|
Hypotaxis
Hypotaxis is the grammatical arrangement of functionally similar but "unequal" constructs (from Greek ''hypo-'' "beneath", and ''taxis'' "arrangement"); certain constructs have more importance than others inside a sentence. A common example of syntactic expression of hypotaxis is the subordination of one syntactic unit to another in a complex sentence.Stanley Fish, ''How to Write a Sentence'' p 51 Another example is observed in premodification. In the phrase "inexpensive composite materials", "composite" modifies "materials" while "inexpensive" modifies the complex head "composite materials", rather than "composite" or "materials". In this example the phrase units are hierarchically structured, rather than being on the same level, as compared to the example "Cockroaches love warm, damp, dark places." Note the syntactic difference; hypotactic modifiers cannot be separated by a comma. John Keats's "Ode to a Nightingale" has an example of hypotaxis in the second stanza: "O, for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parataxis
Parataxis (from el, παράταξις, "act of placing side by side"; from παρα, ''para'' "beside" + τάξις, ''táxis'' "arrangement") is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions. It contrasts with syntaxis and hypotaxis. It is also used to describe a technique in poetry in which two images or fragments, usually starkly dissimilar images or fragments, are juxtaposed without a clear connection. Readers are then left to make their own connections implied by the paratactic syntax. Ezra Pound, in his adaptation of Chinese and Japanese poetry, made the stark juxtaposition of images an important part of English-language poetry. Etymology Edward Parmelee Morris wrote in 1901 that the term was introduced into linguistics by Friedrich Thiersch in his ''Greek Grammar'' (1831). The term has remained unchanged, but the concept of parataxis has e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subordination (linguistics)
In linguistics, subordination (abbreviated variously , , or ) is a principle of the hierarchical organization of linguistic units. While the principle is applicable in semantics, morphology, and phonology, most work in linguistics employs the term "subordination" in the context of syntax, and that is the context in which it is considered here. The syntactic units of sentences are often either subordinate or coordinate to each other. Hence an understanding of subordination is promoted by an understanding of coordination, and vice versa. Subordinate clauses Subordination as a concept of syntactic organization is associated closely with the distinction between ''coordinate'' and ''subordinate'' clauses. One clause is subordinate to another if it depends on it. The dependent clause is called a ''subordinate clause'' and the independent clause is called the ''main clause'' (= matrix clause). Subordinate clauses are usually introduced by subordinators (= subordinate conjunctions) such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complex Sentence
In grammar, sentence and clause structure, commonly known as sentence composition, is the classification of sentences based on the number and kind of clauses in their syntactic structure. Such division is an element of traditional grammar. Typology of clauses In standard English, sentences are composed of five ''clause'' patterns : # Subject + Verb (intransitive)''Example:'' She runs. # Subject + Verb (transitive) + Object''Example:'' She runs the meeting. # Subject + Verb (linking) + Subject Complement (adjective, noun, pronoun)''Example:'' Abdul is happy. Jeanne is a person. I am her. # Subject + Verb (transitive) + Indirect Object + Direct Object''Example:'' She made me a pie.This clause pattern is a derivative of S+V+O, transforming the object of a preposition into an indirect object of the verb, as the example sentence in transformational grammar is actually "She made a pie for me". # Subject + Verb (transitive) + Object + Object Complement''Example:'' They made him happy.The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Fish
Stanley Eugene Fish (born April 19, 1938) is an American literary theorist, legal scholar, author and public intellectual. He is currently the Floersheimer Distinguished Visiting Professor of Law at Yeshiva University's Benjamin N. Cardozo School of Law in New York City, although Fish has no degrees or training in law. Fish has previously served as the Davidson-Kahn Distinguished University Professor of Humanities and a professor of law at Florida International University and is dean emeritus of the College of Liberal Arts and Sciences at the University of Illinois at Chicago. Fish is associated with postmodernism, although he views himself instead as an advocate of anti-foundationalism. He is also viewed as having influenced the rise and development of reader-response theory. During his career he has also taught at the Cardozo School of Law, University of California, Berkeley, Johns Hopkins University, The University of Pennsylvania, Yale Law School, Columbia University, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premodification
