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Huqin
''Huqin'' () is a family of bowed string instruments, more specifically, a spike fiddle popularly used in Chinese music. The instruments consist of a round, hexagonal, or octagonal sound box at the bottom with a neck attached that protrudes upwards. They also usually have two strings, and their soundboxes are typically covered with either snakeskin (most often python) or thin wood. Huqin instruments usually have two tuning pegs, one peg for each string. The pegs are attached horizontally through holes drilled in the instrument's neck. Most huqin have the bow hair pass in between the strings. Exceptions to having two strings and pegs include variations of huqin with three, four, and sometimes even more than five. These include the zhuihu, a three stringed huqin, the sihu, a huqin of Mongolian origin, and the sanhu, a lesser-known three-stringed variation. The most common huqin are the '' erhu'', which is tuned to a middle range; '' zhonghu'', which is tuned to a lower register ...
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Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come f ...
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Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come f ...
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Zhonghu
The ''zhonghu'' (), short for ''zhongyin erhu'' () is a low-pitched Chinese bowed string instrument. Together with the erhu and gaohu, it is a member of the huqin family. It was developed in the 1940s as the alto member of the huqin family (similar in range to the European viola) to increase the pitch range of the instruments used in a Chinese orchestra. The ''zhonghu'' is analogous with the erhu, but is slightly larger and lower pitched. Its body is covered on the playing end with snakeskin. The instrument has two strings, which are generally tuned to the interval of a fifth, to A and E or to G and D (this latter tuning equivalent to the violin's lowest two strings). Presence in popular music Composer Jeremy Zuckerman has used the ''Zhonghu'' in critically acclaimed shows' music such as Avatar: The Last Airbender and The Legend of Korra. Specifically, he has said in the podcast Song Exploder that along with the ''Erhu'', the ''Zhonghu'' was used in The Legend of Korra's ...
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Dahu (instrument)
The dahu ( 大 胡, pinyin: ''dàhú'') is a large bowed string instrument from China. It has a large soundbox covered on one end with python skin. Like most other members of the huqin family of instruments, it has two strings and is held vertically. The instrument is generally pitched one octave below the ''erhu'', and is considerably larger than the ''erhu''. Its name derives from the Chinese word for "large" (''dà''), and the word ''hú'' (short for ''huqin''). Its bridge is often placed somewhat above the center of the snakeskin to avoid stretching the skin. The ''dahu'' is sometimes also called ''cizhonghu''. It is also referred to as ''xiaodihu'', being the same instrument as the smallest of the three sizes of ''dihu'' (large ''huqin'' instruments), the others being the ''zhongdihu'' and ''dadihu''. History The ''dahu'' was developed in the 1930s as the tenor member of the ''erhu'' family (the ''erhu'' being the soprano member and the '' zhonghu'' being the alto member) ...
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Gehu
The ''gehu'' ( 革胡; pinyin: géhú) is a Chinese instrument developed in the 20th century by the Chinese musician Yang Yusen ( 杨 雨 森, 1926–1980). It is a fusion of the Chinese huqin family and the cello. Its four strings are also tuned (from low to high) C-G-D-A, exactly like the cello's. Unlike most other musical instruments in the ''huqin'' family, the bridge does not contact the snakeskin, which faces to the side. There is also a contrabass ''gehu'' that functions as a Chinese double bass, known as the '' diyingehu'', ''digehu'', or ''beigehu'' ( 倍 革 胡). By the late 20th century the ''gehu'' had become a rare instrument, even within China, as the tendency for the snakeskin to lose its tightness increases with humidity. Today, it is used mostly in Hong Kong and Taiwan, although even there, the cello is beginning to become a popular replacement for it. There are also other Chinese instruments that are able to take on the role of bowed bass range instrumen ...
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Sihu (instrument)
The ''sihu'' () (known as a / / ''khuuchir'' in Mongolia, where this term defines the whole ''huqin'' family) is a Chinese bowed string instrument with four strings. It is a member of the ''huqin'' family of instruments. Construction The instrument's name comes from the words ''sì'' (四, meaning "four" in Chinese, referring to the instrument's number of strings) and ''hú'' (胡, short for ''huqin'', the family of instruments of which the ''sihu'' is a member). Its soundbox and neck are made from hardwood and the playing end of the soundbox is covered with python, cow, or sheep skin. There are several sizes of ''sihu''; the lowest of these is generally tuned C, C, G, G; the medium size is tuned G, G, D, D; and the smallest size is tuned D, D, A, A. Technique The instrument is held vertically, with its soundbox on the player's lap, and its strings are tuned in pairs. The hair of the bow passes between the two pairs of strings. Use The ''sihu'' is primarily associated wi ...
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Yehu
The ''yehu'' () is a bowed string instrument in the ''huqin'' family of Chinese musical instruments. ''Ye'' means coconut and ''hu'' is short for ''huqin''. It is used particularly in the southern coastal provinces of China and in Taiwan. The instrument's soundbox is made from a coconut shell, which is cut on the playing end and covered with a piece of coconut wood instead of the snakeskin commonly used on other ''huqin'' instruments such as the ''erhu'' or ''gaohu''. As with most ''huqin'' the bow hair passes in between the two strings. Many players prefer to use silk strings rather than the more modern steel strings generally used for the ''erhu'', giving the instrument a distinctly hollow, throaty timbre. The instrument comes in various sizes. In Chaozhou music (where it is called ''pahi'', 冇弦) it is a leading instrument, and is tuned quite high. In Cantonese music it can be quite large and is often tuned to a relatively low pitch, lower than the ''erhu'' (usually one o ...
