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Hundun
Hundun () is both a "legendary faceless being" in Chinese mythology and the "primordial and central chaos" in Chinese cosmogony, comparable with the world egg. Linguistics ''Hundun'' was semantically extended from a mythic "primordial chaos; nebulous state of the universe before heaven and earth separated" to mean "unintelligible; chaotic; messy; mentally dense; innocent as a child". While ''hùndùn'' "primordial chaos" is usually written as in contemporary vernacular, it is also written as —as in the Daoist classic '' Zhuangzi''—or —as in the '' Zuozhuan''. ''Hùn'' "chaos; muddled; confused" is written either ''hùn'' () or ''hún'' (). These two are interchangeable graphic variants read as ''hún'' ( ) and ''hùn'' "nebulous; stupid" (''hùndùn'' ). ''Dùn'' ("dull; confused") is written as either ''dùn'' () or ''dūn'' (). Isabelle Robinet outlines the etymological origins of ''hundun''. Semantically, the term ''hundun'' is related to several expressions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hundun
Hundun () is both a "legendary faceless being" in Chinese mythology and the "primordial and central chaos" in Chinese cosmogony, comparable with the world egg. Linguistics ''Hundun'' was semantically extended from a mythic "primordial chaos; nebulous state of the universe before heaven and earth separated" to mean "unintelligible; chaotic; messy; mentally dense; innocent as a child". While ''hùndùn'' "primordial chaos" is usually written as in contemporary vernacular, it is also written as —as in the Daoist classic '' Zhuangzi''—or —as in the '' Zuozhuan''. ''Hùn'' "chaos; muddled; confused" is written either ''hùn'' () or ''hún'' (). These two are interchangeable graphic variants read as ''hún'' ( ) and ''hùn'' "nebulous; stupid" (''hùndùn'' ). ''Dùn'' ("dull; confused") is written as either ''dùn'' () or ''dūn'' (). Isabelle Robinet outlines the etymological origins of ''hundun''. Semantically, the term ''hundun'' is related to several expressions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wonton
A wonton () is a type of Chinese dumpling commonly found across regional styles of Chinese cuisine. It is also spelled wantan or wuntun in transliteration from Cantonese () and wenden from Shanghainese (). There are many different styles of wonton served throughout China, though most foreigners are only familiar with Cantonese wontons because of the predominance of Cantonese restaurants overseas. Originating from China, wontons have also become popular in other East and Southeast Asian cuisines. History Yang Xiong from the western Han Dynasty mentioned "bing wei zhi tun", which means wontons are a type of bread. The difference is that wontons have fillings inside and are eaten after being steamed or boiled. Ancient Chinese thought wonton were a sealed bun, lacking "qi qiao" ('seven orifices'). So it was called " hun dun" (混沌), which means 'turbidity' or 'chaos'. Based on the Chinese method of making characters, the radicals are changed from water to food, then it b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wonton 1
A wonton () is a type of Chinese dumpling commonly found across regional styles of Chinese cuisine. It is also spelled wantan or wuntun in transliteration from Cantonese () and wenden from Shanghainese (). There are many different styles of wonton served throughout China, though most foreigners are only familiar with Cantonese wontons because of the predominance of Cantonese restaurants overseas. Originating from China, wontons have also become popular in other East and Southeast Asian cuisines. History Yang Xiong from the western Han Dynasty mentioned "bing wei zhi tun", which means wontons are a type of bread. The difference is that wontons have fillings inside and are eaten after being steamed or boiled. Ancient Chinese thought wonton were a sealed bun, lacking "qi qiao" ('seven orifices'). So it was called " hun dun" (混沌), which means 'turbidity' or 'chaos'. Based on the Chinese method of making characters, the radicals are changed from water to food, then it b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wonton
A wonton () is a type of Chinese dumpling commonly found across regional styles of Chinese cuisine. It is also spelled wantan or wuntun in transliteration from Cantonese () and wenden from Shanghainese (). There are many different styles of wonton served throughout China, though most foreigners are only familiar with Cantonese wontons because of the predominance of Cantonese restaurants overseas. Originating from China, wontons have also become popular in other East and Southeast Asian cuisines. History Yang Xiong from the western Han Dynasty mentioned "bing wei zhi tun", which means wontons are a type of bread. The difference is that wontons have fillings inside and are eaten after being steamed or boiled. Ancient Chinese thought wonton were a sealed bun, lacking "qi qiao" ('seven orifices'). So it was called " hun dun" (混沌), which means 'turbidity' or 'chaos'. Based on the Chinese method of making characters, the radicals are changed from water to food, then it b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Creation Myth
