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Hennin
The hennin (french: hennin ; possibly from Flemish nl, henninck meaning cock or rooster) was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. They were most common in Burgundy and France, but also elsewhere, especially at the English courts, and in Northern Europe, Hungary and Poland. They were little seen in Italy. It is unclear what styles the word ''hennin'' described at the time, though it is recorded as being used in French areas in 1428, probably before the conical style appeared. The word does not appear in English until the 19th century. The term is therefore used by some writers on costume for other female head-dresses of the period. With many characters or stories in pop culture, the Hennin is the element used to identify princesses of any kind, as well as that of courtesans or any important woman of royalty. Conical hennins These appear from about 1430 onwards, especially after the mid-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escoffion
An escoffion () was a piece of female medieval headwear which was popular during the Late Middle Ages (1250–1500). It originated and was popular in European countries such as England, France and Germany, and other Balkans, Balkan states. The headpiece was made out of a thick, circular roll of material like wool, felt or silk. The material was shaped, by sewing or starching, into a double-horned configuration, with each horn sometimes being up to a yard long. Over the headdress, gauze or silk was sometimes draped for weight distribution or aesthetic purposes. The escoffion style was a sub-branch of a popular style of headwear called hennin. The style of the escoffion developed over time, eventually given its own name because of its popularity and distinct features which differed from the original conical hennin. The escoffion was a type of "reticulated headdress", meaning that it was bound together by a network of golden thread or wire. The headdress itself was made out of variou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointed Hat
Pointed hats have been a distinctive item of headgear of a wide range of cultures throughout history. Although often suggesting an ancient Indo-European tradition, they were also traditionally worn by women of Lapland, the Japanese, the Mi'kmaq people of Atlantic Canada, and the Huastecs of Veracruz and Aztec (e.g., as illustrated in the Codex Mendoza). The Kabiri of New Guinea have the ''diba'', a pointed hat glued together. History The conical hat is known to have existed as early as the Bronze Age in the Middle East, Eurasia, and Central Europe. Conical hats were recorded in ancient Egypt, especially when depicting Osiris and pharaohs, who emulated Osiris' iconography. Conical hats were also recorded by many Indo-European civilizations. Golden hats have been recorded in burial sites in Central Europe. The Scythians of the Eurasian steppes were noted for having pointed hats, often mentioned by other civilizations, such as in the DNa inscription on the tomb of Darius the Grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointed Hat
Pointed hats have been a distinctive item of headgear of a wide range of cultures throughout history. Although often suggesting an ancient Indo-European tradition, they were also traditionally worn by women of Lapland, the Japanese, the Mi'kmaq people of Atlantic Canada, and the Huastecs of Veracruz and Aztec (e.g., as illustrated in the Codex Mendoza). The Kabiri of New Guinea have the ''diba'', a pointed hat glued together. History The conical hat is known to have existed as early as the Bronze Age in the Middle East, Eurasia, and Central Europe. Conical hats were recorded in ancient Egypt, especially when depicting Osiris and pharaohs, who emulated Osiris' iconography. Conical hats were also recorded by many Indo-European civilizations. Golden hats have been recorded in burial sites in Central Europe. The Scythians of the Eurasian steppes were noted for having pointed hats, often mentioned by other civilizations, such as in the DNa inscription on the tomb of Darius the Grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lappet
A lappet is a decorative flap, fold or hanging part of a headdress or garment. Lappets were a feature of women's headgear until the early twentieth century, and are still a feature of religious garments. Examples of lappets are to be found on the papal tiara and on the nemes headdress of the kings of ancient Egypt. The same term is also used for similar-looking anatomical features on some animals. On women's headdresses Lappets were attached to some types of women's headdresses, notably the medieval hennin. They were also called cornet, although ''cornet'' sometimes referred to the hennin itself. On episcopal mitres The mitres worn by bishops and abbots of Western liturgical denominations, such as the Roman Catholic Church and the Church of England, have lappets attached to them. Mitre lappets are often lined with red silk. The lappets are probably a vestige of the ancient Greek headband called a ''mitra'' (μίτρα), from which the mitre itself descends. The ''mitra'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cointoise