In linguistics, a modifier is an optional element in phrase structure or clause structure which ''modifies'' the meaning of another element in the structure. For instance, the adjective "red" acts as a modifier in the noun phrase "red ball", providing extra details about which particular ball is being referred to. Similarly, the adverb "quickly" acts as a modifier in the verb phrase "run quickly". Modification can be considered a high-level domain of the functions of language, on par with predication and reference. Premodifiers and postmodifiers Modifiers may come either before or after the modified element (the '' head''), depending on the type of modifier and the rules of syntax for the language in question. A modifier placed before the head is called a premodifier; one placed after the head is called a postmodifier. For example, in ''land mines'', the word ''land'' is a premodifier of ''mines'', whereas in the phrase ''mines in wartime'', the phrase ''in wartime'' is a postmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Head (linguistics)
In linguistics, the head or nucleus of a phrase is the word that determines the syntactic category of that phrase. For example, the head of the noun phrase ''boiling hot water'' is the noun ''water''. Analogously, the head of a compound is the stem that determines the semantic category of that compound. For example, the head of the compound noun ''handbag'' is ''bag'', since a handbag is a bag, not a hand. The other elements of the phrase or compound modify the head, and are therefore the head's ''dependents''. Headed phrases and compounds are called ''endocentric'', whereas ''exocentric'' ("headless") phrases and compounds (if they exist) lack a clear head. Heads are crucial to establishing the direction of branching. Head-initial phrases are right-branching, head-final phrases are left-branching, and head-medial phrases combine left- and right-branching. Basic examples Examine the following expressions: :::big red dog :::birdsong The word ''dog'' is the head of ''big red dog' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comma
The comma is a punctuation mark that appears in several variants in different languages. It has the same shape as an apostrophe or single closing quotation mark () in many typefaces, but it differs from them in being placed on the baseline of the text. Some typefaces render it as a small line, slightly curved or straight, but inclined from the vertical. Other fonts give it the appearance of a miniature filled-in figure on the baseline. The comma is used in many contexts and languages, mainly to separate parts of a sentence such as clauses, and items in lists mainly when there are three or more items listed. The word ''comma'' comes from the Greek (), which originally meant a cut-off piece, specifically in grammar, a short clause. A comma-shaped mark is used as a diacritic in several writing systems and is considered distinct from the cedilla. In Byzantine and modern copies of Ancient Greek, the " rough" and "smooth breathings" () appear above the letter. In Latvia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the ''Encyclopædia Britannica'' of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular "Ode to a Nightingale", "Od ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ode To A Nightingale
"Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house that he shared with Keats in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in ''Annals of the Fine Arts'' the following July. The poem is one of the most frequently anthologized in the English language. "Ode to a Nightingale" is a personal poem which describes Keats' journey into the state of negative capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and, instead, explores the themes of nature, transience and mortality, the latter being particularly relevant to Keats. The nightingale described experi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Blake
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his " prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself". Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clod And The Pebble
"The Clod and the Pebble" is a poem from William Blake's 1794 collection ''Songs of Innocence and of Experience''. The poem Summary "The Clod and the Pebble" is the exemplification of Blake's statement at the beginning of ''Songs of Innocence and of Experience'' that it is the definition of the "Contrary States of the Human Soul". It shows two contrary types of love. The poem is written in three stanzas. The first stanza is the clod's view that love should be unselfish. The soft view of love is represented by this soft clod of clay, and represents the innocent state of the soul, and a childlike view of the world. The second stanza connects the clod and the pebble. It gives the location of the clod, pleasantly singing his view while being trodden on by a cattle. At the end of the 2nd line the shift in views is signaled by a semicolon. This shift is further emphasized with the use of the word "But" at the beginning of the third line. The pebble is meanwhile in the river warbling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
