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Iconclass
Iconclass is a specialized library classification designed for art and iconography. It was originally conceived by Henri van de Waal, and was further developed by a group of scholars after his death. Development based on Dewey Decimal system The Iconclass system is one of the largest classification system for cultural content and possibly the largest for visual arts content. Initially designed for historical imagery, it is now also used to create subject access to texts and to classify a wide range of images, including modern photography. At the moment it contains over 28,000 unique concepts (classification types) and has an entry vocabulary of 14,000 keywords. Like the Dewey Decimal Classification system, it has 10 main "divisions" or points of entry, and these are: *0 Abstract, Non-representational Art *1 Religion and Magic *2 Nature *3 Human being, Man in general *4 Society, Civilization, Culture *5 Abstract Ideas and Concepts *6 History *7 Bible *8 Literature *9 Classical Mythol ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ...
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Henri Van De Waal
Henri (''Hans'') van de Waal (3 March 1910 – 7 May 1972) was a Dutch writer and art historian known for developing Iconclass. Van de Waal was born in Rotterdam. In 1934 he finished his education as an art historian in Leiden with a monography on Jan van Goyen.Henri van de Waal in the NNBW He accepted a position at the National Print Cabinet in The Hague, where he began work on a German concept of image-based historical research, which due to the special circumstances of the interbellum period was drastically reduced. He eventually finished his PhD thesis 12 July 1940, '' cum laude'', on the patriotic subject of ''Zeventiende eeuwsche uitbeeldingen van den Bataafschen Opstand'' (17th-century images of the Batavian Revolt). Four months later he was dismissed as part of the actions by the German occupational forces against Jews. Soon after being released from captivity in Westerbork in 1945, he took up work as an assistant professor in Leiden, but was appointed a full professorshi ...
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Library Classification
A library classification is a system of organization of knowledge by which library resources are arranged and ordered systematically. Library classifications are a notational system that represents the order of topics in the classification and allows items to be stored in that order. Library classification systems group related materials together, typically arranged as a hierarchical tree structure. A different kind of classification system, called a faceted classification system, is also widely used, which allows the assignment of multiple classifications to an object, enabling the classifications to be ordered in many ways. Description Library classification is an aspect of library and information science. It is distinct from scientific classification in that it has as its goal to provide a useful ordering of documents rather than a theoretical organization of knowledge. Although it has the practical purpose of creating a physical ordering of documents, it does generally attem ...
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Card Catalog
A library catalog (or library catalogue in British English) is a register of all bibliographic items found in a library or group of libraries, such as a network of libraries at several locations. A catalog for a group of libraries is also called a union catalog. A bibliographic item can be any information entity (e.g., books, computer files, graphics, realia, cartographic materials, etc.) that is considered library material (e.g., a single novel in an anthology), or a group of library materials (e.g., a trilogy), or linked from the catalog (e.g., a webpage) as far as it is relevant to the catalog and to the users (patrons) of the library. The card catalog was a familiar sight to library users for generations, but it has been effectively replaced by the online public access catalog (OPAC). Some still refer to the online catalog as a "card catalog". Some libraries with OPAC access still have card catalogs on site, but these are now strictly a secondary resource and are seldom ...
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Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague on 19 November 1798 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened in 1885.The renovation
Rijksmuseum. Retrieved on 4 April 2013.
On 13 April 2013, after a ten-year renovation which cost 375 million, the main building was reopened by

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Marburger Index
The Bildindex der Kunst und Architektur is an open online database of 2.2 million photographs of 1.7 million artworks and architectural objects. The owner/operator of this database is the German Documentation Center for Art History known formally as Bildarchiv Foto Marburg. In addition to its own image holdings, around 1 million images from 50 partner institutions are also available online. Not all images are of German objects. In 1976 the institution purchased thousands of photographs of the '' Du'' magazine of the Swiss publishing house Conzett & Huber. Between 1977 and 2008, 1.4 million photographs from 15 different institutions were made available on microfiche by Bildarchiv Foto Marburg as the "Marburger Index - the list of art in Germany". Published digital reproduction Digital usually refers to something using discrete digits, often binary digits. Technology and computing Hardware *Digital electronics, electronic circuits which operate using digital signals **Digital c ...
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Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists ...
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Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned ...
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Bathsheba At Her Bath (Rembrandt)
''Bathsheba at Her Bath'' (or ''Bathsheba with King David's Letter'') is an oil painting by the Dutch artist Rembrandt (1606–1669) finished in 1654. A depiction that is both sensual and empathetic, it shows a moment from the Old Testament story related in in which King David sees Bathsheba bathing and, entranced, impregnates her.Bull et al. 151 In order to marry Bathsheba and conceal his sin, David sends her husband into battle and orders his generals to abandon him, leaving him to certain death. While the scene of David spying on Bathsheba had been painted by earlier artists, Rembrandt's depiction differs in its tight pictorial focus and erotic vitality, achieved through broad, thick brushstrokes and vibrant coloration. The painting hangs in The Louvre; it is one of 583 works donated by Dr. Louis La Caze in 1869. For Kenneth Clark, the canvas is "Rembrandt's greatest painting of the nude".Clark, 341 Its insight into Bathsheba's moral dilemma has been described as "one of the ...
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Jan Asselijn
Jan Asselijn (c.1610 – October 1, 1652) was a Dutch Golden Age painter. Biography Asselijn was born at Dieppe from a French Huguenot family as ''Jean Asselin''. He received instruction from Esaias van de Velde (1587–1630), and distinguished himself particularly in landscape and animal painting, though his historical works and battle pieces are also admired. He traveled in France and Italy, and modeled his style after Bamboccio (Pieter van Laer), also a member of the Bentvueghels. Nicolaes de Helt Stockade and Asselijn married two sisters in Lyons in 1645, both daughters of Houwaart Koorman of Antwerp. According to Houbraken, he heard this story from Abraham Genoels, who in turn heard it from Laurens Frank, an artist who was staying in the Koorman household with Artus Quellinus in Lyons at the time. Their marriages brought both Asselijn and Helt-Stockade back to the Netherlands after their travels.
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