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Invidia
In Latin, ''invidia'' is the sense of envy, a "looking upon" associated with the evil eye, from ''invidere'', "to look against, to look in a hostile manner." ''Invidia'' ("Envy") is one of the Seven Deadly Sins in Christian belief. ''Invidia'' and magic The material culture and literature of ancient Rome offer numerous examples of rituals and magic spells intended to avert ''invidia'' and the evil eye. When a Roman general celebrated a triumph, the Vestal Virgins suspended a ''fascinus'', or phallic effigy, under the chariot to ward off ''invidia''. Envy is the vice most associated with witches and magic. The witch's protruding tongue alludes to Ovid's Invidia who has a poisoned tongue. The witch and Invidia share a significant feature – the Evil eye. The term ''invidia'' stems from the Latin ''invidere'', "to look too closely". One type of the aggressive gaze is the "biting eye", often associated with envy, and reflects the ancient belief that envy originates from the eyes. ...
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Invidia
In Latin, ''invidia'' is the sense of envy, a "looking upon" associated with the evil eye, from ''invidere'', "to look against, to look in a hostile manner." ''Invidia'' ("Envy") is one of the Seven Deadly Sins in Christian belief. ''Invidia'' and magic The material culture and literature of ancient Rome offer numerous examples of rituals and magic spells intended to avert ''invidia'' and the evil eye. When a Roman general celebrated a triumph, the Vestal Virgins suspended a ''fascinus'', or phallic effigy, under the chariot to ward off ''invidia''. Envy is the vice most associated with witches and magic. The witch's protruding tongue alludes to Ovid's Invidia who has a poisoned tongue. The witch and Invidia share a significant feature – the Evil eye. The term ''invidia'' stems from the Latin ''invidere'', "to look too closely". One type of the aggressive gaze is the "biting eye", often associated with envy, and reflects the ancient belief that envy originates from the eyes. ...
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Fascinus
In ancient Roman religion and magic, the ''fascinus'' or ''fascinum'' was the embodiment of the divine phallus. The word can refer to phallus effigies and amulets, and to the spells used to invoke his divine protection. Pliny calls it a ''medicus invidiae'', a "doctor" or remedy for envy ('' invidia'', a "looking upon") or the evil eye. Etymology The English word " fascinate" ultimately derives from Latin '' fascinum'' and the related verb ''fascinare'', "to use the power of the ''fascinus''", that is, "to practice magic" and hence "to enchant, bewitch". Catullus uses the verb at the end of ''Carmen 7'', a hendecasyllabic poem addressing his lover Lesbia; he expresses his infinite desire for kisses that cannot be counted by voyeurs nor "fascinated" (put under a spell) by a malicious tongue; such bliss, as also in ''Carmen'' 5, potentially attracts ''invidia''. Fescennine Verses, the satiric and often lewd songs or chants performed on various social occasions, may have been ...
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Fascinum
In ancient Roman religion and magic, the ''fascinus'' or ''fascinum'' was the embodiment of the divine phallus. The word can refer to phallus effigies and amulets, and to the spells used to invoke his divine protection. Pliny calls it a ''medicus invidiae'', a "doctor" or remedy for envy (''invidia'', a "looking upon") or the evil eye. Etymology The English word " fascinate" ultimately derives from Latin '' fascinum'' and the related verb ''fascinare'', "to use the power of the ''fascinus''", that is, "to practice magic" and hence "to enchant, bewitch". Catullus uses the verb at the end of ''Carmen 7'', a hendecasyllabic poem addressing his lover Lesbia; he expresses his infinite desire for kisses that cannot be counted by voyeurs nor "fascinated" (put under a spell) by a malicious tongue; such bliss, as also in ''Carmen'' 5, potentially attracts ''invidia''. Fescennine Verses, the satiric and often lewd songs or chants performed on various social occasions, may have been so ...
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Fascinus
In ancient Roman religion and magic, the ''fascinus'' or ''fascinum'' was the embodiment of the divine phallus. The word can refer to phallus effigies and amulets, and to the spells used to invoke his divine protection. Pliny calls it a ''medicus invidiae'', a "doctor" or remedy for envy ('' invidia'', a "looking upon") or the evil eye. Etymology The English word " fascinate" ultimately derives from Latin '' fascinum'' and the related verb ''fascinare'', "to use the power of the ''fascinus''", that is, "to practice magic" and hence "to enchant, bewitch". Catullus uses the verb at the end of ''Carmen 7'', a hendecasyllabic poem addressing his lover Lesbia; he expresses his infinite desire for kisses that cannot be counted by voyeurs nor "fascinated" (put under a spell) by a malicious tongue; such bliss, as also in ''Carmen'' 5, potentially attracts ''invidia''. Fescennine Verses, the satiric and often lewd songs or chants performed on various social occasions, may have been ...
