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Illocutionary
The concept of illocutionary acts was introduced into linguistics by the philosopher J. L. Austin in his investigation of the various aspects of speech acts. In his framework, ''locution'' is what was said and meant, ''illocution'' is what was done, and ''perlocution'' is what happened as a result. When somebody says "Is there any salt?" at the dinner table, the ''illocutionary act'' is a request: "please give me some salt" even though the ''locutionary act'' (the literal sentence) was to ask a question about the presence of salt. The ''perlocutionary act'' (the actual effect), might be to cause somebody to pass the salt. Overview The notion of an illocutionary act is closely connected with Austin's doctrine of the so-called 'performative' and 'constative utterances': an utterance is "performative" ''if, and only if'' it is issued in the course of the "doing of an action" (1975, 5), by which, again, Austin means the performance of an illocutionary act (Austin 1975, 6 n2, 133). Acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speech Act
In the philosophy of language and linguistics, speech act is something expressed by an individual that not only presents information but performs an action as well. For example, the phrase "I would like the kimchi; could you please pass it to me?" is considered a speech act as it expresses the speaker's desire to acquire the kimchi, as well as presenting a request that someone pass the kimchi to them. According to Kent Bach, "almost any speech act is really the performance of several acts at once, distinguished by different aspects of the speaker's intention: there is the act of saying something, what one does in saying it, such as requesting or promising, and how one is trying to affect one's audience". The contemporary use of the term goes back to J. L. Austin's development of performative utterances and his theory of locutionary, illocutionary, and perlocutionary acts. Speech acts serve their function once they are said or communicated. These are commonly taken to include acts s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Searle
John Rogers Searle (; born July 31, 1932) is an American philosopher widely noted for contributions to the philosophy of language, philosophy of mind, and social philosophy. He began teaching at UC Berkeley in 1959, and was Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley until 2019. As an undergraduate at the University of Wisconsin–Madison, Searle was secretary of "Students against Joseph McCarthy". He received all his university degrees, BA, MA, and DPhil, from the University of Oxford, where he held his first faculty positions. Later, at UC Berkeley, he became the first tenured professor to join the 1964–1965 Free Speech Movement. In the late 1980s, Searle challenged the restrictions of Berkeley's 1980 rent stabilization ordinance. Following what came to be known as the California Supreme Court's "Searle Decision" of 1990, Berkeley changed its rent cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performative Utterance
In the philosophy of language and speech acts theory, performative utterances are sentences which not only describe a given reality, but also change the social reality they are describing. In a 1955 lecture series, later published as ''How to Do Things with Words'', J. L. Austin argued against a positivist philosophical claim that the utterances always "describe" or "constate" something and are thus always true or false. After mentioning several examples of sentences which are not so used, and not truth-evaluable (among them nonsensical sentences, interrogatives, directives and "ethical" propositions), he introduces "performative" sentences or illocutionary act as another instance.Austin, J.L. ''How to Do Things with Words'' Oxford: Clarendon Press, 1962. Austin's definition In order to define performatives, Austin refers to those sentences which conform to the old prejudice in that they ''are'' used to describe or constate something, and which thus ''are'' true or false; and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performative Utterance
In the philosophy of language and speech acts theory, performative utterances are sentences which not only describe a given reality, but also change the social reality they are describing. In a 1955 lecture series, later published as ''How to Do Things with Words'', J. L. Austin argued against a positivist philosophical claim that the utterances always "describe" or "constate" something and are thus always true or false. After mentioning several examples of sentences which are not so used, and not truth-evaluable (among them nonsensical sentences, interrogatives, directives and "ethical" propositions), he introduces "performative" sentences or illocutionary act as another instance.Austin, J.L. ''How to Do Things with Words'' Oxford: Clarendon Press, 1962. Austin's definition In order to define performatives, Austin refers to those sentences which conform to the old prejudice in that they ''are'' used to describe or constate something, and which thus ''are'' true or false; and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Locutionary Act
In linguistics and the philosophy of language, a locutionary act is the performance of an utterance, and is one of the types of force, in addition to illocutionary act and perlocutionary act, typically cited in Speech Act Theory. Speech Act Theory is a subfield of pragmatics that explores how words and sentences are not only used to present information, but also to perform actions. As an utterance, a locutionary act is considered a performative, in which both the audience and the speaker must trust certain conditions about the speech act. These conditions are called felicity conditions and are divided into three different categories: the essential condition, the sincerity condition, and the preparatory condition. The term equally refers to the surface meaning of an utterance because, according to J. L. Austin's posthumous ''How To Do Things With Words'', a speech act should be analysed as a locutionary act (''i.e.'' the actual utterance and its ostensible meaning, comprising phon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How To Do Things With Words
