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Independent Album
Independent music (also commonly known as indie music or simply indie) is music that is produced independently from commercial record labels or their subsidiaries, a process that may include an autonomous, do-it-yourself approach to recording and publishing. The term ''indie'' is sometimes used to describe a genre (such as indie rock and indie pop), and as a genre term, "indie" may or may not include music that is independently produced, and many independent music artists do not fall into a single, defined musical style or genre and create self-published music that can be categorized into diverse genres. The term 'indie' or 'independent music' can be traced back to as early as the 1920s after it was first used to reference independent film companies but was later used as a term to classify an independent band or record producer. Record labels Independent labels have a long history of promoting developments in popular music, stretching back to the post-war period in the United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-soul
Neo soul (sometimes called progressive soul) is a genre of popular music. As a term, it was coined by music industry entrepreneur Kedar Massenburg during the late 1990s to market and describe a style of music that emerged from soul and contemporary R&B. Heavily based in soul music, neo soul is distinguished by a less conventional sound than its contemporary R&B counterpart, with incorporated elements ranging from funk, jazz fusion, hip hop, and African music to pop, rock, and electronic music. It has been noted by music writers for its traditional R&B influences, conscious-driven lyrics, and strong female presence. Neo soul developed during the 1980s and early 1990s, in the United States and United Kingdom, as a soul revival movement. It earned mainstream success during the 1990s, with the commercial and critical breakthroughs of several artists, including D'Angelo, Erykah Badu, Lauryn Hill, and Maxwell. Their music was marketed as an alternative to the producer-driven, digit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ITunes Store
The iTunes Store is a digital media store operated by Apple Inc. It opened on April 28, 2003, as a result of Steve Jobs' push to open a digital marketplace for music. As of April 2020, iTunes offered 60 million songs, 2.2 million apps, 25,000 TV shows, and 65,000 films. When it opened, it was the only legal digital catalog of music to offer songs from all five major record labels. The iTunes Store is available on most Apple devices, including the Mac (inside the Music app), the iPhone, the iPad, the iPod touch, and the Apple TV, as well as on Windows (inside iTunes). Video purchases from the iTunes Store are viewable on the Apple TV app on Roku and Amazon Fire TV devices and certain smart televisions. While initially a dominant player in digital media, by the mid-2010s, streaming media services were generating more revenue than the buy-to-own model used by the iTunes Store. Apple now operates its own subscription-based streaming music service, Apple Music alongside the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grunge
Grunge (sometimes referred to as the Seattle sound) is an alternative rock genre and subculture that emerged during the in the American Pacific Northwest state of Washington, particularly in Seattle and nearby towns. Grunge fuses elements of punk rock and heavy metal, but without punk's structure and speed. The genre featured the distorted electric guitar sound used in both genres, although some bands performed with more emphasis on one or the other. Like these genres, grunge typically uses electric guitar, bass guitar, drums and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse, neglect, betrayal, social and emotional isolation, addiction, psychological trauma and a desire for freedom. The early grunge movement revolved around Seattle's independent record label Sub Pop and the region's underground music scene. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sub Pop
Sub Pop is a record label founded in 1986 by Bruce Pavitt and Jonathan Poneman. Sub Pop achieved fame in the early 1990s for signing Seattle bands such as Nirvana, Soundgarden, and Mudhoney, central players in the grunge movement. They are often credited with helping popularize grunge music. The label's roster includes Fleet Foxes, Beach House, The Postal Service, Sleater-Kinney, Flight of the Conchords, Foals, Blitzen Trapper, Father John Misty, clipping., Shabazz Palaces, Bully, Low, METZ, Rolling Blackouts Coastal Fever, TV Priest and The Shins. In 1995, the owners of Sub Pop sold a 49% stake of the label to the Warner Music Group. History Formation The origins of Sub Pop can be traced back to the early 1980s, when Bruce Pavitt started a fanzine called ''Subterranean Pop'' that focused exclusively on American independent record labels. Pavitt undertook the project in order to earn course credit while attending Evergreen State College in Olympia, Washington. By the fourth is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creation Records