Chinese creation myths are symbolic narratives about the origins of the universe, earth, and life. In Chinese mythology, the term "cosmogonic myth" or "origin myth" is more accurate than "creation myth", since very few stories involve a creator deity or divine will. Chinese creation myths fundamentally differ from monotheistic traditions with one authorized version, such as the Judeo-Christian Genesis creation narrative: Chinese classics record numerous and contradictory origin myths. Traditionally, the world was created on Chinese New Year and the animals, people, and many deities were created during its 15 days. Some Chinese cosmogonic myths have familiar themes in comparative mythology. For example, creation from chaos (Chinese Hundun and Hawaiian Kumulipo), dismembered corpses of a primordial being (Pangu, Indo-European Yemo and Mesopotamian Tiamat), world parent siblings (Fuxi and Nüwa and Japanese Izanagi and Izanami), and dualistic cosmology (yin and yang and Zoroastrian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhuangzi (book)
The ''Zhuangzi'' ( Chinese: , historically romanized ''Chuang Tzŭ'') is an ancient Chinese text from the late Warring States period (476221) which contains stories and anecdotes that exemplify the carefree nature of the ideal Taoist sage. Named for its traditional author, "Master Zhuang" ( Zhuangzi), the ''Zhuangzi'' is one of the two foundational texts of Taoism, along with the '' Tao Te Ching''. The ''Zhuangzi'' consists of a large collection of anecdotes, allegories, parables, and fables, which are often humorous or irreverent. Its main themes are of spontaneity in action and of freedom from the human world and its conventions. The fables and anecdotes in the text attempt to illustrate the falseness of human distinctions between good and bad, large and small, life and death, and human and nature. While other ancient Chinese philosophers focused on moral and personal duty, Zhuangzi promoted carefree wandering and becoming one with "the Way" (''Dào'' ) by following nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaos (cosmogony)
Chaos ( grc, χάος, kháos) is the mythological The Void (philosophy), void state preceding the creation of the universe (the cosmos) in Greek mythology, Greek creation myths. In Christian theology, the same term is used to refer to the gap or the abyss created by the firmament, separation of heaven and earth. Etymology Greek ''kháos'' () means 'emptiness, vast void, chasm, abyss (religion), abyss', related to the verbs ''kháskō'' () and ''khaínō'' () 'gape, be wide open', from Proto-Indo-European language, Proto-Indo-European ', cognate to Old English language, Old English ''geanian'', 'to gape', whence English '':wikt:yawn, yawn''. It may also mean space, the expanse of air, the nether abyss or infinite darkness.Lidell-Scott, ''A Greek–English Lexiconchaos/ref> Pherecydes of Syros (fl. 6th century BC) interprets ''chaos'' as water, like something formless that can be differentiated. ''Chaoskampf'' The motif of ''Chaoskampf'' (; ) is ubiquitous in myth and legend, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunlun Mountain (mythology)
The Kunlun () or Kunlun Shan is a mountain or mountain range in Chinese mythology, an important symbol representing the ''axis mundi'' and divinity. The mythological Kunlun is based on various sources — mythologic and geographic — of the modern so-called Kunlun Mountains of the Tibetan Plateau and Mount Kailash (as an archetypal ''omphalos''). The term "Kunlun" has also been applied to Southeastern Asian lands or islands and seemingly even Africa — although the relationship to the mountain is not clear beyond the nomenclature. In any case, Kunlun refers to distant, exotic, and mysterious places. Different locations of Kunlun have been ascribed in the various legends, myths, and semi-historical accounts in which it appears. These accounts typically describe Kunlun as the dwelling place of various gods and goddesses where fabled plants and mythical creatures may also be found. Many important events in Chinese mythology were based around Kunlun. Historical development As the my ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Documents
The ''Book of Documents'' (''Shūjīng'', earlier ''Shu King'') or ''Classic of History'', also known as the ''Shangshu'' (“Venerated Documents”), is one of the Five Classics of ancient Chinese literature. It is a collection of rhetorical prose attributed to figures of ancient China, and served as the foundation of Chinese political philosophy for over 2,000 years. The ''Book of Documents'' was the subject of one of China's oldest literary controversies, between proponents of different versions of the text. A version was preserved from Qin Shi Huang's burning of books and burying of scholars by scholar Fu Sheng, in 29 sections (''pian'' 篇). This group of texts were referred to as "Modern Script" ''jinwen'' 今文, because written with the script in use at the beginning of the Western Han dyansty. According to Western Han dynasty documents, new textual material was discovered in the wall of Confucius' family estate in Qufu by his descendant Kong Anguo in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lunyu
The ''Analects'' (; ; Old Chinese: '' ŋ(r)aʔ''; meaning "Selected Sayings"), also known as the ''Analects of Confucius'', the ''Sayings of Confucius'', or the ''Lun Yu'', is an ancient Chinese book composed of a large collection of sayings and ideas attributed to the Chinese philosopher Confucius and his contemporaries, traditionally believed to have been compiled and written by Confucius's followers. It is believed to have been written during the Warring States period (475–221 BC), and it achieved its final form during the mid-Han dynasty (206 BC–220 AD). By the early Han dynasty the ''Analects'' was considered merely a "commentary" on the Five Classics, but the status of the ''Analects'' grew to be one of the central texts of Confucianism by the end of that dynasty. During the late Song dynasty (960–1279 AD) the importance of the ''Analects'' as a Chinese philosophy work was raised above that of the older Five Classics, and it was recognized as one of the " Four Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