John Langshaw Austin (26 March 1911 – 8 February 1960) was a British philosopher of language and leading proponent of ordinary language philosophy, perhaps best known for developing the theory of speech acts. Austin pointed out that we use language to ''do'' things as well as to ''assert'' things, and that the utterance of a statement like "I promise to do so-and-so" is best understood as ''doing'' something—''making a promise—''rather than making an assertion about anything. Hence the name of one of his best-known works ''How to Do Things with Words''. Austin, in providing his theory of speech acts, makes a significant challenge to the philosophy of language, far beyond merely elucidating a class of morphological sentence forms that function to do what they name. Austin's work ultimately suggests that all speech and all utterance is the doing of something with words and signs, challenging a metaphysics of language that would posit denotative, propositional assertion as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perlocutionary Act
A perlocutionary act (or perlocutionary effect) is the effect of an utterance on an interlocutor. Examples of perlocutionary acts include persuading, convincing, scaring, enlightening, inspiring, or otherwise affecting the interlocutor. The perlocutionary effect of an utterance is contrasted with the locutionary act, which is the act of producing the utterance, and with the illocutionary force, which does not depend on the utterance's effect on the interlocutor. As an example, consider the following utterance: "By the way, I have a CD of Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the ...; would you like to borrow it?" Its illocutionary function is an ''offer'', while its intended perlocutionary effect might be to impress the interlocutor, or to show a friendly attitude, or to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perlocutionary Act
A perlocutionary act (or perlocutionary effect) is the effect of an utterance on an interlocutor. Examples of perlocutionary acts include persuading, convincing, scaring, enlightening, inspiring, or otherwise affecting the interlocutor. The perlocutionary effect of an utterance is contrasted with the locutionary act, which is the act of producing the utterance, and with the illocutionary force, which does not depend on the utterance's effect on the interlocutor. As an example, consider the following utterance: "By the way, I have a CD of Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the ...; would you like to borrow it?" Its illocutionary function is an ''offer'', while its intended perlocutionary effect might be to impress the interlocutor, or to show a friendly attitude, or to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Direction Of Fit
The technical term direction of fit is used to describe the distinctions that are offered by two related sets of opposing terms: * The more general set of mind-to-world (i.e., mind-to-fit-world, not from-mind-to-world) ''vs.'' world-to-mind (i.e., world-to-fit-mind) used by philosophers of mind, and * The narrower, more specific set, word-to-world (i.e., word-to-fit-world) ''vs.'' world-to-word (i.e., world-to-fit-word) used by advocates of speech act theory such as John Searle. In general In philosophy of mind, a belief has a mind-to-world direction of fit. A belief (that p, say) depicts the world as being in a state of affairs such that p is true. Beliefs, some philosophers have argued, aim at the truth and so aim to fit the world. A belief is satisfied when it fits the world. A desire, on the other hand, normally expresses a yet to be realized state of affairs and so has a world-to-mind direction of fit. A desire that p, unlike a belief, doesn't depict the world as being in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pragmatics
In linguistics and related fields, pragmatics is the study of how context contributes to meaning. The field of study evaluates how human language is utilized in social interactions, as well as the relationship between the interpreter and the interpreted. Linguists who specialize in pragmatics are called pragmaticians. Pragmatics encompasses phenomena including implicature, speech acts, relevance and conversation,Mey, Jacob L. (1993) ''Pragmatics: An Introduction''. Oxford: Blackwell (2nd ed. 2001). as well as nonverbal communication. Theories of pragmatics go hand-in-hand with theories of semantics, which studies aspects of meaning, and syntax which examines sentence structures, principles, and relationships. The ability to understand another speaker's intended meaning is called ''pragmatic competence''. Pragmatics emerged as its own subfield in the 1950s after the pioneering work of J.L. Austin and Paul Grice. Origin of the field Pragmatics was a reaction to structuralist l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John R
John R. (born John Richbourg, August 20, 1910 - February 15, 1986) was an American radio disc jockey who attained fame in the 1950s and 1960s for playing rhythm and blues music on Nashville radio station WLAC. He was also a notable record producer and artist manager. Richbourg was arguably the most popular and charismatic of the four announcers at WLAC who showcased popular African-American music in nightly programs from the late 1940s to the early 1970s. (The other three were Gene Nobles, Herman Grizzard, and Bill "Hoss" Allen.) Later rock music disc jockeys, such as Alan Freed and Wolfman Jack, mimicked Richbourg's practice of using speech that simulated African-American street language of the mid-twentieth century. Richbourg's highly stylized approach to on-air presentation of both music and advertising earned him popularity, but it also created identity confusion. Because Richbourg and fellow disc jockey Allen used African-American speech patterns, many listeners thought that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John L
John Lasarus Williams (29 October 1924 – 15 June 2004), known as John L, was a Welsh nationalist activist. Williams was born in Llangoed on Anglesey, but lived most of his life in nearby Llanfairpwllgwyngyll. In his youth, he was a keen footballer, and he also worked as a teacher. His activism started when he campaigned against the refusal of Brewer Spinks, an employer in Blaenau Ffestiniog, to permit his staff to speak Welsh. This inspired him to become a founder of Undeb y Gymraeg Fyw, and through this organisation was the main organiser of ''Sioe Gymraeg y Borth'' (the Welsh show for Menai Bridge using the colloquial form of its Welsh name).Colli John L Williams , '''', 15 June ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
