In-camera Editing
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In-camera Editing
In-camera editing is a technique where, instead of Film editing, editing the shots in a film into sequence after shooting, the Film director, director or cinematographer instead shoots the sequences in strict order. The resulting "edit" is therefore already complete when the film is developed. The process takes a lot of planning so that the shots are filmed in the precise order they will be presented. However, some of this time can be reclaimed, as there is no editing, cutting out or reordering scenes later on. When the last scene is filmed by the director or cinematographer, the production is completely finished. A benefit of the technique, largely now irrelevant due to the rise of digital video, is a reduction in the cost of the production. When the cost of film was a significant fraction of the budget, filmmakers used this technique to optimize film usage. Because of its apparent simplicity, in-camera editing is also popular with new students who may lack experience with editin ...
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Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. The film editor works with raw footage, selecting Shot (filming), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job ...
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Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write thei ...
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Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with director’s vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director ...
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Digital Video
Digital video is an electronic representation of moving visual images (video) in the form of encoded digital data. This is in contrast to analog video, which represents moving visual images in the form of analog signals. Digital video comprises a series of digital images displayed in rapid succession. Digital video is audio and video mixed together to make a production. the data gathered used to create a video, rather than a series of photos put together. Digital video have many advantages such as easy copying, multicasting, easy sharing and storage. Video recorded on tape is used on a computer on media player. Digital video is made of images displayed rapidly frequencies of 15, 24,30, and 60 frames per second. Digital video was first introduced commercially in 1986 with the Sony D1 format, which recorded an uncompressed standard-definition component video signal in digital form. In addition to uncompressed formats, popular compressed digital video formats today include H.264 ...
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Pedagogy
Pedagogy (), most commonly understood as the approach to teaching, is the theory and practice of learning, and how this process influences, and is influenced by, the social, political and psychological development of learners. Pedagogy, taken as an academic discipline, is the study of how knowledge and skills are imparted in an educational context, and it considers the interactions that take place during learning. Both the theory and practice of pedagogy vary greatly as they reflect different social, political, and cultural contexts. Pedagogy is often described as the act of teaching. The pedagogy adopted by teachers shapes their actions, judgments, and teaching strategies by taking into consideration theories of learning, understandings of students and their needs, and the backgrounds and interests of individual students. Its aims may range from furthering liberal education (the general development of human potential) to the narrower specifics of vocational education (the impa ...
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Film Producer
A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script, coordinating writing, directing, editing, and arranging financing. The producer is responsible for finding and selecting promising material for development. Unless the film is based on an existing script, the producer hires a screenwriter and oversees the script's development. These activities culminate with the pitch, led by the producer, to secure the financial backing that enables production to begin. If all succeeds, the project is "greenlighted". The producer also supervises the pre-production, principal photography and post-production stages of filmmaking. A producer is also responsible for hiring a director for the film, as well as other key crew members. Whereas the director makes the creative decisions during the production, the producer typically ma ...
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Pick-up (filmmaking)
In filmmaking, a pick-up is a small, relatively minor shot filmed or recorded after the fact to augment footage already shot. When entire scenes are redone, it is referred to as a re-shoot or additional photography. On set During principal photography, the director may choose to ask for another take (meaning that every movable object and person in the scene returns to their starting positions and the entire shot is recorded all over again), or may ask for a pick-up shot of only the faulty portion of an otherwise satisfactory take. In the latter situation, the script supervisor is expected to record in their notes that a pick-up shot was called for (so the film editor can understand and correctly edit the resulting footage) and also help prompt or " cue" the relevant actor by reading the last line before that actor's line. It is increasingly common for a director to not immediately call "cut" after a blooper, but instead leave the camera rolling and call for a pick-up, which makes ...
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Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. The film editor works with raw footage, selecting Shot (filming), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job ...
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Non-linear Editing System
Non-linear editing is a form of offline editing for audio, video, and image editing. In offline editing, the original content is not modified in the course of editing. In non-linear editing, edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video and audio, or a directed acyclic graph for still images, is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited. A non-linear editing system (NLE) is a video editing (NLVE) program or application, or an audio editing (NLAE) digital audio workstation (DAW) system. These perform non-des ...
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Alfred Hitchcock
Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology '' Alfred Hitchcock Presents'' (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations. Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film '' The Pleasure Garden'' (1925). His first successful film, '' The Lodger: A Story of the London F ...
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Rope (film)
''Rope'' is a 1948 American psychological crime thriller film directed by Alfred Hitchcock, based on the 1929 play of the same name by Patrick Hamilton. The film was adapted by Hume Cronyn with a screenplay by Arthur Laurents.''Rope Unleashed – Making Of'' (2000) – documentary on the Universal Studios DVD of the film. The film was produced by Hitchcock and Sidney Bernstein as the first of their Transatlantic Pictures productions. Starring James Stewart, John Dall and Farley Granger, this is the first of Hitchcock's Technicolor films, and is notable for taking place in real time and being edited so as to appear as four long shots through the use of stitched together long takes. It is the second of Hitchcock's "limited setting" films, the first being ''Lifeboat'' (1944). The original play was said to be inspired by the real-life murder of 14-year-old Bobby Franks in 1924 by University of Chicago students Nathan Leopold and Richard Loeb. Plot Two brilliant young aesthe ...
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Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ...
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