Innuendo
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Innuendo
An innuendo is a hint, insinuation or intimation about a person or thing, especially of a denigrating or derogatory nature. It can also be a remark or question, typically disparaging (also called insinuation), that works obliquely by allusion. In the latter sense, the intention is often to insult or accuse someone in such a way that one's words, taken literally, are innocent. According to the '' Advanced Oxford Learner's Dictionary'', an innuendo is "an indirect remark about somebody or something, usually suggesting something bad, mean or rude", such as:'' "innuendos about her private life" ''or'' "The song is full of sexual innuendo".'' Sexual innuendo The term sexual innuendo has acquired a specific meaning, namely that of a "risqué" double entendre by playing on a possibly sexual interpretation of an otherwise innocent uttering. For example: "We need to go deeper" can be seen as either a request for further inquiry or allude to sexual penetration. In the context of def ...
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Insinuation
An innuendo is a wikt:hint, hint, wikt:insinuation, insinuation or wikt:intimation, intimation about a person or thing, especially of a denigrating or derogatory nature. It can also be a remark or question, typically disparaging (also called insinuation), that works obliquely by allusion. In the latter sense, the intention is often to insult or accuse someone in such a way that one's words, taken literally, are innocent. According to the ''Advanced Oxford Learner's Dictionary'', an innuendo is "an indirect remark about somebody or something, usually suggesting something bad, mean or rude", such as:'' "innuendos about her private life" ''or'' "The song is full of sexual innuendo".'' Sexual innuendo The term sexual innuendo has acquired a specific meaning, namely that of a "risqué" double entendre by playing on a possibly sexual interpretation of an otherwise innocent uttering. For example: "We need to go deeper" can be seen as either a request for further inquiry or allude to ...
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Double Entendre
A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, of which one is typically obvious, whereas the other often conveys a message that would be too socially awkward, sexually suggestive, or offensive to state directly. A double entendre may exploit puns or word play to convey the second meaning. Double entendres generally rely on multiple meanings of words, or different interpretations of the same primary meaning. They often exploit ambiguity and may be used to introduce it deliberately in a text. Sometimes a homophone can be used as a pun. When three or more meanings have been constructed, this is known as a "triple entendre", etc. Etymology According to the Merriam-Webster Unabridged Dictionary and the Oxford English Dictionary, the expression comes from the rare and obsolete French expression, which literally meant "double meaning" and was used in the senses of "double understanding ...
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Round The Horne
''Round the Horne'' is a BBC Radio comedy programme starring Kenneth Horne, first transmitted in four series of weekly episodes from 1965 until 1968. The show was created by Barry Took and Marty Feldman, who wrote the first three series. The fourth was written by Took, Johnnie Mortimer, Brian Cooke and Donald Webster. Horne's supporting cast comprised Kenneth Williams, Hugh Paddick, Betty Marsden and, in the first three series, Bill Pertwee. The announcer was Douglas Smith, who also took part in the sketches. All except the last series featured music by Edwin Braden, played by the band "the Hornblowers", with a song in the middle of each show performed by the close-harmony singing group the Fraser Hayes Four; in the fourth series, the music was by Max Harris with a smaller group of players than the earlier series. The show was the successor to ''Beyond Our Ken'', which had run from 1958 to 1964 with largely the same cast. By the time the new series began, television had becom ...
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Are You Being Served?
''Are You Being Served?'' is a British sitcom created and written by executive producer David Croft (Croft also directed some episodes) and Jeremy Lloyd, with contributions from Michael Knowles and John Chapman, for the BBC. Set in London, the show follows the misadventures and mishaps of the staff of the retail ladies' and gentlemen's clothing departments in the flagship department store of a fictional chain called Grace Brothers. The series was broadcast on the BBC for ten series, totalling 69 episodes between 8 September 1972 and 1 April 1985 – and included five Christmas specials. There was also a 1977 film, a spin-off series ''Grace & Favour'' with the same main cast in 1991–1992, and a one-off episode with a new cast in 2016. Since its original release, all 69 episodes, the pilot, the Christmas specials, the sequel and the film have been released on DVD. ''Are You Being Served?'' was a success in the UK audience ratings. The series was screened in Canada, New Zeal ...
