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Human Beatbox
Beatboxing (also beat boxing) is a form of vocal percussion primarily involving the art of mimicking drum machines (typically a TR-808), using one's mouth, lips, tongue, and voice.TOWARD A BEATBOXOLOGY Human Beatbox It may also involve vocal imitation of , and other musical instruments. Beatboxing today is connected with hip-hop culture, often referred to as "the fifth element" of hip-hop, although it is not limited to [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Percussion
Vocal percussion is the art of creating sounds with one's mouth that approximate, imitate, or otherwise serve the same purpose as a percussion instrument, whether in a group of singers, an instrumental ensemble, or solo. In Western music Recent musicological research points at Brazilian songwriter and musician Marcos Valle as a pioneer of vocal percussion. In the track "Mentira" from his 1973 album "Previsao do Tempo", Valle imitates a drum kit with his voice. Beatboxing, an art form pioneered by rapper Doug E. Fresh, is one school of vocal percussion, originating in hip-hop music and often used to accompany rapping. Stylistically, it is more expansive than traditional vocal percussion as it involves mimicking other sound effects and instruments with the voice such as trumpets, scratches, and bass-lines. It is utilized by many musicians spanning over a wide variety of genres. In Indian music Vocal percussion is also an integral part of many world music traditions, most notab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Traditional Music
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato- variation (variations based on a repeated theme). Polyphony (contrapuntal and ostinato variation) is common in African music and heterophony (the voices move at different times) is a common technique as well. Although these principles of traditional (precolonial and pre-Arab) African music are of Pan-African validity, the degree to which they are used in one area over another (or in the same community) varies. Specific techniques that used to generate harmony in Africa are the "span process", "pedal notes" (a held note, typically in the bass, around which other parts move), "rhythmic harmony", "harmony by imitation", and "scalar clusters" (see below for expla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pow R
A prisoner of war (POW) is a person who is held captive by a belligerent power during or immediately after an armed conflict. The earliest recorded usage of the phrase "prisoner of war" dates back to 1610. Belligerents hold prisoners of war in custody for a range of legitimate and illegitimate reasons, such as isolating them from the enemy combatants still in the field (releasing and repatriating them in an orderly manner after hostilities), demonstrating military victory, punishing them, prosecuting them for war crimes, exploiting them for their labour, recruiting or even conscripting them as their own combatants, collecting military and political intelligence from them, or indoctrinating them in new political or religious beliefs. Ancient times For most of human history, depending on the culture of the victors, enemy fighters on the losing side in a battle who had surrendered and been taken as prisoners of war could expect to be either slaughtered or enslaved. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
