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Ink And Wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà; ja, 水墨画, translit=suiboku-ga or ja, 墨絵, translit=sumi-e; ko, 수묵화, translit=sumukhwa) is a type of Chinese ink brush painting which uses black ink, such as that used in Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907); it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be diffe ...
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Liang Kai
Liang Kai (; ''c''. 1140 - ''c''. 1210) was a Chinese painter of the Southern Song Dynasty. He was also known as Madman Liang because of his very informal pictures. He was born in Shandong and worked in Lin An (later Hangzhou). He is known to have studied with the master Jia Shigu. He was awarded the rank of Painter-in-Attendance at the court of Jia Tai (1201-1204 CE, Southern Song Dynasty) where he was known for mastery in painting figures, landscapes, and other minor subjects. He was also awarded the Golden Belt, however he left it behind when he left his position at court to practise Chan Buddhism. Painting style Liang Kai is most famous for originating or developing the "Xie Yi" (sometimes translated as "sketch style") of painting, where the objective is to evoke the subject or atmosphere with minimal use of detail; it requires a profound mastery of painting technique and perfect concentration, but also allows for the beauty of accidental effects. The Xie Yi style is clos ...
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Zhengzhou
Zhengzhou (; ), also spelt Zheng Zhou and alternatively romanized as Chengchow, is the capital and largest city of Henan Province in the central part of the People's Republic of China. Located in north-central Henan, it is one of the National Central Cities in China, the centre of Central Plains area, and serves as the political, economic, technological, and educational center of the province. The Zhengzhou metropolitan area (including Zhengzhou and Kaifeng) is the core area of the Central Plains Economic Zone. The city lies on the southern bank of the Yellow River. Zhengzhou is a major hub of China's national transportation network, with railways connecting Zhengzhou to Europe and an international airport. Zhengzhou is a and a State-list Famous Historical and Culture City. As of 2020, there are two World Cultural Heritage Sites in Zhengzhou. The Zhengzhou Commodity Exchange (ZCE) is China's first futures exchange. Zhengzhou Airport Economy Zone is China's first Airport E ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Hasegawa Tohaku - Pine Trees (Shōrin-zu Byōbu) - Right Hand Screen
Hasegawa (written: 長谷川 literally "long valley river") is a Japanese surname. Hasegawa may refer to: People A * Akiko Hasegawa, Japanese voice actress and singer * Ariajasuru Hasegawa (born 1988), Japanese-Iranian footballer B * Bob Hasegawa (born 1952), American-born labor union leader and Washington State congressperson C * Chiyono Hasegawa (1896–2011), Japanese supercentenarian D * Daigo Hasegawa (born 1990), Japanese athlete specialising in the triple jump E * Emi Hasegawa (born 1986), Japanese alpine ski racer H * Haruhisa Hasegawa (born 1957), Japanese football player * Hasegawa Katsutoshi (born 1944), Japanese sumo wrestler * Hasegawa Nyozekan (1875–1969), author * Hasegawa Tōhaku (1539–1610), Edo period painter * Hasegawa Yoshimichi (1850–1924), Chief of the Army General Staff * Hatsunori Hasegawa (born 1955), Japanese actor * Hirokazu Hasegawa (born 1986), former Japanese football player * Hiroki Hasegawa (長谷川 博己, born ...
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Li Cheng, Luxuriant Forest Among Distant Peaks
Li, li, or LI may refer to: Businesses and organizations * Landscape Institute, a British professional body for landscape architects * Leadership Institute, a non-profit organization located in Arlington, Virginia, US, that teaches "political technology." * Li Auto (Nasdaq: LI), a Chinese manufacturer of electric vehicles * Liberal International, a political federation for liberal parties * Linux International, an international non-profit organization * Lyndon Institute, an independent high school in the U.S. state of Vermont * The Light Infantry, a British Army infantry regiment Names * Li (surname), including: ** List of people with surname Li ** Li (surname 李), one of the most common surnames in the world ** Li (surname 黎), the 84th most common surname in China ** Li (surname 栗), the 249th most common surname in China ** Li (surname 利), the 299th most common surname in China ** Li (surname 厉), a Chinese surname ** Li (surname 郦), a Chinese surname ** Li (surname ...
