Ink Paintings Of Bamboo
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Ink Paintings Of Bamboo
Works of bamboo painting, usually in ink, are a recognized genre of East Asian painting. In a work of bamboo painting in ink, a skilled artist and calligrapher will paint a bamboo stalk or group of stalks with leaves. The contrast between the foreground and background, and between the varying textures represented by the stalks and the leaves, gave scope to the painter to demonstrate his or her mastery with an inkpot and a brush. The bamboo painter often inscribes a poem that accompanies the painting and further elucidates the motif. The poem is often an integral part of the work as a whole. A viewer of the work can compare the calligraphy of the poem with the calligraphy of the painting, as both are typically inscribed with the same brush and reflect a similar mood and state of awareness. A standard primer on classical East Asian bamboo painting is Hu Zhengyan's "Ten Bamboo Studio Manual of Painting and Calligraphy" (1633), with woodblock print illustrations. Because of the ...
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Wen Tong Babmbuk
Wen, wen, or WEN may refer to: * WEN, New York Stock Exchange symbol for Wendy's/Arby's Group * WEN, Amtrak station code for Columbia Station in Wenatchee, Washington, United States * WEN, ICAO airline designator for WestJet Encore * Wen (surname) (文, 温, 闻, 问), pinyin romanization of several Chinese surnames ** Wen Jiabao (born 1942), Chinese premier beginning in 2003 * Wen, alternate spelling for Wynn (Ƿ ƿ), a letter of the Old English alphabet * Wen, common name for trichilemmal cyst or pilar cyst ** Wen, sebaceous cyst, a form of trichilemmal cyst * Wen, alternate name for lipoma, a benign tumor composed of adipose tissue * wen, the ISO 639-2 code for the Sorbian languages, also known as Wendish languages See also *The Great Wen, a derogatory nickname for London *文 (other) (Wén) *Wen County (other) Wen County may refer to two counties of the People's Republic of China: *Wen County, Gansu (文县), county of Longnan City *Wen County, Henan We ...
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Bamboo
Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, but it probably comes from the Dutch or Portuguese language, which originally borrowed it from Malay or Kannada. In bamboo, as in other grasses, the internodal regions of the stem are usually hollow and the vascular bundles in the cross-section are scattered throughout the stem instead of in a cylindrical arrangement. The dicotyledonous woody xylem is also absent. The absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the fastest-growing plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow within a 24-hour period, at a rate of almost an hour (equivalent to 1 mm every 90 ...
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Xia Chang
Xia Chang (; 1388–1470) originally named Zhu Chang, was a Ming dynasty Chinese painter and government official. Xia specialized in ink bamboo painting, following the style of Wang Fu. His courtesy name was 'Zhongzhao' () and his art names were 'Yufeng' () and 'Zizai jushi' ().中国古代书画鑑定组: Page 13. Life Xia Chang was born Zhu Chang in September 1388 in Kunshan. He passed the Imperial examinations in 1415, and entered the Hanlin academy. The Yongle Emperor ordered him to write inscriptions for new buildings in Beijing. In 1422 Xia Chang was transferred to a position in Beijing, which had recently replaced Nanjing as imperial capital. He became a secretary of the Bureau of Evaluations in the Ministry of personnel. In 1448, he became a prefect in Jiangxi Jiangxi (; ; formerly romanized as Kiangsi or Chianghsi) is a landlocked province in the east of the People's Republic of China. Its major cities include Nanchang and Jiujiang. Spanning from the banks o ...
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Ke Jiusi
Ke Jiusi (; c. 1290 – 1343) was a Chinese landscape painter, calligrapher, and poet during the Yuan Dynasty (1271–1368).Cihai: Page 1282. Ke was born in the Zhejiang province. His style name was 'Jingzhong' (敬仲) and his pseudonym A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individua ...s were 'Dan qiusheng' (丹丘生) and 'Wuyun geli' (五云阁吏). Ke's painting followed the style of Wen Tong, utilizing bold and delicate brush strokes in a composed atmosphere. Ke's poetry included ''The Collection of Dan Qiushen'' (丹丘生集). Notes References * Barnhart, R. M. et al. (1997). Three thousand years of Chinese painting. New Haven, Yale University Press. * Ci hai bian ji wei yuan hui (辞海编辑委员会). Ci hai (辞海). Shanghai: Shanghai ci shu chu ban she (上 ...
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Gu An
Gu An (; (ca. 1289–after 1365), style name as Dingzhi (), pseudonym as Yuna Jushi (), was a famed Chinese painter in the Yuan Dynasty. Gu An as born in Huaidong (淮東 - present day Kunshan in Jiangsu Province). He excelled in bamboo painting Works of bamboo painting, usually in ink, are a recognized genre of East Asian painting. In a work of bamboo painting in ink, a skilled artist and calligrapher will paint a bamboo stalk or group of stalks with leaves. The contrast between the for ..., particularly bamboo waving in the breeze.Cihai: Page 1845. Notes References * Ci hai bian ji wei yuan hui (). Ci hai (). Shanghai: Shanghai ci shu chu ban she (), 1979. 1289 births 14th-century deaths Yuan dynasty painters Painters from Suzhou 14th-century Chinese painters People from Kunshan {{China-painter-stub ...