Creation Records Ltd. was a British independent record label founded in 1983 by Alan McGee, Dick Green, and Joe Foster. Its name came from the 1960s band The Creation, whom McGee greatly admired. The label ceased operations in 1999, although it was revived at one point in 2011 for the release of the compilation album ''Upside Down''. Over the course of its sixteen-year history, Creation predominantly focused on alternative rock, releasing several influential indie rock, shoegazing, and Britpop records, but also featured bands performing various other styles of rock, including indie pop and post-punk, as well as some electronic, folk, and experimental artists. Early years McGee formed Creation Records following the culmination of various projects, including fanzine Communication Blur, his own rock outfit The Laughing Apple (with future Primal Scream guitarist and long-time friend Andrew Innes), and his running of the venue The Communication Club. Initially, McGee wished to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Records
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre. Background Artists released through the label included Cabaret Voltaire, Clock DVA, SPK, Thomas Leer & Robert Rental, The Leather Nun, plus ''outrage'' artist Monte Cazazza, the author William S. Burroughs' auditory works, and a solo album by Throbbing Gristle member Chris Carter. A notable departure from the ''industrial'' form of the label was the blues standard " Stormy Weather" sung by Elisabeth Welch, taken from the soundtrack of Derek Jarman's film '' The Tempest''. The label's first LP was Throbbing Gristle's debut LP ''The Second Annual Report'' which was limited to 786 copies. It came in bootleg-like packaging: a plain white card sleeve with glued-on xerox information strips. The Industrial R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass Records
Glass Records was a British independent record label which operated from 1981 to 1990, and was resurrected in 2015. Glass Vintage 1981–1990 Glass was one of the key London-based indie labels of the 1980s. Early releases focused on artists from Northampton (Religious Overdose, Where's Lisse & The Jazz Butcher), and the Midlands (Bron Area & In Embrace). The label released several records by artists having later associations with other London-based indies: Creation Records (The Jazz Butcher and Nikki Sudden & the Jacobites) ; Fire Records (Spacemen 3 and The Perfect Disaster). Glass's mainstay acts were The Pastels, In Embrace and The Jazz Butcher. The label also issued material by Bauhaus member David J, and American punk band The Replacements, and the influential Liverpool Ur-grunge Walkingseeds. Founder David Barker went on to work for Fire Records, creating the Paperhouse label, taking the Walkingseeds with him, and releasing the first Teenage Fanclub album, then movi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Factory Records
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus. The label featured several important acts on its roster, including Joy Division, New Order, A Certain Ratio, the Durutti Column, Happy Mondays, Northside, and (briefly) Orchestral Manoeuvres in the Dark and James. Factory also ran The Haçienda nightclub, in partnership with New Order. Factory Records used a creative team (most notably record producer Martin Hannett and graphic designer Peter Saville) which gave the label and the artists recording for it a particular sound and image. The label employed a unique cataloguing system that gave a number not just to its musical releases, but also to various other related miscellany, including artwork, films, living beings, and even Wilson's own casket. History 'The Factory' The Factory name was first used for a club in May 1978; the first Factory night was on the 26 May 1978. The club became a Manchester leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherry Red Records
Cherry Red Records is a British independent record label founded in Malvern, Worcestershire by Iain McNay in 1978. The label has released recordings by Dead Kennedys, Everything But the Girl, The Monochrome Set, and Felt, among others, as well as the compilation album ''Pillows & Prayers''. In addition to releasing new music, Cherry Red also acts as an umbrella for individual imprints and catalogue specialists. Cherry Red was listed by ''Music Week'' as one of the UK's top ten record companies in Q1 2015 for sales of artist albums. History Cherry Red grew from the rock promotion company (similarly named after the song "Cherry Red" by The Groundhogs) founded in 1971 to promote rock concerts at the Malvern Winter Gardens. In the wake of the independent record boom that followed the advent of punk rock, founders Iain McNay (who remains company chairman) and Richard Jones released the label's first single, "Bad Hearts" by punk band The Tights in June 1978. Cherry Red's early rost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fast Product
Fast Product was an independent record label, established in Edinburgh by Bob Last, his partner, Hilary Morrison and Tim Pearce in December 1977. Its first release was also the first single by the Mekons, released on 20 January 1978. The label issued the first records by a number of early and influential post-punk bands from Northern England, including the original Human League, Gang of Four and the Mekons. Fast Product also released the first singles by the Scottish punk bands Scars and The Flowers. The label also released compilations of various new bands called 'ear comics' or ''Earcom''. Many of the label's releases were also produced by Bob Last with Morrison producing photographs and visuals for the record sleeves. Fast Product's releases challenged pop music conventions (hence the label's early monikers: "difficult fun" and "mutant pop"), and through its releases and marketing invoked a DIY punk spirit and generally socialist political outlook. Often packaging records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