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Carry On (franchise)
The ''Carry On'' series of 31 British comedy films were released between 1958 and 1978, produced by Peter Rogers with director Gerald Thomas. The humour of ''Carry On'' was in the British comic tradition of music hall and bawdy seaside postcards. In between the films, Rogers and Thomas produced four Christmas television specials (1969–1973), a 1975 television series of thirteen episodes, and three West End stage shows that later toured the regions. The series drew on regular ensemble that included Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Kenneth Connor, Peter Butterworth, Hattie Jacques, Terry Scott, Bernard Bresslaw, Barbara Windsor, Jack Douglas, and Jim Dale. A 31st film was released in 1992, though featuring only four of the "irregular" cast members. The ''Carry On'' series contains the largest number of films of any British film series, and is the second longest running, albeit with a fourteen-year gap (1978–1992) between the 30th and 31st entrie ...
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The Scott Mills Show
''Scott Mills'' was a British Sony Radio Academy Award, award-winning radio show broadcast on BBC Radio 1 from 2004 to 2022. It was hosted by Scott Mills, with contributions from Chris Stark. Other contributors have included Mark Chapman (broadcaster), Mark Chapman, Laura Sayers, and Beccy Huxtable, the last of whom left the show in 2013. History Scott Mills joined Radio 1 on 12 October 1998, hosting the early breakfast show between 4–6:30am. On his fourth day on the job, he was asked to substitute for Zoe Ball on the Radio 1 Breakfast Show at the last minute, and he has been the regular cover ever since, continuing for Sara Cox, Chris Moyles, Nick Grimshaw and Greg James. In January 2004, he was moved from early breakfast to the 1-3pm slot at weekends. In May 2004 Mills returned to weekday-afternoon programming as a temporary replacement for Cox, who was on maternity leave. When Cox decided not to return to afternoons Mills became permanent host in the drive-time slot with ...
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Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ...
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Rocko's Modern Life
''Rocko's Modern Life'' is an American animated television series created by Joe Murray for Nickelodeon. The series centers on the surreal life of an anthropomorphic Australian immigrant wallaby named Rocko and his friends: the eccentric steer Heffer Wolfe, the neurotic turtle Filburt, and Rocko's faithful dog Spunky. It is set in the fictional town of O-Town. Throughout its run to present day, this show is controversial for its adult humor, including double entendre, innuendo, and satirical social commentary, similar to ''The Ren & Stimpy Show''. The series has gained a cult following. Murray created the title character for an unpublished comic book series in the late 1980s, and later reluctantly pitched the series to Nickelodeon, which was looking for edgier cartoonists for its then-new Nicktoons. The network gave the staff a large amount of creative freedom, with the writers targeting both children and adults. The show premiered on September 18, 1993, and ended on November 2 ...
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British Sitcoms
A British sitcom or a Britcom is a situational comedy programme produced for British television. Most British sitcoms are recorded on studio sets, while some have an element of location filming. A handful are made almost exclusively on location (for example, ''Last of the Summer Wine'') and shown to a studio audience prior to final post-production. A subset of British comedy consciously avoids traditional situation comedy themes, storylines, and home settings to focus on more unusual topics or narrative methods. ''Blackadder'' (1983–1989) and ''Yes Minister'' (1980–1988, 2013) moved what is often a domestic or workplace genre into the corridors of power. A later development was the mockumentary genre exemplified by series such as ''The Office'' (2001–2003). Early years ;''Pinwright's Progress'' Written by Rodney Hobson, ''Pinwright's Progress'' (1946–1947) was the world's first regular half-hour televised sitcom. Broadcast live by the BBC from Alexandra Palace, it was ab ...
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Rhetorical Techniques
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. Rhetorical devices evoke an emotional response in the audience through use of language, but that is not their primary purpose. Rather, by doing so, they seek to make a position or argument more compelling than it would otherwise be. Modes of persuasion Originating from Aristotle's ''Rhetoric'', the four modes of persuasion in an argument are as follows: ;Logos : is an appeal to logic using intellectual reasoning and argument structure such as giving claims, sound reasons for them, and supporting evidence.Selzer, J. (2004). Rhetorical Analysis: Understanding How Texts Persuade Readers. In C. Bazerman & P. Prior (Eds.), ''What Writing Do ...
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Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ...
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Roman à Clef
''Roman à clef'' (, anglicised as ), French for ''novel with a key'', is a novel about real-life events that is overlaid with a façade of fiction. The fictitious names in the novel represent real people, and the "key" is the relationship between the nonfiction and the fiction. This metaphorical key may be produced separately—typically as an explicit guide to the text by the author—or implied, through the use of epigraphs or other literary techniques. Madeleine de Scudéry created the ''roman à clef'' in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures. The reasons an author might choose the ''roman à clef'' format include satire; writing about controversial topics and/or reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having ...
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