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Wang Fu (painter)
Wang Fu (, ca. 1362–1416) was a Chinese landscape painter, calligrapher, and poet during the Ming Dynasty (1368–1644). Wang was born in Wuxi in the Jiangsu province. His style name was 'Mengduan' () and his pseudonyms A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name ( orthonym). This also differs from a new name that entirely or legally replaces an individu ... were 'Youshi (), Jiulong shanren (), and Aosou' ().Cihai: Page 1194. Wang's painting followed the style of Wang Meng and Ni Zan. Wang also painted ink bamboo works in a free and uninhibited style. Notes References * Ci hai bian ji wei yuan hui (). Ci hai (). Shanghai: Shanghai ci shu chu ban she (), 1979. * Jonathan Chaves “Painter-Poet Wang Fu (1362-1416),” (essay with translations), Oriental Art, Vol. XLV, No. 4, 1999/2000. 1362 births 1416 deaths Ming dynasty landscape painters Ming dynast ...
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Guan Daosheng
Guan Daosheng also known as Guan Zhongji or Lady Zhongji (her courtesy name) (; 字仲姬;1262–1319) was a Chinese painter and poet who was active during the early Yuan dynasty. She is credited with being "the most famous female painter and calligrapher in the Chinese history...remembered not only as a talented woman, but also as a prominent figure in the history of bamboo painting." She is also a well-known poet in the Yuan dynasty. Life She was born into a landed family in Huzhou, which is believed to be descended from the high-ranking Wuxing official Guan Zhong. Guan grew up on her family's ancestral lands, nicknamed "The Roost of the Esteemed," and was a well-educated and highly talented child. Her father thought very highly of her, seeing her as an exceptional child as soon as she was born; hence the name Guan Daosheng, translating to "Way of Righteousness Rising as the Sun". In 1286, at age 24, Guan married Zhao Mengfu, a renowned scholar-official and artist often c ...
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Lightness (color)
Lightness is a visual perception of the luminance (L) of an object. It is often judged relative to a similarly lit object. In colorimetry and color appearance models, lightness is a prediction of how an illuminated color will appear to a standard observer. While luminance is a linear measurement of light, lightness is a linear prediction of the human perception of that light. This is because human vision's lightness perception is non-linear relative to light. Doubling the quantity of light does not result in a doubling in perceived lightness, only a modest increase. The symbol for perceptual lightness is usually either J as used in CIECAM02 or L^* as used in CIELAB and CIELUV. L^* ("Lstar") is not to be confused with L as used for luminance. In some color ordering systems such as Munsell, Lightness is referenced as value. Chiaroscuro and Tenebrism both take advantage of dramatic contrasts of value to heighten drama in art. Artists may also employ shading, subtle manipulatio ...
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Internodes
A stem is one of two main structural axes of a vascular plant, the other being the root. It supports leaves, flowers and fruits, transports water and dissolved substances between the roots and the shoots in the xylem and phloem, stores nutrients, and produces new living tissue. The stem can also be called halm or haulm. The stem is normally divided into nodes and internodes: * The nodes hold one or more leaves, as well as buds which can grow into branches (with leaves, conifer cones, or flowers). Adventitious roots may also be produced from the nodes. * The internodes distance one node from another. The term "shoots" is often confused with "stems"; "shoots" generally refers to new fresh plant growth including both stems and other structures like leaves or flowers. In most plants stems are located above the soil surface but some plants have underground stems. Stems have four main functions which are: * Support for and the elevation of leaves, flowers, and fruits. The stems ...
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Silhouette
A silhouette ( , ) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the silhouette is usually presented on a light background, usually white, or none at all. The silhouette differs from an outline, which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic medium, but were first used to describe pieces of cut paper, which were then stuck to a backing in a contrasting colour, and often framed. Cutting portraits, generally in profile, from black card became popular in the mid-18th century, though the term ''silhouette'' was seldom used until the early decades of the 19th century, and the tradition has continued under this name into the 21st century. They represented a cheap but effective alternative to the portrait miniatu ...
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Pine
A pine is any conifer tree or shrub in the genus ''Pinus'' () of the family Pinaceae. ''Pinus'' is the sole genus in the subfamily Pinoideae. The World Flora Online created by the Royal Botanic Gardens, Kew and Missouri Botanical Garden accepts 187 species names of pines as current, together with more synonyms. The American Conifer Society (ACS) and the Royal Horticultural Society accept 121 species. Pines are commonly found in the Northern Hemisphere. ''Pine'' may also refer to the lumber derived from pine trees; it is one of the more extensively used types of lumber. The pine family is the largest conifer family and there are currently 818 named cultivars (or trinomials) recognized by the ACS. Description Pine trees are evergreen, coniferous resinous trees (or, rarely, shrubs) growing tall, with the majority of species reaching tall. The smallest are Siberian dwarf pine and Potosi pinyon, and the tallest is an tall ponderosa pine located in southern Oregon's Rogue River- ...
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Three Friends Of Winter
The Three Friends of Winter is an art motif that comprises the pine, bamboo, and plum. . The Chinese celebrated the pine, bamboo and plum together, as they observed that these plants do not wither as the cold days deepen into the winter season unlike many other plants. Known by the Chinese as the ''Three Friends of Winter'', they later entered the conventions of East Asian culture and Vietnamese culture. Together they symbolize steadfastness, perseverance, and resilience. They are highly regarded in Confucianism and as such represent the scholar-gentleman's ideal. History The Three Friends of Winter are common in works of art from Chinese culture and those cultures influenced by it. The three are first recorded as appearing together in a ninth-century poem by the poet Zhu Qingyu () of the Tang dynasty. The Southern Song dynasty artist Zhao Mengjian (, c. 1199–1264), among others of the time, made this grouping popular in painting. The actual term "Three Friends of Winter" ca ...
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