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Shan Shui
''Shan shui'' (; pronounced ) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of ''shan shui'' paintings. History ''Shan shui'' painting first began to develop in the 5th century, in the Liu Song dynasty.''Textual Evidence for the Secular Arts of China in the Period from Liu Sung through Sui'' (1967) by Alexander Soper It was later characterized by a group of landscape painters such as Zhang Zeduan, most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains. Mountains had long been seen as sacred places in China, which were viewed as the homes of immortals and thus, close to the heavens. Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The art o ...
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Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ...
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Qianlong
The Qianlong Emperor (25 September 17117 February 1799), also known by his temple name Emperor Gaozong of Qing, born Hongli, was the fifth Emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper, reigning from 1735 to 1796. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1735 to 8 February 1796. In 1796, he abdicated in favour of his son, the Jiaqing Emperor, out of filial piety towards his grandfather, the Kangxi Emperor, who ruled for 61 years, so that he not officially usurp him as the longest-reigning emperor. Despite his retirement, however, the Qianlong Emperor retained ultimate power as the Emperor Emeritus until his death in 1799, making him one of the longest-reigning monarchs in history, and dying at the age of 87, one of the longest-lived. As a capable and cultured ruler inheriting a thriving empire, during his long reign, the Qing Empire reached its most splendid and prosperous era, boasting a large popul ...
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Seal (East Asia)
A seal, in an East and Southeast Asian context, is a general name for printing stamps and impressions thereof which are used in lieu of signatures in personal documents, office paperwork, contracts, art, or any item requiring acknowledgement or authorship. On documents they were usually used to print an impression using a pigmented paste or ink, unlike the wax impression commonly used in Europe. Of Chinese origin, the process soon spread beyond China and across East and Southeast Asia. Various countries in these regions currently use a mixture of seals and hand signatures, and, increasingly, electronic signatures. Chinese seals are typically made of stone, sometimes of metals, wood, bamboo, plastic, or ivory, and are typically used with red ink or cinnabar paste (). The word 印 ("yìn" in Mandarin, "in" in Japanese and Korean, "ấn" and "in" in Vietnamese) specifically refers to the imprint created by the seal, as well as appearing in combination with other morphemes in wo ...
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Handscroll
The handscroll is a long, narrow, horizontal scroll format in East Asia used for calligraphy or paintings. A handscroll usually measures up to several meters in length and around 25–40 cm in height. Handscrolls are generally viewed starting from the right end. This kind of scroll is intended to be read or viewed flat on a table, in sections. The format thus allows for the depiction of a continuous narrative or journey.Delbanco, Dawn (2008)"Chinese Handscrolls" In ''Heilbrunn Timeline of Art History''. New York: The Metropolitan Museum of Art. Retrieved 24 September 2011. The traditional alternative format in East Asian paintings is the vertical hanging scroll, which is rarely as long. History According to the Metropolitan Museum of Art, handscrolls are believed to have been invented in India before the fourth century BCE, although no examples survive or found. They were used for religious texts and entered China by the first century CE. According to the National Palace Mus ...
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Hanging Scroll
A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. The hanging scroll was displayed in a room for appreciation; it is to be distinguished from the handscroll, which was narrower and designed to be viewed flat on a table in sections and then stored away again. Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied and secured for storage. The hanging scrolls are rotated according to season or occasion, and such works are never intended to be on permanent display. The painting surface of the paper or silk can be mounted with decorative brocade silk borders. In the composition of a hanging scroll, the foreground is usually at the bottom of the scroll while the middle and far distances are at the middle and top respectively. The traditional craft involved in creating a hanging scroll is considered an art in itself. Mountings for Chinese paintings can be divided ...
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