Cointoise is a pendant scarf made from a hat or helmet. Originally, the cloth was worn by Crusaders to keep their helmets cool in the heat of Palestine. Later, it was used a decoration in jousting; the same term being applied later to the veil worn by women which floated from the top of their hennin The hennin (french: hennin ; possibly from Flemish nl, henninck meaning cock or rooster) was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. They were most common in ...s. It is the original of the heraldic "mantle" or wavy scrolls around a coat of arms. References *http://www.levinehat.com/glossary Headgear {{clothing-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Headdress
Headgear, headwear, or headdress is the name given to any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions. Purposes Protection or defence Headgear may be worn for protection against cold (such as the Canadian tuque), heat, rain and other precipitation, glare, sunburn, sunstroke, dust, contaminants, etc. Helmets are worn for protection in battle or against impact, for instance when riding bicycles or motor vehicles. There are also hats that are worn for protection from the cold. Fashion Headgear can be an article of fashion, usually hats, caps or hoods. The formal man's black silk top hat was formerly an indispensable portion of the suit, and women's hats have, over the years, attained a fantastic number of shapes ranging from immense confections to no more than a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wimple
A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk. Its use developed in early medieval Europe; in medieval Christianity it was unseemly for a married woman to show her hair. A wimple might be elaborately starched, creased and folded in prescribed ways. Later elaborate versions were supported on wire or wicker framing, such as the cornette. Italian women abandoned their head coverings in the 15th century or replaced them with transparent gauze, showing their braids. Elaborate braiding and elaborately laundered clothes demonstrated status, because such grooming was performed by others. Today a plain wimple is worn by the nuns of certain orders who retain a traditional habit. In literature The Wife of Bath and the Prioress are depicted wearing wimples in the ''Canterbury Tales'' of Geoffrey Chaucer (c. 1343–1400). The King James ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine De Pisan
Christine de Pizan or Pisan (), born Cristina da Pizzano (September 1364 – c. 1430), was an Italian poet and court writer for King Charles VI of France and several French dukes. Christine de Pizan served as a court writer in medieval France after the death of her husband. Christine's patrons included dukes Louis I of Orleans, Philip the Bold of Burgundy, and his son John the Fearless. Considered to be some of the earliest feminist writings, her work includes novels, poetry, and biography, and she also penned literary, historical, philosophical, political, and religious reviews and analyses. Her best known works are ''The Book of the City of Ladies'' and ''The Treasure of the City of Ladies'', both written when she worked for John the Fearless of Burgundy. Her books of advice to princesses, princes, and knights remained in print until the 16th century. In recent decades, Christine's work has been returned to prominence by the efforts of scholars Charity Cannon Willard, Earl Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aachen Cathedral
Aachen Cathedral (german: Aachener Dom) is a Roman Catholic church in Aachen, Germany and the seat of the Roman Catholic Diocese of Aachen. One of the oldest cathedrals in Europe, it was constructed by order of Emperor Charlemagne, who was buried there in 814. From 936 to 1531, the Palatine Chapel saw the coronation of thirty-one German kings and twelve queens. The church has been the mother church of the Diocese of Aachen since 1930. In 1978, Aachen Cathedral was one of the first 12 items to be listed on the UNESCO list of World Heritage sites, because of its exceptional artistry, architecture, and central importance in the history of the Holy Roman Empire. History Charlemagne began the construction of the Palatine Chapel around 796, along with the rest of the palace structures. The construction is credited to Odo of Metz. The exact date of completion is unclear; however, a letter from Alcuin, in 798, states that it was nearing completion, and in 805, Pope Leo III consecrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of York
Margaret of York (3 May 1446 – 23 November 1503)—also by marriage known as Margaret of Burgundy—was Duchess of Burgundy as the third wife of Charles the Bold and acted as a protector of the Burgundian State after his death. She was a daughter of Richard, 3rd Duke of York, and Cecily Neville, and the sister of two kings of England, Edward IV and Richard III. She was born at Fotheringhay Castle, Northamptonshire, in the Kingdom of England, and she died at Mechelen in the Low Countries. Early life Duchess Isabella of Burgundy, the mother of Charles the Bold, was, through her blood ties and her perception of Burgundian interests, pro-English. As a granddaughter of John of Gaunt, she was consequently sympathetic to the House of Lancaster. She believed that Burgundian trade, from which the Burgundian State drew its vast wealth, depended upon friendly relations with England. For this reason she was prepared to favour any English faction which was willing to favour Burgundy. By 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
