Heritage Film
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Heritage Film
Heritage film is a critical term as opposed to a film genre label used by the film industry or filmmakers themselves. It initially referred to a cluster or cycle of late 20th-century British films that were argued to depict the United Kingdom of the pre-World War II decades in a nostalgic fashion. However, this original polemic use has broadened out, and the term is now also used more loosely to refer to period films with high-quality visual production values, including those produced in France, other European countries and beyond. Many – but not all – 'heritage films' were adapted from classic literature of the 19th and early 20th centuries. For its critics on the political Left, however, the 'heritage film' was defined more centrally by: * A particular aesthetic approach (the 'heritage' or 'museum' aesthetic), marked by scrupulous attention to period detail and the use of splendid scenes of the English landscape, which was argued to have conservative ideological effects. * A ...
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Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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