy owns a pub on Bridge Street in Westport, County Mayo County Mayo (; ga, Contae Mhaigh Eo, meaning "Plain of the Taxus baccata, yew trees") is a Counties of Ireland, county in Republic of Ireland, Ireland. In the West Region, Ireland, West of Ireland, in the Provinces of Ireland, province of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limerick
Limerick ( ; ga, Luimneach ) is a western city in Ireland situated within County Limerick. It is in the province of Munster and is located in the Mid-West which comprises part of the Southern Region. With a population of 94,192 at the 2016 census, Limerick is the third-most populous urban area in the state, and the fourth-most populous city on the island of Ireland at the 2011 census. The city lies on the River Shannon, with the historic core of the city located on King's Island, which is bounded by the Shannon and Abbey Rivers. Limerick is also located at the head of the Shannon Estuary, where the river widens before it flows into the Atlantic Ocean. Limerick City and County Council is the local authority for the city. Geography and political subdivisions At the 2016 census, the Metropolitan District of Limerick had a population of 104,952. On 1 June 2014 following the merger of Limerick City and County Council, a new Metropolitan District of Limerick was formed within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cocus
''Brya ebenus'', also known as espino de sabana, granadillo, cocus wood, cocuswood, and coccuswood, is a species of flowering tree in the pea family, Fabaceae, that is native to the Caribbean islands of Cuba and Jamaica. Horticulturally it is known as the Jamaica(n) rain tree. Description The Jamaican rain tree is a small drought-resistant tree that can grow around 20–30 feet tall and produces long, drooping branches. It has small, waxy 2-3 parted compound leaves that often appear to be simple. The leaves are densely borne in alternate formation on short spurs that are produced on the main stems. The bright yellow flowers develop on short indeterminate (racemose) inflorescences. They are typically (for the subfamily Faboideae) pea-like and hermaphroditic, with bilateral symmetry and (not so typically) heterostyly. The fruits are legumes, which are common for the family Fabaceae. Ecology ''Brya ebenus'' grows in scrublands (tropical terrestrial biome), needs full sunlight and fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theobald Boehm
file:Theobald Böhm.jpg, Theobald Böhm, photograph by Franz Hanfstaengl, ca. 1852. Theobald Böhm (or Boehm) (9 April 1794 – 25 November 1881) was a German inventor and musician, who perfected the modern Western concert flute and improved its Boehm system, fingering system (now known as the "Boehm system"). He was a Bavarian court musician, a virtuoso flautist and a renowned composer. The fingering system he devised has also been adapted to other instruments, such as the oboe and the clarinet.Philip Bate/Ludwig Böhm, ''Boehm, Theobald'' in ''The New Grove Dictionary of Music and Musicians'' edited by Stanley Sadie, volume 3, pages 777-778 Life and works Born in Munich in Bavaria in the family of goldsmith Carl Friedrich Böhm and Anna Franziska, née Sulzbacher, daughter of a court haberdasher. Boehm learned his father's trade of goldsmithing. After making his own flute, he quickly became proficient enough to play in an orchestra at the age of seventeen, and at twenty- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boehm System
The Boehm system is a system of keywork for the flute, created by inventor and flautist Theobald Boehm between 1831 and 1847. History Immediately prior to the development of the Boehm system, flutes were most commonly made of wood, with an inverse conical bore, eight keys, and tone holes (the openings where the fingers are placed to produce specific notes) that were small in size, and thus easily covered by the fingertips. Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own large-holed design. In addition to large holes, Boehm provided his flute with "full venting", meaning that all keys were normally open (previously, several keys were normally closed, and opened only when the key was oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposing Instrument
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B (i.e. B at concert pitch), so these are referred to as B instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form. For some instruments, a written C sounds as a C, but is in a different octave; these instruments are said to transpose "at the octave". Pitches on the piccolo sound an octave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Hole
A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in wind instruments a hole that may be stopped by the finger, or a key, to change the pitch of the tone produced."William Lines Hubbard, ed. (1908). ''The American history and encyclopedia of music, Volume 10'', p.532. Squire. The resonant frequencies of the air column in a pipe are inversely proportional to the pipe's ''effective length''. In other words, a shorter pipe produces higher notes. For a pipe with no tone holes but open at both ends, the effective length is the physical length of the pipe plus a little more for the small volumes of air just beyond the ends of the pipe that are also involved in the resonance. An open hole anywhere along the middle of the pipe shortens the pipe's effective length and therefore raises the pitch of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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