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Zhonghu
The ''zhonghu'' (), short for ''zhongyin erhu'' () is a low-pitched Chinese bowed string instrument. Together with the erhu and gaohu, it is a member of the huqin family. It was developed in the 1940s as the alto member of the huqin family (similar in range to the European viola) to increase the pitch range of the instruments used in a Chinese orchestra. The ''zhonghu'' is analogous with the erhu, but is slightly larger and lower pitched. Its body is covered on the playing end with snakeskin. The instrument has two strings, which are generally tuned to the interval of a fifth, to A and E or to G and D (this latter tuning equivalent to the violin's lowest two strings). Presence in popular music Composer Jeremy Zuckerman has used the ''Zhonghu'' in critically acclaimed shows' music such as Avatar: The Last Airbender and The Legend of Korra. Specifically, he has said in the podcast Song Exploder that along with the ''Erhu'', the ''Zhonghu'' was used in The Legend of Korra's ...
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Gehu
The ''gehu'' ( 革胡; pinyin: géhú) is a Chinese instrument developed in the 20th century by the Chinese musician Yang Yusen ( 杨 雨 森, 1926–1980). It is a fusion of the Chinese huqin family and the cello. Its four strings are also tuned (from low to high) C-G-D-A, exactly like the cello's. Unlike most other musical instruments in the ''huqin'' family, the bridge does not contact the snakeskin, which faces to the side. There is also a contrabass ''gehu'' that functions as a Chinese double bass, known as the '' diyingehu'', ''digehu'', or ''beigehu'' ( 倍 革 胡). By the late 20th century the ''gehu'' had become a rare instrument, even within China, as the tendency for the snakeskin to lose its tightness increases with humidity. Today, it is used mostly in Hong Kong and Taiwan, although even there, the cello is beginning to become a popular replacement for it. There are also other Chinese instruments that are able to take on the role of bowed bass range instrumen ...
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Gaohu
The ''gaohu'' ( 高胡; pinyin: ''gāohú'', ; Cantonese: gou1 wu4; also called ''yuehu'' 粤 胡) is a Chinese bowed string instrument developed from the ''erhu'' in the 1920s by the musician and composer Lü Wencheng (1898–1981) and used in Cantonese music and Cantonese opera. It belongs to the ''huqin'' family of instruments, together with the '' zhonghu'', ''erhu'', ''banhu'', '' jinghu'', and '' sihu''; its name means "high-pitched ''huqin''". It is the leading instrument of Cantonese music and opera ensembles. Well known pieces for the ''gaohu'' include ''Bu Bu Gao'' (步步高, Higher Step By Step) and ''Ping Hu Qiu Yue'' (平湖秋月, Autumn Moon on Calm Lake). Construction and design The ''gaohu'' is similar in construction to the ''erhu'' but has a slightly smaller soundbox, commonly circular, and is tuned a fourth higher, to G4 and D5. Whereas most ''huqin'' are placed on top of the left thigh, the traditional ''gaohu'' is played with the soundbox held in bet ...
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Gaohu
The ''gaohu'' ( 高胡; pinyin: ''gāohú'', ; Cantonese: gou1 wu4; also called ''yuehu'' 粤 胡) is a Chinese bowed string instrument developed from the ''erhu'' in the 1920s by the musician and composer Lü Wencheng (1898–1981) and used in Cantonese music and Cantonese opera. It belongs to the ''huqin'' family of instruments, together with the '' zhonghu'', ''erhu'', ''banhu'', '' jinghu'', and '' sihu''; its name means "high-pitched ''huqin''". It is the leading instrument of Cantonese music and opera ensembles. Well known pieces for the ''gaohu'' include ''Bu Bu Gao'' (步步高, Higher Step By Step) and ''Ping Hu Qiu Yue'' (平湖秋月, Autumn Moon on Calm Lake). Construction and design The ''gaohu'' is similar in construction to the ''erhu'' but has a slightly smaller soundbox, commonly circular, and is tuned a fourth higher, to G4 and D5. Whereas most ''huqin'' are placed on top of the left thigh, the traditional ''gaohu'' is played with the soundbox held in bet ...
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Xiqin (instrument)
The () was a bowed string musical instrument. It is perhaps the original member of the family of Chinese and Mongolian bowed string instruments; thus, the and and all similar fiddle instruments may be said to be derived from the . The had two silk strings and was held vertically. Origin and development The is believed to have been developed by the Kumo Xi, a Mongol- or Khitan-related ethnic group living in the Xar Moron River valley in northeast China. The first appeared in China during the Tang Dynasty (618–907 CE), during which time it was used in the palace orchestra and bowed with a bamboo stick. It was further developed in the Song Dynasty (960–1279), when it began to be bowed with a horsehair bow. In 1105, during the Northern Song Dynasty, the instrument was described as a foreign, two-stringed fiddle in an encyclopedic work on music called (; literally "book of music") by the music theorist Chen Yang (). Similar instruments The used in music and the used ...
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