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Harshness
Harshness (also called raucousness), in music information retrieval, is a Non-Contextual Low-Level Audio Descriptors (NLDs) that represents one dimension of the multi-dimensional psychoacoustic feature called as musical timbre. Classical timbre’ NLDs are roughness, spectral centroid, and spectral flux. While harmonicity and inharmonicity can also be considered NLDs, harshness differs from them, as well as from roughness, once it reckons for a distinguished perceptual audio feature expressed by the summary spectral periodicity. This feature is especially clear in single- pitch, single-note Note, notes, or NOTE may refer to: Music and entertainment * Musical note, a pitched sound (or a symbol for a sound) in music * ''Notes'' (album), a 1987 album by Paul Bley and Paul Motian * ''Notes'', a common (yet unofficial) shortened version ..., musical audio, where the timbre of two different musical instruments can greatly differ in levels of harshness (e.g., the difference in harshne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Information Retrieval
Music information retrieval (MIR) is the interdisciplinary science of retrieving information from music. MIR is a small but growing field of research with many real-world applications. Those involved in MIR may have a background in academic musicology, psychoacoustics, psychology, signal processing, informatics, machine learning, optical music recognition, computational intelligence or some combination of these. Applications MIR is being used by businesses and academics to categorize, manipulate and even create music. Music classification One of the classical MIR research topic is genre classification, which is categorizing music items into one of pre-defined genres such as classical, jazz, rock, etc. Mood classification, artist classification, instrument identification, and music tagging are also popular topics. Recommender systems Several recommender systems for music already exist, but surprisingly few are based upon MIR techniques, instead making use of similarity betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychoacoustic
Psychoacoustics is the branch of psychophysics involving the scientific study of sound perception and audiology—how humans perceive various sounds. More specifically, it is the branch of science studying the psychological responses associated with sound (including noise, speech, and music). Psychoacoustics is an interdisciplinary field of many areas, including psychology, acoustics, electronic engineering, physics, biology, physiology, and computer science. Background Hearing is not a purely mechanical phenomenon of wave propagation, but is also a sensory and perceptual event; in other words, when a person hears something, that something arrives at the ear as a mechanical sound wave traveling through the air, but within the ear it is transformed into neural action potentials. The outer hair cells (OHC) of a mammalian cochlea give rise to enhanced sensitivity and better frequency resolution of the mechanical response of the cochlear partition. These nerve pulses then travel to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surface Roughness
Surface roughness, often shortened to roughness, is a component of surface finish (surface texture). It is quantified by the deviations in the direction of the normal vector of a real surface from its ideal form. If these deviations are large, the surface is rough; if they are small, the surface is smooth. In surface metrology, roughness is typically considered to be the high-frequency, short-wavelength component of a measured surface. However, in practice it is often necessary to know both the amplitude and frequency to ensure that a surface is fit for a purpose. Roughness plays an important role in determining how a real object will interact with its environment. In tribology, rough surfaces usually wear more quickly and have higher friction coefficients than smooth surfaces. Roughness is often a good predictor of the performance of a mechanical component, since irregularities on the surface may form nucleation sites for cracks or corrosion. On the other hand, roughness may pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectral Centroid
The spectral centroid is a measure used in digital signal processing to characterise a spectrum. It indicates where the center of mass of the spectrum is located. Perceptually, it has a robust connection with the impression of brightness of a sound. It is sometimes called center of spectral mass. Calculation It is calculated as the weighted mean of the frequencies present in the signal, determined using a Fourier transform, with their magnitudes as the weights: : \mathrm = \frac where ''x(n)'' represents the weighted frequency value, or magnitude, of bin number ''n'', and ''f(n)'' represents the center frequency of that bin. Alternative usage Some people use "spectral centroid" to refer to the median of the spectrum. This is a ''different'' statistic, the difference being essentially the same as the difference between the unweighted median and mean statistics. Since both are measures of central tendency, in some situations they will exhibit some similarity of behaviour. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectral Flux
Spectral flux is a measure of how quickly the power spectrum of a signal is changing, calculated by comparing the power spectrum for one frame against the power spectrum from the previous frame. More precisely, it is usually calculated as the L2-norm (also known as the Euclidean distance) between the two normalised spectra. Calculated this way, the spectral flux is not dependent upon overall power (since the spectra are normalised), nor on phase considerations (since only the magnitudes are compared). The spectral flux can be used to determine the timbre of an audio signal, or in onset Onset may refer to: *Onset (audio), the beginning of a musical note or sound *Onset, Massachusetts Onset is a census-designated place (CDP) in the town of Wareham, Massachusetts, United States. The population was 1,573 at the 2010 census. Geog ... detection, among other things. Variations Some implementations use the L1-norm rather than the L2-norm (i.e. the sum of absolute differences ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Note
In music, a note is the representation of a musical sound. Notes can represent the Pitch (music), pitch and Duration (music), duration of a sound in musical notation. A note can also represent a pitch class. Notes are the building blocks of much written music: musical analysis#Discretization, discretizations of musical phenomena that facilitate performance, comprehension, and musical analysis, analysis. The term ''note'' can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch", or "the piece begins with two repetitions of the same note". In the former case, one uses ''note'' to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also: Key signature names and translations.) Two notes with fundamental frequency, fundamental frequencies in a ratio equal to any integer power of two (e.g., half, twice, or four times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Technology
Music technology is the study or the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, playback or record songs or pieces; or to analyze or edit music. History The earliest known applications of technology to music was prehistoric peoples' use of a tool to hand-drill holes in bones to make simple flutes. Ancient Egyptians developed stringed instruments, such as harps, lyres and lutes, which required making thin strings and some type of peg system for adjusting the pitch of the strings. Ancient Egyptians also used wind instruments such as double clarinets and percussion instruments such as cymbals. In Ancient Greece, instruments included the double-reed aulos and the lyre. Numerous instruments are referred to in the Bible, including the cornu, pipe, lyre, harp, and bagpipe. During Biblical times, the cornu, flute, horn, pipe organ, pipe, and trumpet were also used. During the Middle Ages, music not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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