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Seven Deadly Sins
The seven deadly sins, also known as the capital vices or cardinal sins, is a grouping and classification of vices within Christian teachings. Although they are not directly mentioned in the Bible, there are parallels with the seven things God is said to hate in the Book of Proverbs. Behaviours or habits are classified under this category if they directly give rise to other immoralities. According to the standard list, they are pride, greed, wrath, envy, lust, gluttony and sloth, which are contrary to the seven capital virtues. This classification originated with the Desert Fathers, especially Evagrius Ponticus. Evagrius' pupil John Cassian with his book ''The Institutes'' brought the classification to Europe, where it became fundamental to Catholic confessional practices as documented in penitential manuals, sermons such as " The Parson's Tale" from Chaucer's '' Canterbury Tales'' and artworks such as Dante's ''Purgatory'' where the penitents of Mount Purgatory are gr ...
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Roman Triumph
The Roman triumph (') was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or in some historical traditions, one who had successfully completed a foreign war. On the day of his triumph, the general wore a crown of laurel and an all-purple, gold-embroidered triumphal '' toga picta'' ("painted" toga), regalia that identified him as near-divine or near-kingly. In some accounts, his face was painted red, perhaps in imitation of Rome's highest and most powerful god, Jupiter. The general rode in a four-horse chariot through the streets of Rome in unarmed procession with his army, captives, and the spoils of his war. At Jupiter's temple on the Capitoline Hill, he offered sacrifice and the tokens of his victory to the god Jupiter. In Republican tradition, only the Senate could grant a triumph. The origins and development of this honour wer ...
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Catullus
Gaius Valerius Catullus (; 84 - 54 BCE), often referred to simply as Catullus (, ), was a Latin poetry, Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, focusing on personal life rather than classical heroes. Poetry of Catullus, His surviving works are still read widely and continue to influence poetry and other forms of art. Catullus's poems were widely appreciated by contemporary poets, significantly influencing Ovid and Virgil, among others. After his rediscovery in the Late Middle Ages, Catullus again found admirers such as Petrarch. The explicit sexual imagery which he uses in some of his poems has shocked many readers. Yet, at many instruction levels, Catullus is considered a resource for teachers of Latin. Catullus's style is highly personal, humorous, and emotional; he frequently uses hyperbole, Anaphora (rhetoric), anaphora, alliteration, and diminutives. In 25 of his poems he mentions his devotion to a woman he refers to as "L ...
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Evil Eye
The Evil Eye ( grc, ὀφθαλμὸς βάσκανος; grc-koi, ὀφθαλμὸς πονηρός; el, (κακό) μάτι; he, עַיִן הָרָע, ; Romanian: ''Deochi''; it, malocchio; es, mal de ojo; pt, mau-olhado, olho gordo; ar, عين الحسد, ; fa, چشم زخم, ; prs, چشم مهره ; tr, Nazar boncuğu; Kazakh: Көз) is a supernatural belief in a curse, brought about by a malevolent glare, usually given to a person when one is unaware. The evil eye dates back about 5,000 years. In the 6th century BC it appeared on '' Chalcidian'' drinking vessels, known as ' eye-cups', as a type of apotropaic magic. It is found in many cultures in the Mediterranean region as well as Western Asia and Central Asia with such cultures often believing that receiving the evil eye will cause misfortune or injury, while others believe it to be a kind of supernatural force that casts or reflects a malevolent gaze back-upon those who wish harm upon others (especially in ...
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Bewitch
Bewitch (1945–1959) was a Thoroughbred race horse born in 1945 at Calumet Farm, Kentucky, United States in the same crop in which the stallion Bull Lea produced Citation and Coaltown. Each of them was eventually inaugurated into the Thoroughbred Hall of Fame. Bewitch was the only filly of the three. From her dam, Potheen (purchased by Warren Wright for the small sum of $500), Bewitch inherited the blood of Broomstick, whose sire was the great Ben Brush. On her mother's side also flowed the blood of Peter Pan (sired by Commando) and Hanover (sired by Hindoo). Trained by the Hall of Famer Ben A. Jones, as a two-year-old Bewitch won her first eight starts, six of them consecutive stakes races. In her first effort, she led throughout and won by six lengths. One of these stakes was the Washington Park Futurity, in which she beat Citation, the only defeat he suffered as a two-year-old. Before the end of her first season, Ben Jones turned her training over to his son, Jimm ...
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Maurus Servius Honoratus
Servius was a late fourth-century and early fifth-century grammarian. He earned a contemporary reputation as the most learned man of his generation in Italy; he authored a set of commentaries on the works of Virgil. These works, ''In tria Virgilii Opera Expositio'', constituted the first incunable to be printed at Florence, by Bernardo Cennini, in 1471. In the ''Saturnalia'' of Macrobius, Servius appears as one of the interlocutors; allusions in that work and a letter from Symmachus to Servius indicate that he was not a convert to Christianity. Commentary on Virgil The commentary on Virgil ( la, In Vergilii Aeneidem commentarii) survives in two distinct manuscript traditions. The first is a comparatively short commentary, attributed to Servius in the superscription in the manuscripts and by other internal evidence. The second class derive from the 10th and 11th centuries, embed the same text in a much expanded commentary. The copious additions are in contrasting style to ...
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Vergil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the '' Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the '' Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman p ...
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